Nahum Tschacbasov

“Profiles”

1952

Intriguing oil on masonite painting by the American artist Richard Kirk of a young boy wearing a jesters hat. Signed lower right. Circa 1960. Condition is excellent. The painting is in it original painted wood and intentionally distressed frame. Overall measurements framed 22.5 by 30.5 inches. Provenance: Sarasota, Florida collector. My first recollections were of drawing. I don't remember telling people that I wanted to be an artist. I just loved drawing. At times, it was all that occupied my young mind. My passion for drawing was instantly converted to a passion for painting after I met my best friend's father, Oleg Stavrowsky...

Oil on masonite encaustic painting by the well known Russian/American artist, Nahum Tschacbasov. Signed and dated top right, 1952. In good to very good condition. Provenance: Est...

Here for your consideration is a mid century modern oil painting on masonite by the well known Russian/American artist, Nahum Tschacbasov. The painting depicts an old man with a long wispy beard holding a group of birds. Signed lower right and dated 1954. Presently unframed. Condition is very good. Provenance: The estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

Oil on masonite painting by the well known Russian/American artist, Nahum Tschacbasov. Signed lower right and dated 1946. In good condition. The painting is framed in a contemporary...

Signed lower left, and lower right, 'Patricia Cunningham' for Patricia Stanley Cunningham (American, 1907-1984) and painted circa 1965. A vibrant, Post-Impressionistic oil showing a view of Paris with two nuns wearing wimples and cornets, one carrying a basket of daffodils, standing beneath the shade of a tree and with a view beyond to the facade of the Cathedral of Notre-Dame lit by bright sunshine. The first woman to serve as president of the Carmel Art Association, Patricia Stanley Cunningham first studied at UC Berkeley and, subsequently, with Hans Hofmann in Munich and with André Lhote in Paris. While in Paris, in 1930, she wed the American artist, John Cunningham. Settling on the Monterey Peninsula after returning from Europe, Cunningham joined the Carmel Art Institute, of which she became president, the Southwest Artists...

Signed lower right, 'Z. Kavin' for Zena Kavin (American, 1912-2003) and dated 1966. Born in Berkeley, California, Zena Kavin studied at the California School of Fine Arts in San Francisco and, privately, with Kravchenko in Moscow. She lived in Berkeley and in Oakland her entire life, except for four years spent in New Mexico in the late 1930s. In 1949, she married artist Jon Cornin and settled with him in Oakland. Under the peudonym Corka, the Cornins produced cartoons for the Saturday Evening Post and the New Yorker. Kavin worked in various media, including wood engraving, lithography and sculpture. She was a member of the San Francisco Artists Association and exhibited with them as well as at the San Francisco Museum of Art Inaugural (1935), the California–Pacific International Exposition, San Diego (1935), the Golden Gate International Exposition (1939). Her work is held in the permanent collections of the Davis Art Center, the New Mexico Museum of Art and the Oakland Museum of California. Reference: Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, page 610; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, page 1801; Mallett’s Index of Artists, Supplement, Daniel Trowbridge Mallett, Peter Smith...

Signed lower right, 'J. P. Serrier' for Jean Pierre Serrier (French, 1934-1989) and dated 1966 Jean-Pierre Serrier was born in Montparnasse and attended the Académie des Beaux-Arts ...

Evocative modern figurative painting of a mother and family in a calming but somber palette by Rodrigo Ramirez Pimentel (Mexican, b. 1945), 1973. Imprimatura and impasto reveals artist's first take had mother looking out at world (can be seen when viewed at side angle) with artist ultimately deciding to have mother looking down at what she's carrying with family behind her and one figure looking like angel of death. Signed and dated "R. P. -73" lower right corner. Unframed. Image size: 36"H x 24"W. Born in Zináparo, Michoacán in 1945, Rodrigo Pimentel is one of the most talented Michoacan artists whose career is well known to many specialists in Mexican art. His work is part of the Permanent Collection of the Museum of Modern Art in Mexico City and other important collections in Mexico and the world. Rodrigo Pimentel studied at the ENAP, and became a pupil of several teachers who were still struggling for classical academic education: Santos Balmori, Francisco Moreno Capdevila...