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Leslie Thrasher
She Loves Me...She Loves Me Not, Liberty Magazine Cover

1926

$18,000
£13,665.29
€15,630.18
CA$25,148.61
A$27,970.74
CHF 14,605.45
MX$340,374.20
NOK 186,533.93
SEK 174,935.92
DKK 116,654.02
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About the Item

She Loves Me ...She Loves Me Not, Liberty Magazine Cover, June 19, 1926 Original cover for Liberty magazine, published June 19, 1926. Sandy forgot that today is Lil’s birthday and Lil is secretly upset. Sandy can’t figure out why Lil is sulking and picks a few daisies as a peace offering and begins pulling off the petals one-by-one, playing “She loves me; she loves me not.” The first flower comes out “she loves me not,” just when Junior jumps out from his hiding place behind the tree, startling Sandy with his insults. (Liberty magazine, June 19, 1926, p. 68) This cover illustration was the first to be included in Liberty’s weekly title contest, where the magazine awarded a cash prize for the best title submitted by a reader. Mrs. J. D. Dickson of San Diego, California provided the winning title: “The First Jolt on the Rocky Road to Doubling (Dublin)” (Liberty magazine, July 24, 1926, p. 59) In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine covers have been disconnected pictures.” To help readers follow the plot from week to week, a short story summary was printed in each issue. (Liberty magazine, June 19, 1926, pp. 69-70). “For the Love o’ Lil” centers around the lives of Lil Morse and Sandy Jenkins and includes recurring characters from their extended family and social circles. The serial follows the couples’ adventures through courtship, the ups and downs of married life, the antics of their offspring with the neighborhood children, and the complex dynamics of relationships with in-laws. The goal was to show a typical modern American family whose eccentricities and foibles would attract readers each week. Thrasher used himself as the model for Lil’s father, Robert E. Lee Morse. Liberty further engaged readers by running contests for best titles, and later, for suggested storylines. The model proved successful and “For the Love o’ Lil” became a popular hallmark of the publication for many years, resulting in a 1930 film adaptation starring the flapper Sally Starr. Leslie Thrasher Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images. Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post. Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter. Date: 1926 Medium: Oil on Canvas Dimensions: 17.00" x 15.00" Signature: Signed Lower Right
  • Creator:
    Leslie Thrasher (1889 - 1936, American)
  • Creation Year:
    1926
  • Dimensions:
    Height: 17 in (43.18 cm)Width: 15 in (38.1 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Washington, PA
  • Reference Number:
    Seller: 2961stDibs: LU38431744623

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'Hearts and Flowers' Liberty Magazine Cover
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Original cover for Liberty magazine, published December 11, 1926 Sandy called on Lil one evening, only to find that his suspicions were true – Mr. Hammerschlosser, the aging and wea...
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1920s Figurative Paintings

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Fare Thee Well! Liberty Magazine Cover
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Original cover for Liberty magazine, published August 4, 1928. Having left her husband Sandy, Lil returns to the Morse family home with her two-month-old baby. Ma Morse worries abou...
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1920s Figurative Paintings

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Roses with Mourning Due, Liberty Magazine Cover
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Original cover for Liberty magazine, published September 18, 1926. Lil receives an unexpected flower delivery at the Morse home, while a jealous Sandy glowers in alarm and disapprov...
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20th Century Figurative Paintings

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'I Dare You' Liberty Magazine Cover
By Leslie Thrasher
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Original cover for Liberty magazine, published February 7, 1931. It’s wintertime and the streets are filled with muddy slush as the children of the neighborhood, Gwendolyn Smithers and Red Hancock, play outside. Red climbs to the top of a swaying wooden fence and begins to walk across it like a tightrope as he brags to Gwendolyn, “I bet you can’t do this.” Hoping he would slip, Gwendolyn giggles, “Ho-ho! I bet I can do it with my eyes shut.” As his ankles shake on the wobbling fence, Red bravely shouts, “I dare you...
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1930s Figurative Paintings

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This Will Hurt You More Than Me, Liberty Magazine Cover
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Original cover for Liberty magazine, published March 28, 1931. Gwendolyn Smithers is loudly singing to herself and disrupting the household. When Mrs. Smithe...
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1930s Figurative Paintings

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You Go There Yourself!, Liberty Magazine Cover
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“For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a s...
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1920s Figurative Paintings

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