Julio Lavallen

'Woman Sleeping', Large Modernist Figural Oil, Buenos Aires, Argentina, Portland

1987

Signed lower left "d'Anty" for Henry d'Anty (French, 1910-1998), titled verso "La Gondole" (The Gondola) and painted circa 1955. A vibrant view of the Grand Canal painted alla prima...

Signed lower center with artist monogram, 'B.S.' for Benjamin Silva (Brazilian, born 1927) and dated with roman numerals, 1968; additionally signed, verso, dated and titled. A dramatic and animated oil painting of a crowd scene showing the feared, mounted police of Mexico City in action against the students in the demonstrations of October 2nd that preceded the opening of the Mexican Olympic Games...

Initialed lower right, 'AEM'; for Anthony Eustace McNaught (American, born 1952) additionally signed verso, 'Anthony McNaught', titled 'Still Life with Blue Jug', and dated 2019. This Post-Impressionist and Expressionist artist studied at the Esalen Institute with Erin Gafill...

A substantial, American School figural oil of a young woman with dark hair shown seated, wearing a simple white cotton shift and gazing to the viewer's left. A dramatically composed...

"Duduyemi" captures the enduring resilience that black women possess in the face of adversity. The artwork depicts a black woman with a serene expression, exuding strength and grace....

'Stay with me' highlights the importance of company and friendships in our lives for days when we are not strong alone. While considering the positive role companionship takes in loneliness, mental health, and wellness. Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist: Born in Lagos (Nigeria) in 1994 and based in Abeokuta, Nigeria. Eniafe Gbenga...

The artwork titled "Kuluso (Ant-Lion Larvae)" is a captivating piece that portrays a man standing beside a woman carrying a child who is breastfeeding. The artwork was created by Nigerian artist Adegbenro Adeola...

I stared at the man with keen interest, hoping to know more about what life has in store for me. The man looked at me sternly, and I couldn’t be more convinced he had seen everything, including my afterlife. A strange language jolted me back to reality as I realized the lady in the room had arrived at the intersection where "Malaicha" and other spirits were. I watched in confusion as the man quickly scribbled down what appeared to be an interpretation of the foreign tongue. My patience dwindled per second as the man kept penning down words. To shorten a long story short, the interpretation was presented in bold letters. My background was also written as additional proof of the veracity of the "spirit." I became eager to know the way forward. "Abeg, Sir, and Ma help my life." "I want to come out of my family's shackles and enemies," I pleaded. They exchanged a knowing look as if they’d been anticipating this moment. My pockets started running dry while my anxiety spiked. I was told to join their religion and denominations. Of course, it’s preferable to go from "God" to "God" in spiritual warfare. I wish to go back to the point of ignorance, where no one was after my life and every day was another day to conquer. A few months later, I realized that to see beyond any circumstances, we must be at ease and calm; we are better able to discern people’s motivations. To see beyond is to see with our inner eyes rather than filthy, unknown eyes. To see beyond is to remain steadfast in personal prayer and to hold out hope that your prayers will be heard. To see beyond is to see beyond the limitations of flesh, realizing that you are gods. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Abiola was born in 1992, in Odo-ona Elewe, Ibadan, Nigeria. He was trained and mentored by Mr. Tope Fatunmbi...