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Isaac Lichtenstein 1Rare Oil Painting Arab Man Bezalel School Jerusalem 1913, Judaica1913
1913
$2,200
£1,670.51
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A$3,418.65
CHF 1,785.11
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NOK 22,798.59
SEK 21,381.06
DKK 14,257.71
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About the Item
Extremely rare work of art from the early Bezalel School of Boris Schatz in Ottoman Palestine. it depicts an Orientalist Arab Sheik in traditional Headwear.
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal (Marc Chagall) (1927), 16 pp.; and Shmuel Hirshenberg (Samuel Hirszenberg) (1928), 19 pp. Both of these monographs were translated into English and published in B’nai B’rith Magazine. In 1938 he commenced a world exhibition in New York and there he remained. In 1941 he revived in New York the art publisher Maḥmadim (founded in Paris in 1912), and it published: his art portfolio Yerushalayim (Jerusalem), 10 plates; Yankev Glatshteyn’s Yosl loksh fun khelem (Yosl Noodle from Chełm), with music by Henekh Kon and illustrations by Likhtenshetyn (1944); Geto-motivn (Ghetto motifs) by the artist Avrom Volkovitsh, with an appreciation of the artist by Likhtenshteyn (1946); the album, Kedoshim, lider far farpaynikte (Martyrs, songs for those who suffered), with Likhtenstein’s drawings and music by Henekh Kon (1947). He served as director of the art center of the World Jewish Culture Congress in New York. He arranged exhibitions of Jewish and Israeli artists, ran series of art-evenings in the auditorium of the Jewish Museum, designed covers for Yiddish books, and contributed work to: Tsukunft (Future), Idisher kemfer (Jewish fighter), Legyonern-zhurnal (Legionnaire’s journal), Unzer tsayt (Our time), the anthology Vitebsk amol (Vitebsk in the past), and Almanakh yidish (Yiddish almanac), among other publications. In 1960 he made a long trip to Europe and the state of Israel. He was last living in New York.
After WW2 he moved to New York and dedicated his life to painting and publishing illustrated Jewish books. He also helped many young Jewish artists to emerge on scene. Not many of Isaac Lichtensteins paintings survived Holocaust and wars. But there are some held at the Ben Uri collection in London.
- Creator:
- Creation Year:1913
- Dimensions:Height: 20.5 in (52.07 cm)Width: 6.5 in (16.51 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear to frame.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212436132
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View AllJudaica Oil Painting 1945 Palestine Old Jewish Man Polish Israeli Artist
By Ozer Shabat
Located in Surfside, FL
Ozer Shabat 1978-1901
Ozer Shabbat was an Israeli painter, a resident of Haifa. Belonged to the Palestine Expressionist group of the late 1920s and early 1930s.
Shabbat was born in Wolbrom, Poland. At the end of the First World War he went to Holland for agricultural training in the framework of the HeChalutz movement, prior to his immigration to Palestine. In 1920 he immigrated to Eretz Israel and joined the Hulda group. Later he joined the Merhavia group and there he began painting. Because of his desire to study drawing, he left the group and moved to Jerusalem. In 1921, he wrote articles in the newspaper "HaSadeh" on the subject of agriculture and Dutch cheese.
Ozer Shabath won the first prize in a competition for the design of the Dutch Consulate's Garden in Jerusalem, enabling him to travel to Paris in 1923 to study painting. Until 1925 he studied painting at the Grande Chaumiere Academy in Paris. This year he returned to Eretz Israel and settled in Haifa, where he lived until his death.
In 1928 he participated for the first time in an exhibition of Eretz Israel artists at the Tower of David. Since then he has participated in all the general exhibitions of Israeli artists. In 1934, together with painters Menachem Shemi, Avraham Mohar, Zvi Meirovitch and others, he founded the Haifa Artists' Group. In 1935-36 he toured Europe and visited Italy, France and England. During his visit, he maintained contacts with artists from the Jewish school of Paris.
He has exhibited in several solo exhibitions, represented Israel in exhibitions in Europe and participated in international exhibitions in New York, Johannesburg and Zurich. In 1958 he represented Israel in the Venice Biennale. In 1960, Shabat, together with Elchanan Halpern he represented the Israeli Painters Association at the International Congress of Plastic Arts held in Vienna, Austria . In the 40s and 50s he focused on landscape pictures. However, despite the focus on the Israeli landscape, the approach is universal in the framework of the post-Impressionist painting school. In the 1960s, his approach changed and he turned more to abstraction. The abstract direction gradually evolved. The point of departure of the abstract approach is the architectural landscape, but this view loses its real character and becomes only imaginary: the buildings lose their real character and turn into exclusive geometric areas that are usually set against a dark background. Over time, architecture captured the lion's share of his paintings. Cities like Safed, Jaffa and Jerusalem are the subject of many pictures.
