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Joshua GriffitIsraeli Pop Art Large Vintage Antique Auto Pink Oil Painting Americana1989
1989
$5,500
£4,176.28
€4,775.89
CA$7,684.30
A$8,546.62
CHF 4,462.78
MX$104,003.23
NOK 56,996.48
SEK 53,452.64
DKK 35,644.29
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About the Item
1951 Born in Tel Aviv, Israel
Since graduating from the Fine Art Academy in Florence, Italy and his return to Israel, Griffit presents a fascinating and unique journey from etchings to realistic paintings, combining abstract textures with realistic images.
Griffit is a collector of images from any source possible, history of art, advertisements, movies, childhood memories, nature and the Land of Israel, self-conscious nostalgia, second hand longing etc.
His paintings, created as a collage, expropriating natural environment and connecting the image to something more, ranging from images, associations and a calligraphic stream of consciousness. The painting looks like a stage, some lit, some focused, some in darkness and partly implicit.
“Painting at its best is similar to poetry, sometimes lean and precise, sometimes hearty and vague. I have no preferences, I want to be surprised with myself every time and curiosity drives me back to the studio every day.”
Griffit lives and works in Israel. Griffit has exhibited at museums and galleries around the world including Art Basel, the International Biennial of Graphic Art in Italy, Yugoslavia, Germany, Austria and Norway.
Selected One-Person Exhibitions
1973 Old Jaffa Gallery, Jaffa, Israel
1974 Graphic 3 Gallery, Haifa, Israel
1980 Tourel Art Gallery, Tel Aviv, Israel
1982 Radius Gallery, Tel Aviv, Israel
1983 Radius Gallery, Tel Aviv, Israel
1984 Goldman Art Gallery, Haifa, Israel
1985 The Israel Museum, Jerusalem, Israel
1987 Herzliya Museum, Israel
1988 Small Maimad Visual Arts Gallery, Tel Aviv, Israel
1988 Ephrat Gallery, Tel Aviv, Israel
1988 Herzliya Museum, Israel
1989 Jack Gallery, New York, U.S.A
1991 The White Gallery, Tel Aviv, Israel
1991 Tivon Art Gallery, Israel
1992 The Open Museum, Tefen, Israel
1993 Kfar Saba Municipal Gallery, Israel
1995 Artists House, Jerusalem, Israel
1995 Arad Museum, Israel
1996 Beit Yad Labanim, Ramat Hasharon, Israel
1997 Praxis, Paris, France
1997 Neve Tzedek Gallery, Tel Aviv, Israel
1997 Kibbutz Machanayim, Israel
1998 The Beit Yad Labanim Gallery, Ra'anana, Israel
1999 The Museum of Israeli Art, Ramat Gan, Israel
2001 Tel Aviv Performing Arts Center, Israel
2001 Goren Gallery, Emec Izrael Academic College, Israel
2001 Castra Gallery, Haifa, Israel
2004 Givatayim Theater, Israel
2005 Petach-Tikva Performing Art Center, Israel
2008 Gallery 37, Williamstown, MA, USA
2009 Gerstien Gallery Tel Aviv, Israel
2009 Artists’ House, Tel Aviv,Israel
2011 City gallery , Kefar Saba, Israel
2012 Gal-on gallery, Tel Aviv, Israel
2016 Machon-Hamaim, City Gallery, Givatayim, Israel
2017 Art on Campus, Weizmann Institute of Science, Israel
Group shows:
Israel, France, U.S.A., Germany, South America, Italy, Norway etc.
Museum Collections:
Tel Aviv Museum, Israel.
The Israel Museum, Jerusalem.
Israel Museum of Modern Art, Haifa, Israel.
Herzliya Museum, Israel.
The Open Museum, Tefen, Israel.
Private collections:
Discount Bank, Israel. Mercantile Discount Bank, Israel. The Israel Phoenix Assurance Co Israel. IDB Holding Corporation Ltd, Israel.
Alon Israel Oil Company Ltd. Direct Insurance co, Israel. Etc.
