Leslie Thrasher

...Unto My Nephew, Sandford Jenkins, Jr..., Liberty Magazine Cover

1929

“I Promised My Wife: Sandy’s Business Trip Adventures,” original cover for Liberty magazine, published September 24, 1927 Traveling on a business trip, Sandy ventures out of his cut...

Original cover for Liberty magazine, published June 1, 1929. Sandy sits in the overstuffed chair of the posh Union Club, a known retreat for bachelors (and men who wish they still w...

Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Left

“And Why Not?: Lil and Sandy Warm Up Their Imagination,” original cover for Liberty magazine, published April 7, 1928 As Mr. and Mrs. Morse leave for a date night at the local lodge, Lil and Sandy spend an evening in front of the fireplace at the Morse home. Sandy turns on sentimental music, gathers marshmallows and a toasting fork, and lights the logs in his father-in-law’s fireplace. The fireplace’s golden glow becomes a picture frame for the couple’s dreams of their future son. Sandy excitedly imagines their baby going to college and being the “head of every class, scholarships galore, and captain of basketball, hockey, crew, and football.” Little Sandy is also imagined to be a brave soldier and even serve as future president of the United States. “Dreams of their son…red embers on the hearth…Their fireplace fantasy!” (Liberty magazine, April 7, 1928) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...

John-Herbert was born in Miami and moved to New York city when he was 3 years old. As the son of a Filipno mother and bi-racial father, his multi-cultural roots at first felt like a challenge but with time, and especially through his creative explorations, he would create his own unique world. This would immerse into his work; containing multiple points of views. Inspirations from Basquiat to Van Gogh, Monet to Dali and Matisse; John-Herbert developed a Neo-Expressionist approach infused with surrealism, figurative, and abstract renderings. From the tender age of eight, Wright gravitated to painting as an escape expressing a rich inner world. His work heavily relies upon dark figurations amongst an urban landscape leaving the viewer space to navigate the world he creates. An analogy of the human condition; centering the female nude/mother and child as the protagonist, he tells the story of the broken seeking respite, the downcast, the other. Wright seeks to illuminate the universe of darkness within all of us, within himself, and that darkness contrasted with fragility has always been at the epicenter of his work. Wright has managed to create a niche for himself as a painter and street-wear designer, contributing to the role the graphic t-shirt played in disseminating New York street culture across the globe. Transferring the techniques of garment making onto his canvases, Wright’s paintings feature backdrops of multiple layers of silk-screened images, drawings and text. He has also expanded his avenues of expression, creating installations and even multi-sensory exhibitions, building even more detailed spaces to travel with him through. Although his success has been celebrated, in many ways till recently, Wright has also kept his own story on fade. This changed last year with his highly lauded solo show “Rewind & Reflect” (at the Blue Gallery...

Albert Pels (1910-1998) Painting of a group of figures, c. 20th century. 12 x 16 in. Framed dimensions: 19 1/2 x 23 1/4 in. Albert Pels was an art educator and painter of figures, genre scenes, urban and rural images, and illustration. He also did murals and worked in the mediums of oil, fresco, and watercolor. He was born on May 7, 1910, in Cincinnati, Ohio and died at the age of eighty-eight on January 25, 1998 in New York City. Albert Pels was the son of Samuel and Frieda Pels. He had two children, Joan Barbara and Richard J.A. with his first wife Gertrude Ethel Jaeckel. He later married Yolanda Zemfler, a painter of impressionist art. While in Ohio, Pels attended the Cincinnati Art Academy in 1931 where he won several scholarships. After moving to New York, he continued his education at the Art Students League, Beaux Arts and the American School. At the Art Students League, Pels studied under Thomas Hart Benton, Kenneth Hayes Miller, and Alexander Brook. Under the tutelage of these mentors, Pels evolved his technique and style. Pels was a member of the National Society of Mural Painters, the Salmagundi Club, and the Society of Independent Artists. He was on the board of directors of the Arts Students League in 1939, as well as, on the board the WPA Artists...

Miriam Story Hurford was a prolific and major American female illustrator in the 1930s to the 1950s. Her work was for cover art for women's magazines and home magazines and religious magazines. This work depicts t the wise men being guided by the star of Bethleham to the birth of the Christ child for a Christmas magazine...

Secrets, oil painting on canvas after Norman Rockwell The original painting was used for the cover of a 1942 Saturday Evening Post. Hand-painted edition after the Painting of Secre...