He taught painting and art at the schools of the kibbutzim in Ramat Yochanan and Kfar Yehoshua, in high schools in Haifa and in the IDF and Gordon seminars.
His paintings were purchased and are in the permanent collection of the Bezalel National Museum (now the Israel Museum), Haifa Museum of Art, Haifa Maritime Museum, Acre Municipal Museum.
Select Solo exhibitions
1936 - Nadler Gallery, Haifa.
1943 - The Tel Aviv Museum of Art.
1952 - Artists House, Haifa.
1953 - Bezalel House, Jerusalem.
1955 - Gallery in Geneva, Switzerland.
1955 - The Writers' Club, Haifa.
1959 - Artists House, Haifa.
1960 - Museum of Modern Art, Haifa.
1962 - Museum of Modern Art, Haifa.
1963 - Gallery 220, Tel Aviv.
1968 - The Municipal Museum of Beit Emanuel, Ramat Gan.
1979 - Memorial exhibition marking the first anniversary...
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1940s Post-Impressionist Figurative Paintings
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Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in1920. Studies: 1921-25 Art Academy, Vienna; Dresden Academy. ALlweil brought with him the high values of the Central European avant-garde, which he had absorbed during his years of study in Vienna. He joined the ‘Kunstschau’ group- of artists that had formed around Gustav Klimt and Egon Schiele. He exhibited with them in the 1920’s, and emigrated to Palestine in 1926. He was one of the founders of the Tel Aviv Art Museum and the Midrasha Art Teachers College in Israel. As opposed to other modern Israeli artists in his period, Allweil's woodcuts and illustrations pertained to contemporary events such as the Holocaust and the pioneering spirit before the establishment of the State of Israel. Most notable is this work as well as the first illustrated Passover Haggada for the IDF which he made in 1950 and which was printed for 3 years with his inspirational woodcut illustrations. He published a series of linoleum cuts of Israeli and Biblical subjects and created large scale murals of the Holocaust.
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Education
1921-25 Art Academy, Vienna, Austria
1921-25 Dresden Academy, Germany
Teaching
Herzliyah Gymnasium High-School, Israel, art.
Tel Aviv High School
Awards And Prizes
1937 Dizengoff Prize for Painting and Sculpture,
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size includes frame
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Modernist Oil Painting 1940s, Judaica Hasidic Rabbi in Jerusalem
By Emanuel Glicenstein Romano
Located in Surfside, FL
Genre: Portrait
Subject: Landscape
Medium: Oil
Surface: Board
Country: United States
EMANUEL ROMANO
Rome, Italy, b. 1897, d. 1984
Emanuel Glicenstein Romano was born in Rome, September 23, 1897.
His father Henryk Glicenstein was a sculptor and was living in Rome with his wife Helena (born Hirszenberg) when Emanuel was born. His father obtained Italian citizenship and adopted the name Enrico. Emanuel was brought up in Italy, Switzerland, Germany, England and Poland.
In 1926 Emanuel and his father sailed for New York. They briefly visited Chicago. Romano's sister, Beatrice, and mother only joined them in New York years later.
Romano changed his name on his arrival to America and some have erroneously speculated that this was to avoid antisemitic discrimination. In truth, as the son of a highly-regarded artist, Romano changed his name to ensure that any success or recognition he would later attain, would be the result of nothing other than his own merit as an artist, and not on account of his father's fame.
In 1936 Romano was worked for the Federal Art Project creating murals. During and immediately after World War II, Romano created a series of allegorical works depicting graphic holocaust images that were held closely by the family until after his passing. One of these works is now on permanent display in the Florida Holocaust Museum in St. Petersburg Florida.
Emanuel's father died in 1942 in a car accident before they could realize their shared dream of visiting Israel.
In 1944 Romano, having completed his degree at the Pennsylvania Academy of Fine Arts and the Art Institute of Chicago, began teaching at the City College of New York.
Romano moved to Safed, Israel in 1953 and established an art museum in his father's memory, the Glicentein Museum.
COLLECTIONS
Indianapolis Museum of Art
Metropolitan Museum of Art
Boston Fine Arts Museum
Fogg Museum
Musée Nacional de France
Recently his work has been added to the Florida Holocaust Museum collection. His notable works include his holocaust themed allegorical paintings as well as portraits of Marianne Moore, his father and William Carlos Williams...