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Large Venezuelan Expressionist Oil Painting Diego Barboza Latin American Master
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Diego Barboza - 1945-2003
Hand signed and dated 1988 Oil on Canvas
Diego Barboza was born the Carabobo street of Maracaibo, Venezuela on February 4, 1945. He was a Venezuelan Neo Figurative Painter who is among the most famous and influential figures in Venezuelan art history. Diego Barboza opened a new chapter in Latin America, beyond the surreal or the magical realism of the Modern Latin American Masters. He created a new language of dislocation and transgression. Personages became distorted to the point that was very exaggerated forms His figures twisted and contorted without losing their presence or their pull. Extremities muscles, and bones burst into an explosive compound of divergent and convergent lines. Through eruptive brushstrokes and fractured outlines. Barboza created a world of illusions.
Barboza was born into a upper-middle-class family. He stopped going to school at 12 years old, and he registered himself at the School of Visual Art in the City of Maracaibo Venezuela. Barboza studied at the School of Visual Arts in Caracas, Venezuela. Barboza began his training as an artist at age 12 in his native Maracaibo when he left formal education to enroll in the then School of Plastic Arts of Zulia, then Julio Arraga School of Plastic Arts, where he was a student in the modeling, collage and Drawing of Angelina Curiel. His first collages, in the sixties, show the influence of American Pop Art. In 1967 he exhibited at the Ateneo de Caracas his series 'Los Ratones', a proposal then 'criticized by critics as unprecedented in Venezuela'. In his tribute to the film "Nosferatu" Friedrich Murnau included 32 drawings as well as two-dimensional objects. In 1968 he moved to London where he studied at the London College of Printing. From that time is his '30 Girls with Nets', an action in which 30 students of the London College of Printing, dressed in black and covered by white nets, toured London public places, behaving naturally. His 'street expressions', which he later called 'poetic actions', symbolized a breakdown of social restraints through unusual behaviors that sought to provoke public reactions. Upon his return to Venezuela in 1973, Barboza continues with this line of work, being recognized as one of the initiators of Venezuelan conceptual art. In the 1980's Diego Barboza turned to painting, the New Venezuelan Figuration. Here belongings and the feminine figure fill the work of that time, in which he embodied his intimacy and daily life through scenes of furnishings and flowers that included objects from his workshop and home. His nudes were made from live model, then to follow the path of distortion resulting in their unmistakable females: a figure that represented their personal way of appreciating beauty. Barboza presented his first individual exhibition at the Centro de Bellas Artes of Maracaibo Venezuela. In 1963, he traveled to London when the Conceptual Art movement started, he had the support of the London New Art Lab Gallery. On March 7, 1970 Barboza displayed his first work on Conceptual Art, which he called Art of Action. In London with the performance of 30 Girls with nets (30 Muchachas con redes). His second work was Nets and Hats in markets and restaurants (Con sombreros y redes en mercados y restaurantes). In London UK. His third The Centerpiece (El Ciempies) and the fourth Expression on a laundry-mat (Expresiones en una lavandería)
In 1974. Baboza returned to Venezuela. Where he presented two very important Conceptual Art works: The Armadillo Box (La Caja del Cachicamo) and from the School of Athens to the New School of Caracas (De la Escuela de Atenas a la Nueva Escuela de Caracas). Closing his cycle of Conceptual Art creation. IN Venezuela a sort of impromptu academy started up at Claudio Perna’s house. Eugenio Espinoza, Roberto Obregón, Antonieta Sosa, Alfred Wenemoser, Yeni and Nan, Sigfredo Chacón, Diego Barboza, Luis Villamizar, Margherita D’Amico, Pedro Terán, Alfredo del Mónaco, as well as international figures who happened to be visiting Venezuela such as Antoni Muntadas, Charlotte Moorman, and Roman Polanski would gather there. Venezuela, especially Caracas, was a rich field of action for modernism in South America. Venezuelan Geometric Abstraction, Op art and Kinetic Art dominated through crucial figures like Jesús Rafael Soto, Gego, Alejandro Otero, and Carlos Cruz Diez, the country’s kinetic art made a fundamental contribution internationally. The Greater London Arts Association and the Arts Council of Great Britain did several exhibitions of (North, Central, South, London, Wales, Scotland and Ulster) to show the actual Visual Arts in all of the United Kingdom and Diego Barboza was invited for this event with a solo exhibition, expressions around a cylinder (Expresiones alrededor de un cilindro).
