Items Similar to Honeymooning at Greenville, Liberty Magazine Cover, 1923
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Leslie ThrasherHoneymooning at Greenville, Liberty Magazine Cover, 19231923
1923
$13,500
£10,243.49
€11,712.51
CA$18,855.84
A$20,965.13
CHF 10,946.83
MX$255,196.66
NOK 139,676.82
SEK 130,870.51
DKK 87,412.65
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
“Honeymooning at Greenville: Lil and Sandy Continue Their Scenic Trip,” original cover for Liberty magazine, published July 23, 1927
Sandy and Lil are on their honeymoon, which after an expensive stay at a mosquito-inhabited resort in Greenville, has not been going particularly well. Their disappointing fishing trip left them with more fly bites than fish bites. The newlyweds were eager to board the train, settle in to their sleeping car, and journey to their next destination. When Sandy attempts to bring Lil the glass of water she requested, the train suddenly jerks and ice water spills on a sleeping gentleman in the next berth. “‘Oh! Oh!’ Lil gasped, a witness to her husband’s social blunder. And she wished she were deaf!” (Liberty magazine, July 23, 1927, p. 45)
“For the Love o’ Lil: The Picture Story of an American Family”
In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine covers have been disconnected pictures.” To help readers follow the plot from week to week, a short story summary was printed in each issue. (Liberty magazine, June 19, 1926, pp. 69-70).
“For the Love o’ Lil” centers around the lives of Lil Morse and Sandy Jenkins and includes recurring characters from their extended family and social circles. The serial follows the couples’ adventures through courtship, the ups and downs of married life, the antics of their offspring with the neighborhood children, and the complex dynamics of relationships with in-laws. The goal was to show a typical modern American family whose eccentricities and foibles would attract readers each week. Thrasher used himself as the model for Lil’s father, Robert E. Lee Morse.
Liberty further engaged readers by running contests for best titles, and later, for suggested storylines. The model proved successful and “For the Love o’ Lil” became a popular hallmark of the publication for many years, resulting in a 1930 film adaptation starring the flapper Sally Starr.
Leslie Thrasher
Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images.
Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post.
Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter.
- Creator:Leslie Thrasher (1889 - 1936, American)
- Creation Year:1923
- Dimensions:Height: 15 in (38.1 cm)Width: 13.5 in (34.29 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 31621stDibs: LU38432007793
Leslie Thrasher
Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images. Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post. Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2016
128 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Shipping from: Fort Washington, PA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllTwo is Company, Liberty Magazine Cover, November 6, 1926
By Leslie Thrasher
Located in Fort Washington, PA
Date: 1926
Medium: Oil on Canvas
Dimensions: 20.00" x 16.00"
Signature: Signed Lower Left
Liberty magazine cover, November 6, 1926
Category
1920s Figurative Paintings
Materials
Canvas, Oil
The Bad News, Liberty Magazine Cover, Oct. 2, 1926
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published October 2, 1926
Sandy glowers as he sits at the table watching his rival Babe Dolan, the athletic lifeguard, flirt with Lil. Lil is entranced as Babe promises to make her a champion swimmer and the two are oblivious to the arrival of the waiter with the check, which Sandy reluctantly pays with nearly all of the remaining money in his wallet. (Liberty magazine, October 2, 1926, p. 54)
This cover illustration was produced right after Liberty ceased their title contest for readers.
“For the Love o’ Lil: The Picture Story of an American Family”
In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
"I'd Love To, " Liberty Magazine Cover, 1929
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published November 2, 1929.
Sandy hides behind the newspaper at the breakfast table as Lil suddenly asks “Who is Marianthe? You talked about her...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
W-w-whats Zat, Liberty Magazine Cover, 1929
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published December 14, 1929.
As Sandy and Lil retire to the sofa after dinner, Lil comments on how quiet Sandy has been after returning from hi...
Category
20th Century Figurative Paintings
Materials
Canvas, Oil
'None but the Brave, ' Liberty Magazine Cover, 1928
By Leslie Thrasher
Located in Fort Washington, PA
“None but the Brave: A 3 A.M. Melodrama,” original cover for Liberty magazine, published March 31, 1928
Lil awakens at two o’clock in the morning to a ruckus of a cat fight outside ...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
At The End of A Perfect Play, Liberty Magazine Cover, August 7, 1926
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published August 7, 1926
Robert (Pop) Morse returns home from his work at the real estate office after the successful sale of a corner lot on Ma...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
You May Also Like
"Just Married", 1930s Original Painted Figurative Illustration
Located in Soquel, CA
Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...
Category
1930s American Impressionist Figurative Paintings
Materials
Acrylic, Cardboard
Art Deco Coulple Magazine Story Illustration, RedBook The Saturday Evening Post
By Seymour Alling Ball
Located in Miami, FL
Signed lower left: Seymour Ball Inscribed upper left: To Morris E Weiss with best wishes Seymour Ball" Matted not framed
Category
1930s Art Deco Figurative Drawings and Watercolors
Materials
India Ink, Watercolor, Illustration Board
The Duet - A 1930s Theatrical Illustration by British artist John Dronsfield
By John Dronsfield
Located in London, GB
JOHN DRONSFIELD
(1900-1951)
The Duet
Watercolour and pencil
Unframed, in mount only
32.5 by 26 cm., 12 ¾ by 10 ¼ in.
(mount size 45.5 by 39 cm., 18 by 15 ¼ in.)
John Marsden Dron...
Category
1930s Realist Figurative Drawings and Watercolors
Materials
Watercolor
Mary Vincent and the Convict, Good Housekeeping Illustration - Mid Century
By Al Parker
Located in Miami, FL
Al Parker was one of America's greatest and most inventive illustrators. He did work for magazines such as: Chatelaine, Collier's, Ladies' Home Journal and Woman's Home Companion. ...
Category
1950s American Realist Figurative Paintings
Materials
Masonite, Gouache, Pencil
Intimate Talk - Drawing by Luigi Bompard - 1920s
Located in Roma, IT
Intimate Talk is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953).
Hand-signed in pen on the lower margin.
In good condition,...
Category
1920s Art Deco Figurative Drawings and Watercolors
Materials
Ink, Watercolor
"Adventures in Literature" Figurative 1930's Illustration art
Located in Soquel, CA
A wonderful original figure painting for a 1930's illustration by Charles Kinghan (American, 1895-1984). A woman in a plaid green skirt and mustard yel...
Category
1930s American Impressionist Figurative Paintings
Materials
Acrylic, Cardboard