Manuel Lopez Herrera

Mighty Lord Portrait Oil Painting on Panel Post Modern Contemporary In Stock

circa 2018

Raras Avis Oil Painting on Panel Post Modern In Stock Manuel Lopez Herrera was born in Madrid Spain in 1946. Herrera began with classes in drawing and p...

Piccolo Conquisatore Little Conqueror Oil Painting on Canvas In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sister...

L' Abbatimento della Bandiera Oil Painting on Canvas Mythology In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, father, sist...

Passagi Oil Painting on Panel Wood Surreel Portraits In Stock Tino Luciano (1953, Sardinië) Like most artists, Luciano started painting at an early age. His paintings can be conside...

Oil on panel depicting a bearded gentleman in top hat. Signed lower left. Ornate wood and gesso gilded frame. Overall dimensions given below, the image size is 5.75 inches high X 4.5...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

In 1607, the Delft city council decided to commission a portrait of Stadholder Maurits of Nassau for the town hall, with Michiel van Mierevelt as the chosen artist due to the passing...

This painting, signed in the lower right "Kuster", is a stylized recreation of "Untitled - Portrait of a Man" by Friedrich Schaarschmidt. Like the figure in Schaarschmidt's painting,...