Diego has made numerous solo and group exhibitions, obtaining rewards since 1963. He is represented in the most important museums of Venezuela, as well as in England, Brazil, Colombia and Cuba. In 1986 he was awarded the Municipal Visual Arts Award of the Municipal Council of the Federal District and in 1997 he received the National Prize for Plastic Arts granted by the National Council of Culture, CONAC.
Select Group Exhibitions
1964 Ateneo de Caracas, Caracas, Venezuela
1965 Salón Arturo Michelena, Valencia, Venezuela
1968 Salón Oficial Museo de Bellas Artes, Caracas, Venezuela
1971 Art Spectrum London, London, Great Britain
1972 Serpentine Gallery, London, Great Britain
1973 Midland Group Gallery, London, Great Britain
1974 Galería BANAP, Caracas, Venezuela
1975 Casa de Las Américas, La Habana, Cuba
Museo de Bellas Artes, Caracas
Galería de Arte Nuevo, Buenos Aires, Argentina
1976 Museo de Arte Moderno, Bogotá, Colombia
Museo de Arte Contemporáneo, Sao Paulo, Brazil
Museo de la Tertulia, Cali, Colombia
Bienal de Venecia, Venecia, Italy
1979 Centro de Artes y Comunicación, Buenos Aires, Argentina
1980 Galería NBC, Memphis, Tennessee, USA
1981 Galería de Arte Nacional, Caracas, Venezuela
Museo de Arte Contemporáneo, Medellín, Colombia
Museo de Bellas Artes, Caracas, Venezuela
1986 Museo de Arte La Rinconada, Caracas, Venezuela
1989 Galería Venzor, Chicago, Illinois, USA
1990 Museo Bellas Artes, Santiago de Chile, Chile
1992 Ambrosino Gallery, Coral Gables, Florida, USA
1993 Museo de Arte de Petare, Caracas, Venezuela
Centro de Arte Lia Bermúdez, Maracaibo, Venezuela
1994 Galería Namia Mondolfi, Caracas, Venezuela
1995 Galería Art Nouveau, Maracaibo, Venezuela
Galería Cesar Sassòn, Caracas, Venezuela
Maremares Resort, Puerto La Cruz, Venezuela
Galería Durban, Caracas, Venezuela
Galería Odalys, Caracas, Venezuela
1996 Centro de Arte Grupo Li, Caracas, Venezuela
Galería Uno, Caracas, Venezuela
Centro Cultural Consolidado, Caracas, Venezuela
Espacios Unión, Caracas, Venezuela
Hebraica, Caracas, Venezuela
1997 Sociedad Dramática, Maracaibo, Venezuela, Venezuela
CELARG, Caracas, Venezuela
Galería Ocre Arte, Caracas, Venezuela
Museo de Arte Contemporáneo , Maracay, Venezuela
Galería Medicci, Caracas, Venezuela
Awards
1963 Premio Estímulo - IX Salón d’Empaire, Maracaibo, Venezuela
1964 Premio José Ortìn Rodríguez - X Salón d’Empaire, Maracaibo, Venezuela
1965 Primer Premio de Dibujo - III Salón Pez Dorado, Caracas, Venezuela
1968 Premio Henrique Otero Vizcarrondo - XXIV Salón Oficial Anual de Arte Venezolano Museo de Bellas Artes,
1973 Premio Emilio Boggio...
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Large Italian Modernist Surrealist Lady Mod Oil Painting "La Ragazza Ungherese"
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Framed: 36.25 x 28.5 inches. In good condition.
Lazzaro Donati was b...
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Rare Israeli Modernist Oil Painting Exhibited 1951 Tel Aviv Museum
By Anatol Gurevitch
Located in Surfside, FL
Gurevich Anatole Anatol Gurevitch Anatol Gurewitsch (1916-2005)
Per the hebrew label on the back, this was exhibited in 1951. I believe at the Tel Aviv museum of art (as per the Israel Museum (Jerusalem) website)m in a manner reminescent of Bezalel Schatz, Moshe Castel, Jean david and other Israeli artists of the New Horizons prominent in that period ts a nude crouching figure against a colorful abstract background.
