Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Jean-Jules-Antoine Lecomte du Nouÿ
J J A Lecomte du Nouÿ (1842-1923) An oriental street, oil sketch

$1,077.26
£783.70
€895
CA$1,470.16
A$1,637.15
CHF 852.05
MX$20,185.87
NOK 10,851.46
SEK 10,199.32
DKK 6,811.37
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) An oriental street oil on canvas 11.5 x 14 cm no signature In good condition, canvas without stretcher, simply framed under glass. In a modern frame : 22 x 26. 5 cm Provenance: as indicated on the reverse, Galerie Emeric Hahn, Paris Private collection, England An other fine example of oil sketch, for which Lecomte du Nouÿ is reknown and appreciated. But also as we could see it in an other oil sketch of back and shoulder, a fragmental study. The artist uses the same framing process to paint a fragment that suggests a composition. He leaves it to the imagination of the viewer of his work to complete this fragment. It is in this sense that Lecomte du Nouÿ was a very innovative and surprising artist. Jean-Jules-Antoine Lecomte du Nouÿ was born on 10 June 1842 in Paris. Originally of a Piedmontese origin, his family had been settled in France since the fourteenth century and by the time of his birth had reached the status of nobility He was an Orientalist French painter and sculptor. He was strongly influenced by the works and teachings of Charles Gleyre and Jean-Léon Gérôme. Lecomte du Nouÿ found inspiration for his art through extensive travels to Greece, Turkey, Egypt, Romania and Italy. The thematic content of Lecomte du Nouÿ's work was mainly figural, but also spanned over a vast range of imagery throughout his career, including classical, historical and religious. Lecomte du Nouÿ is known for remaining faithful to his detailed, realistic style throughout the extent of his career, despite the onset of the Impressionist, Fauvist and Constructivist artistic movements during his lifetime. His work is said to have contributed significantly to the establishment of an iconic repertoire representing the Orient in the nineteenth century.A Parisian street was named after him in 1932.  Lecomte du Nouÿ showed a strong attachment to visual art from a young age and was reported to have painted portraits of his father and uncle by the age of 6. In 1861, at 19 years of age, the artistic talents of young Jean-Jules-Antoine Lecomte du Nouÿ prompted him to become a pupil at the atelier of Swiss artist, Charles Gleyre. Under Gleyre's guidance Jean-Jules-Antoine learned the significance of individualistic style and gained the foundations of creative visual presentation. Later, Lecomte du Nouy further perfected his knowledge of the artistic form under the mentorship of Jean-Léon Gérôme, who was a renowned painter of the Academicism movement. It was at this time that Jean-Jules-Antoine learned the precision required to depict "la belle nature" —a style of illustration that aims to create the most beautiful representations of the natural form. This later became one of the main techniques employed in Lecomte du Nouÿ's signature artwork. In 1865, Du Nouÿ accompanied fellow artist, Félix Auguste Clément, on his travels to Cairo, Egypt. It was after this voyage that the young Lecompte du Nouy sought to portray the opulence of the Orient. In later years, he continued his travels, visiting countries like Italy and Greece. Lecompte du Nouy found inspiration in all social, historical and literary facets of foreign culture. The Orientalist style is largely characterized by its content, but also by its subdued realism and precision allotted towards depicting the human form. The latter is a prominent characteristic of the 19th century methods upheld by the Académie des Beaux-Arts. Du Nouÿ was a prominent figure within the sphere of academic art and thereby adhered to a rule-based artistic style of well-developed skill and formal composition. The artistic composition of his paintings was often complemented by the use of half-light, which added certain dramatic and melancholic qualities to his work. To this day some, like Alan Braddock, consider Du Nouÿ to have been decidedly modern for his time, because his work directly and indirectly broached some of the key issues of his day, albeit from a decidedly conservative perspective: colonialism, international trade, gender, religion, and history. Du Nouÿ spent most of the later years of his life in Romania. There he painted primarily the royal family and their subjects.However, he returned to Paris right before his death on 19 February 1923. Artworks by Lecomyte du Nouy are held by museums such as Cleveland Museum of Art, Dahesh Museum of Art in New York, Worcester Art Museum, Musée d'Orsay in Paris, Musée des Beaux-Arts de Nantes, etc....
  • Creator:
  • Dimensions:
    Height: 4.53 in (11.5 cm)Width: 5.52 in (14 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    Seller: Inv 4651stDibs: LU111229877292

More From This Seller

View All
Siebe Johannes Ten Cate (1858-1908) View of Toledo, 1896, watercolor signed
By Siebe Johannes Ten Cate
Located in Paris, FR
Siebe Johannes Ten Cate (1858-1908) A View of Toledo Signed, located and dated lower left Watercolor on paper 35.5 x 55 cm irregularly shaped in good condition, some foxings in the ...
Category

