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After Joseph Heintz the Elder's Entombment of Christ

$4,200List Price

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Mocking of Christ, by Frans Francken (II) and possibly Ambrosius Francken (II)
By Frans Francken II
Located in New York, NY
Mocking of Christ, with all around in grisaille: the Crucifixion, the Resurrection, God the Father, Mankind after the Fall,; in the corners the four evangelists. J. Dijkstra ao, cat. The paintings of Museum Catharijneconvent, Utrecht (Museum Catharijneconvent) 2002, p. 196, pict., as Frans Francken...
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17th Century Mannerist Figurative Paintings

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Coronation of the Virgin, oil on copper, circle of Sebastiano Conca
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Located in New York, NY
The Coronation of the Virgin. Oil on copper. All of our works are covered by our own guarantee of authenticity which covers the work for its ...
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18th Century Old Masters Figurative Paintings

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Holy Family, by the bolgonese master.
By Giuseppe Maria Crespi, Lo Spagnuolo
Located in New York, NY
This exquisite painting, resembling a precious jewel, serves as an exceptional illustration of the devotional cabinet paintings created by Giuseppe Maria Crespi, a highly original Bolognese artist during the late 17th and early 18th centuries. Crespi's distinctiveness extended beyond his unique style and technique to the subjects he chose to portray. While his portraits and genre paintings often displayed a light-hearted and even irreverent tone, his treatment of religious themes resonated with deep emotion, even in its most inventive forms. This recently uncovered work by Crespi is a typical representation, invoking the tender connection between mother and child, and the Child's destiny, all within a compact and intimate format. Executed on a small scale, the painting showcases Crespi's remarkable sensitivity and mastery of paint, especially evident in the expressive brushwork of the drapery. The restrained and focused composition of the Holy Family allows for contemplation of the figures. Mary cradles the Christ child gently, seemingly presenting him to the viewer, her gaze knowing as the infant holds a diminutive cross, symbolizing his future crucifixion. Joseph appears in the background, emerging from the left side of the frame, gazing upward with folded hands in prayer. Individual motifs from this painting reappear in other works by Crespi, suggesting a synthesis of familiar elements into a vibrant composition. The artist's revisitation of designs throughout his career is evident, and this painting on copper likely belongs to a later period, reflecting stylistic ties to other works and Crespi's increased production of smaller devotional pieces. Distinguished by its cool palette, bold coloration, and the expressive force of the artist's hand, this Holy Family painting...
Category

Early 1700s Baroque Figurative Paintings

Materials

Copper

Virgin and Child with Music-Making Angels
By Anthony van Dyck
Located in New York, NY
The Virgin and Child with two music-making angels, after Van Dyck; in clouds, the Virgin shown half-length supporting the infant Jesus on an orb, looking to right at an angel playing...
Category

17th Century Baroque Figurative Paintings

Materials

Copper

Portrait of a young girl from Genova, Benoit Blanc
Located in New York, NY
Benoît Blanc (1812-1888), was a painter born in Marseille who was a pupil of Horace Vernet and signed as 'Benoni' upon his return from Italy in 1832. He w...
Category

Late 19th Century Portrait Paintings

Materials

Canvas, Oil

Susanna and the Elders & Marriage of the Virgin. French pair, 18th Century.
Located in New York, NY
Pair of late 18th Century french oil paintings, representing the story of Susanna and the Elders & The Marriage of the Virgin.
Category

Late 18th Century Figurative Paintings

Materials

Canvas, Oil

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The Adoration of the Magi, an early painting by Frans Francken II (1581 - 1682)
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