Israeli Painter and stage designer. Yakir of Tel Aviv. Born in Russia, Moscow in the mid-teens of the twentieth century. Studied painting in Berlin. Immigrated to Palestine from Germany in 1934. Served in the British Army (1941-1946). Known for his pantings of Jewish rabbis and other Judaica subject matter. He specialized in stage design for dance troupes: the dance troupe led by Gertrude Kraus, Inbal, the Batsheva Dance Company, the international black dancer tali bati. His first wife was the late dancer and choreographer - the girl Kesten, His son is theater director Michael Gurevich. His second wife was the actress - Rivka Gur, who gave birth to his second son, Eyal. He died at the age of 89 after a serious illness. He left behind two sons: Michael (Miki) Gurevitch and Eyal Gurevitch. He was the uncle of the artist and sculptor - Igael Tumarkin.
He was a stage designer in the theaters
The brothel of Hunzo from Kibbutz Givat Haim, the British military band of this type, the British army, Gertrud Kraus, the Inbal Dance Theater, the Israeli Ballet, the Batsheva Dance Company and more.
He designed a stage for plays
The girl and the Negro, the Threepenny Opera, a band on the Thames, the singer of the land (in the military band of 1944), the banknote to Shlomo, the tea department, Nathan the Wise, Herod and Miriam.
Awards
Yakir Tel Aviv Prize, on behalf of the Tel Aviv Municipality.
Anatol Gurewitsch, painter and Stage designer, born 1916, Moscow. After Second World War worked as stage designer. Designed costumes for dancer Gertrud Krausz. Uncle of Igael Tumarkin, and father of the theater Director Miki Gurewitsch.
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Large Modernist Oil Painting Card Poker Player Aaron Fink Pop Art Americana
By Aaron Fink
Located in Surfside, FL
Aaron Fink (American, b. 1955)
Hand signed and dated 1986, verso.
The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work.
Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art.
In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts.
He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink,
Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning.
He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine.
S E L E C T E D C O L L E C T I O N S
Art Institute of Chicago
Bank of America
Boston Public Library
Bouwfonds Nederlandse Gemeenten, The Netherlands
Brooklyn Museum of Art
Castelli Collection, New York
Chase Manhattan Bank
Chemical Bank
Choate Rosemary Hall, Wallingford, CT
Citizens Bank, Boston
Coopers & Lybrand
Danforth Museum, Framingham, MA
Danish House of Parliament
Davis Museum, Wellesley College, Wellesley, MA
DeCordova Museum and Sculpture Park Lincoln, MA
Farnsworth Museum, Maine
Fidelity Investments, Boston
Fogg Museum of Art, Harvard University, Cambridge, MA
Fuller Museum of Art, Brockton, MA
G.E. Corporation
Goldman Sachs & Company
IBM, New York
Indianapolis Museum of Art
Library of Congress
Massachusetts Institute of Technology, Cambridge, MA
Metropolitan Museum of Art, New York
Museum of Contemporary Art, Chicago
Museum of Fine Arts, Boston
Museum of Modern Art, New York
National Gallery of Art, Washington, DC
New York Public Library
Philadelphia Museum of Art
Portland Museum of Art, Portland, Maine
United States Department of State
University of Massachusetts, Amherst
Awards
Residency, Anderson Ranch, Snowmass, CO, 1998, 1996
National Endowment for the Arts, 1987, 1982
Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984
American Academy in Rome, Prix de Rome – Alternate in Painting, 1979
Yale University, Ford Foundation Special Project Grant, Fall 1979
Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976
SELECTED GROUP EXHIBITIONS
Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine
Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA,
Beautiful Decay, Danforth Art Museum, Framingham, MA
MICA Then and Now, Ethan Cohen Gallery, Beacon, NY
Bon Appetit, Concord Art Association
Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada
New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA
Go Figure: The Figure in Contemporary Art – A Response to Art History,
Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA
Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA
The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA
Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan
Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993
70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987
Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine,
Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY
Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984
The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84
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