Maurice Kish

Fiddler on the Roof Modern Judaica Shtetl Oil Painting WPA Jewish artist

1955

Oil on board, 1978. It depicts an abstracted portrait of a military man in an army uniform with medals. It is signed by the artist verso. Dimensions: sight size-22 inches tall X 19...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

WEISBUCH, Claude. Oil on Canvas Framed size: 39” H x 28” W Canvas, without frame: 32” high x 21 ¼” wide. Carved wooden frame with antique gold-leaf finish Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...

Konstanty Szewczenko (1910-1991), signed oil Judaica Oil Painting, Chassidic Rebbe, Polish. Frame: 17 X 15.25 Image: 11.5 X 9.5 Konstantin Shevchenko studied at the Institute of Fine Arts in Warsaw in the years 1927 - 1928. Then, in 1932 he studied painting under the guidance of Kowarski and Pruszkowski at the Warsaw Academy of Fine Arts. Practiced easel painting, mostly judaic hassidic rabbi portraits, genre scenes. Among others, a portrait Moscicki, Rydz - Rydz, and after the war Rokossowski.He worked as a set designer. In the years 1934 - 1935 was production designer Variety Theatre. He collaborated with publishing houses with illustrations. He exhibited in Warsaw, Poland, Vienna, Austria and New York. In 1947 he took part in Exhibition Independent Artists Group) and abroad (solo exhibition at the Gallery G. Tomalsky in New York, 1964) . He is one of many great Jewish Polish artists that included Leopold Gottlieb, Maurycy Gottlieb, Henryk Hechtkopf, Leopold Pilichowski, Isidor Kaufmann, Lazar krestin, Alois Heinrich Priechenfried and Itshak Holtz. His works are in the collection of the Museum of the Polish Army. He was an Polish, Austro-Hungarian painter of Jewish themes...

Julius Thiengen Bloch (American, born Germany, 1888-1966) Portrait of a Woman Oil on canvas, 32 x 25 1/4 inches Framed: 38 x 31 inches (approx.) Signed at lower right: "Julius Bloch"...

Trained at the Pennsylvania Academy of Fine Art, Cockrill's approach addresses imagery from Golden children's books with a sense of contemporary irony and humor. Published in "The A...

French school of the 20th Century, Portrait of a young man in green, oil on cardboard panel, cradled on the back 53 x 40 cm This intense portrait is particularly moving and intere...

Oil measures 70x50 cm. Frame measures 83x63 cm. Painter of landscapes and figures, in whose characterization he deepens psychologically capturing the character, Albert Roca has won...