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Jean Thomas"Neige dans la vallée du Doubs" - Franche Comté, France1992
1992
$3,574.60
£2,635.11
€3,000
CA$4,893.97
A$5,427.78
CHF 2,850.40
MX$66,656.98
NOK 36,083.40
SEK 34,027.13
DKK 22,830.97
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About the Item
"Neige dans la vallée du Doubs" – Franche-Comté, France
"Snow in the Doubs Valley" - Franche-Comté, France
Oil on canvas signed lower right, 38 x 46 x 2,5 cm, titled and dated on the back, 1992
Framed with a natural oak floating frame (43 x 51 x 3,5 cm frame included)
This serene winter scene offers a panoramic view of the Doubs Valley. In the foreground, dry grasses peek through the snow, contrasting with the white landscape. A turquoise-blue river winds through the valley, adding movement and color. Rolling hills and dark forests form the background, softened by patches of snow.
With a limited palette and visible brushstrokes, J. Thomas captures the calm and poetry of winter in a simple yet striking composition.
JEAN THOMAS (1923-2019)
Trained at the Lyon Academy of Fine Arts, Jean Thomas began exhibiting his work in 1946. His early paintings, influenced by Modernist masters like Fernand Léger and Henri Matisse, also show the impact of contemporaries such as Bernard Buffet. In his landscapes paintings, Jean Thomas explores light with great precision, achieving near-photographic realism while maintaining a distinct artistic style.
Known for his exceptional technical skills, Jean Thomas’s paintings remain in impeccable condition, demonstrating meticulous preparation and execution. He seamlessly blended painting and craftsmanship, creating works of fine detail.
Thomas had a rare ability to capture the essence of places, mainly from France but also from New York and Venice to Tahiti and Corsica. His masterful use of light made his paintings deeply immersive.
Jean Thomas, who passed away in 2019 at the age of 96, left a lasting legacy in major institutions like the Centre Pompidou and the Musée d'Art Moderne in Paris. Throughout his career, his introspective approach allowed him to express what moved him, from portraits to Mediterranean landscapes. His work reflects his deep connection to regions like Provence, Italy, Spain, Tunisia, Sicily, and Corsica, which he saw as endless sources of beauty and inspiration.
- Creator:Jean Thomas (1923 - 2019, French)
- Creation Year:1992
- Dimensions:Height: 14.97 in (38 cm)Width: 18.12 in (46 cm)Depth: 0.99 in (2.5 cm)
- More Editions & Sizes:Original workPrice: $3,575
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Montfort l’Amaury, FR
- Reference Number:1stDibs: LU1806215559672
Trained at the Académie des Beaux-Arts de Lyon, Jean Thomas began exhibiting early works in 1946, in the wake of the great modern painters. “The influences of Fernand Léger and Henri Matisse can be heard in his early canvases, which often feature muted brown-gray tones, as well as echoes of the research of contemporaries such as Bernard Buffet, notably in his series on religious art. From 1955 onwards, Jean Thomas turned his attention to landscapes, which he now depicted with a highly personal style, delivering representations of near-photographic precision. Through a precise study of light and great pictorial mastery, his works bear witness to a trend: post-war realist landscapes. While Paris and the surrounding region provided him with an inexhaustible playground, Jean Thomas thrived on travel - throughout France and the world, from the United States to Polynesia. He kept a notebook in which each painting was listed and located. He ventured to the four corners of the globe. We can follow his peregrinations in Corsica, Normandy, Auvergne, Polynesia and New York. As a professional painter, Jean Thomas has exhibited extensively in Paris (Galerie d'art de la Place Beauvau, Galerie de la Tournelle), throughout France and abroad, from Tokyo to Florence and Brussels. Museums -Musée d'Art Moderne de la Ville de Paris -Musée National d'Art Moderne-Paris , Centre Georges Pompidou -Musée de L'ille de France à Sceaux
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