1890s Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Marie Joseph Clavel dit Iwill (1850-1923) Landscape with a village, signed
By Marie-Joseph Iwill
Located in Paris, FR
Marie Joseph Clavel dit Iwill (1850-1923) Landscape with a village, signed lower right color pencils on paper 27 x 18.5 cm In good condition, a stain visible in the upper left corner in a modern frame : 40.5 x 32.5 cm This delicate landscape drawn with coloured pencils shows how the artist is trying out a technique that brings him closer to pointillism, here he is part of the contemporary post impressionist movement. A rare work and particularly interesting in this respect. Marie-Joseph Léon Clavel was the son of Frédéric Clavel (1822-1902), an economist and philanthropist, and Amélie Philippe (1822-1904). He learned painting from Emmanuel Lansyer and Karl Joseph Kuwasseg. Spending part of his childhood in Nancy, he finished his studies at the Lycée Bonaparte in Paris. In order to satisfy his father's plans, he began his active life in the trade. In the early days of the 1870 war...
Category

Early 1900s Landscape Drawings and Watercolors

Materials

Color Pencil

Paul Lecomte (1842-1920) A village street with a calvary, watercolor
By Paul Lecomte
Located in Paris, FR
Paul Lecomte (1842-1920) A village street with a calvary Signed lower left Watercolor on paper 29 x 23.5cm Framed : 46.5 x 420cm In quite good condition, light traces of a former fr...
Category

Early 1900s Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

Jean Philippe George-Julliard (1818 – 1888) Landscape with a traveler, oil
Located in Paris, FR
Jean Philippe George-Julliard (1818 – 1888) A landscape with a traveler Oil on paper Signed HG lower right 19.5 x 29 cm The four corners are cut Framed under glass 27 x 47 cm Jean Philippe George-Julliard (1818–1888) or Henri Philippe Julliard was born on 1 january 1818 in Geneva (Switzerland) from french parents. He first studied art in Nantes in France, but later he came back to Geneva where he became pupil of Alexandre Calame...
Category

1860s Romantic Landscape Paintings

Materials

Oil

Edouard Dufeu (1836-1900) A Fantastic scene by a lake, signed drawing
By Edouard-Jacques Dufeu
Located in Paris, FR
Edouard Dufeu (1836-1900) A Fantastic scene by a lake Charcoal on paper Signed lower right 23 x 30,5 cm Framed under glass : 42.5 x 51 cm This fantastic scene, the subject of which remains a mystery, reveals an aspect of Edouard Dufeu's personality in which he is more influenced by Romanticism. We can recognise his nervous, painterly style, which lends itself particularly well to this fantastic scene. Edouard Jacques Dufeu was born in Marseilles on 27 march 1836, and he died in Grasse on December 1 , 1900. He was a French painter and engraver . Coming from a family originally from Egypt, Dufeu moved to Paris in 1860 and frequented the studio of Charles Gleyre...
Category

1880s Impressionist Landscape Drawings and Watercolors

Materials

Watercolor

French school end of 19th century, A seaside with two characters, oil on paper
Located in Paris, FR
French school end of 19th century Seaside with two characters, oil on paper 27 x 49 cm In good condition In a modern frame : 35 x 57 cm
Category

1890s French School Landscape Paintings

Materials

Oil

You May Also Like

North African Street - 19th Century Antique French Orientalist Oil Painting
Located in Sevenoaks, GB
A beautiful late 19th century French Orientalist oil on panel depicting a North African street with figures seated under an awning. Perhaps the location is the pink city of Marrakesh...
Category

Late 19th Century Landscape Paintings

Materials

Oil, Panel

French Impressionist Oil of Cobbled Street Scene
Located in Queens, NY
French Impressionist (19th Cent) carved gilt framed oil cobbled street scene, painting of lady by steps of house.
Category

Antique 19th Century French Victorian Paintings

Materials

Paint

19th Century Giltwood Framed Oil Painting of a Middle Eastern Street Scene
Located in Queens, NY
French Victorian (19th Century) oil painting of a Middle-Eastern street scene in an ornate, carved giltwood frame (signed).
Category

Antique 19th Century French Victorian Paintings

Materials

Giltwood, Paint

Simon - c.1900 Oil, Parisian Street
Located in Corsham, GB
A charming street scene depicting a bustling Parisian quarter filled with people and shops. Signed to the lower right. Beautifully presented in a gilt composition frame. On panel.
Category

Early 20th Century Landscape Paintings

Materials

Oil

Antique Orientalist Oil Painting of a Street Scene by A. L. Mielich
Located in London, GB
Antique Orientalist oil painting of a street scene by A. L. Mielich Austrian, c. 1900 Canvas: Height 52cm, width 40cm Frame: Height 66cm, width 54cm, depth 5cm This vivid street sc...
Category

Early 20th Century Figurative Paintings

Materials

Canvas, Oil

Lively Alley, Framed Orientalist Watercolor, Late 19th Century Early 20th Centur
Located in MARSEILLE, FR
Orientalist watercolor in bright colors, representing a lively alley of people seated or walkig under a vine Framed watercolor: patinated oak frame and golden rod, framer Foord & Di...
Category

Antique Late 19th Century European Napoleon III Paintings

Materials

Paper