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Rabbi in Jerusalem Modernist Israeli Judaica Oil Painting Arie Alweil Viennese
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Located in Surfside, FL
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Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in1920. Studies: 1921-25 Art Academy, Vienna; Dresden Academy. ALlweil brought with him the high values of the Central European avant-garde, which he had absorbed during his years of study in Vienna. He joined the ‘Kunstschau’ group- of artists that had formed around Gustav Klimt and Egon Schiele. He exhibited with them in the 1920’s, and emigrated to Palestine in 1926. He was one of the founders of the Tel Aviv Art Museum and the Midrasha Art Teachers College in Israel. As opposed to other modern Israeli artists in his period, Allweil's woodcuts and illustrations pertained to contemporary events such as the Holocaust and the pioneering spirit before the establishment of the State of Israel. Most notable is this work as well as the first illustrated Passover Haggada for the IDF which he made in 1950 and which was printed for 3 years with his inspirational woodcut illustrations. He published a series of linoleum cuts of Israeli and Biblical subjects and created large scale murals of the Holocaust.
Teaching: In Israel, art. Prizes: Received Dizengoff Prize twice; 1955 Turov Prize for Bible Illustrations. Published series of linoleum cuts of Israeli and Biblical subjects, also illustrated a Passover Haggada and large scale murals of Holocaust. From 1952 until his death lived in Tel Aviv and in Safed in summer. Died 1967, Safed.
Education
1921-25 Art Academy, Vienna, Austria
1921-25 Dresden Academy, Germany
Teaching
Herzliyah Gymnasium High-School, Israel, art.
Tel Aviv High School
Awards And Prizes
1937 Dizengoff Prize for Painting and Sculpture,
Tel Aviv Museum of Art, Municipality of Tel Aviv-Jaffa
1946 Dizengoff Prize
1955 Turov Prize for Bible Illustrations
Select Solo Exhibition:
1933 Tel Aviv Museum, Solo Exhibition
1942 Katz Gallery, Tel Aviv
1950 Tel Aviv Museum, Tel Aviv
1956 The Blue Dome, Safed
1968 Memorial Exhibition of the artist Arieh Allweil Yad Labanim Museum, Petach-Tikva
1969 Solo Exhibition The Knesset, Jerusalem
1987 Arieh Allweil: 1901-1967 - ''Return to Betanya Ilit'' Beit Gabriel, Zemah
1994 Arieh Allweil: Prints and Caligraphy The Isaac Kaplan Old Yishuv Court Museum,Jerusalem
2011 Arieh Allweil, Letters, Figures, Landscapes
Mishkan Le'omanut, Museum of Art, Kibbutz Ein Harod
Select Group Exhibitions
1929 Eged - Palestine Painters Group Allenby Street, Tel Aviv
Artists: ChanaOrloff, Abraham Melnikoff, Reuven Rubin, Nachum Gutman, Sionah Tagger, Arieh Allweil, Haim Gliksberg, Yossef Zaritsky, Leon Arie Fein, Pinchas Litvinovsky, Elias Newman.
1932 The Bezalel National Museum, Jerusalem
Artists:
Litvinovsky, Pinchas Gutman, Nachum Allweil, Arieh
Exhibition of Artists: P. Litvinovsky, A. Allweil, N. Gutman
1936 First Exhibition of ''Hever Omanim'' Steimatzky Galleries, Jerusalem
Artists:
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1944 Collective Annual Exhibition by Palestinian Artists
Art Gallery of the ''Habima'' Building, Tel Aviv
Artists:
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Materials
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Israeli Judaica Oil Painting, Holy Man Portrait
By Shaul Victor
Located in Surfside, FL
Shaul Victor, (1947-2016), Russian American Israeli artist, paints vivid Judaica/Israel scenes and portraits.
Shaul Victor, painter. Born in Russia in 1947, immigrated to Israel in the early 70's and lived in Safed. He became Orthodox religious.
Shaul Victor graduated from the Academy of Art in Kiev, where he studied between 1967-1973. Immigrated to Israel from the USSR with his wife and children in 1973 after having conflicts and difficulties with the Soviet authorities.
He was accepted as a member to the Israel Painters and Sculptors Association and received a studio and a small gallery in the Artists' Colony in Safed, where he worked for many years. He became a prominent painter among the artists of Safed and received great respect and favorable reviews in the leading Israeli newspapers.
He was also chosen to appear on the Israeli TV (the only channel in the 1980s) about art in Safed.
Select solo exhibitions:
1974 Safed and Bezalel, Jerusalem (Portraits Exhibition).
1976 Smith Gallery London.
1977 Edelstein House, Kiryat Shmona.
Shaul Victor participated in group exhibitions in the Artists' Quarter Gallery in Safed, Tel Aviv, Jerusalem, in the Chai Gallery, Chabad Chassidic Art Institute in Brooklyn, and in other art galleries in Brooklyn. Shaul Victor is one of the artists championed by the Chai Gallery in Crown Heights, Brooklyn New York, they have represented all of the major Lubavitch Hasidic artists such as Baruch Nachshon, Hendel Lieberman...
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