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Leslie ThrasherRoses with Mourning Due, Liberty Magazine Cover
$15,500
£11,716.08
€13,463.86
CA$21,583.65
A$24,010.93
CHF 12,586.83
MX$293,407.72
NOK 160,277.59
SEK 150,879.18
DKK 100,502.59
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About the Item
Original cover for Liberty magazine, published September 18, 1926.
Lil receives an unexpected flower delivery at the Morse home, while a jealous Sandy glowers in alarm and disapproval. Lil ignores Sandy as she happily unwraps the large and expensive bouquet of roses, discovering from the card that the generous gift is from Sandy’s rival, Mr. Babe Dolan, an athletic lifeguard. (Liberty magazine, September 18, 1926, p. 55)
This cover illustration was included in Liberty’s weekly title contest, where the magazine awarded a cash prize for the best title submitted by a reader.
“For the Love o’ Lil: The Picture Story of an American Family”
In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine covers have been disconnected pictures.” To help readers follow the plot from week to week, a short story summary was printed in each issue. (Liberty magazine, June 19, 1926, pp. 69-70).
“For the Love o’ Lil” centers around the lives of Lil Morse and Sandy Jenkins and includes recurring characters from their extended family and social circles. The serial follows the couples’ adventures through courtship, the ups and downs of married life, the antics of their offspring with the neighborhood children, and the complex dynamics of relationships with in-laws. The goal was to show a typical modern American family whose eccentricities and foibles would attract readers each week. Thrasher used himself as the model for Lil’s father, Robert E. Lee Morse.
Liberty further engaged readers by running contests for best titles, and later, for suggested storylines. The model proved successful and “For the Love o’ Lil” became a popular hallmark of the publication for many years, resulting in a 1930 film adaptation starring the flapper Sally Starr.
Leslie Thrasher
Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images.
Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post.
Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter.
Medium: Oil on Board
Signature: Signed Lower Left
Sight Size 20.00" x 16.00;" Framed 26.00" x 22.00"
- Creator:Leslie Thrasher (1889 - 1936, American)
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 32021stDibs: LU38435993492
Leslie Thrasher
Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images. Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post. Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter.
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View All'Hearts and Flowers' Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published December 11, 1926
Sandy called on Lil one evening, only to find that his suspicions were true – Mr. Hammerschlosser, the aging and wea...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
She Loves Me...She Loves Me Not, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
She Loves Me ...She Loves Me Not, Liberty Magazine Cover, June 19, 1926
Original cover for Liberty magazine, published June 19, 1926.
Sandy forgot that toda...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
Fare Thee Well! Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published August 4, 1928.
Having left her husband Sandy, Lil returns to the Morse family home with her two-month-old baby. Ma Morse worries abou...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
W-w-whats Zat, Liberty Magazine Cover, 1929
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published December 14, 1929.
As Sandy and Lil retire to the sofa after dinner, Lil comments on how quiet Sandy has been after returning from hi...
Category
20th Century Figurative Paintings
Materials
Canvas, Oil
The Bad News, Liberty Magazine Cover, Oct. 2, 1926
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published October 2, 1926
Sandy glowers as he sits at the table watching his rival Babe Dolan, the athletic lifeguard, flirt with Lil. Lil is entranced as Babe promises to make her a champion swimmer and the two are oblivious to the arrival of the waiter with the check, which Sandy reluctantly pays with nearly all of the remaining money in his wallet. (Liberty magazine, October 2, 1926, p. 54)
This cover illustration was produced right after Liberty ceased their title contest for readers.
“For the Love o’ Lil: The Picture Story of an American Family”
In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...
Category
1920s Figurative Paintings
Materials
Canvas, Oil
The Homecoming, Liberty Magazine Cover
By Michael Dolas
Located in Fort Washington, PA
Date: 1936
Medium: Oil on Canvas
Dimensions: 28.00" x 18.00"
Cover for Liberty magazine, 11/20/1937. Restored and authenticated by artist.
Category
1930s Figurative Paintings
Materials
Canvas, Oil
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