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Natalya Mougenot Watercolor figurative woman painting on paper "Should we love again or not? "2024
2024
About the Item
This contemporary figurative piece, titled "Should We Love Again ?", by French artist Natalya Mougenot, depicts a faceless woman with dark hair, dressed in a blue gown and black high-heeled shoes, sitting thoughtfully on a chair. The painting blends abstract art, Impressionism, and Expressionism, creating a striking composition that captivates with its bold colors and emotional depth.
Part of the artist’s "Women" series, Should We Love Again explores the complexity of womanhood, identity, and the nuanced experiences of women in the 21st century. In this series, Natalya seeks to understand and represent the multifaceted nature of modern women, delving into the challenges, strengths, and intimate emotional landscapes that define them.
The painting is dominated by vibrant hues of pink, red, and soft blues, setting an energetic backdrop that creates a sense of movement and emotion. The central figure, a woman, is portrayed with an abstracted face, lending an air of mystery and inviting the viewer to engage with the piece on a more introspective and personal level. She wears a striking deep blue dress, which contrasts against the warmer tones of the surrounding environment, emphasizing her contemplative presence.
The woman sits on a chair in a posture that exudes introspection, with her legs crossed and arms drawn close to her body. The chair is outlined with sharp, dark lines, providing a structural contrast to the more fluid, expressive composition. This juxtaposition of bold, defined elements with the abstracted and fluid forms of the piece creates a compelling sense of tension and balance.
The artist’s expressive brushwork, marked by loose, gestural strokes, communicates emotional intensity and spontaneity. The vibrant use of color and the rawness of the brushstrokes add to the emotional resonance of the piece, inviting viewers to connect with the artwork beyond its visual appeal. The abstract rendering encourages a deeper emotional engagement, leaving room for personal interpretation and reflection on themes of love, vulnerability, and connection.
Overall, Should We Love Again stands out for its unique balance of form and abstraction, color and composition. It is a powerful piece that evokes emotional depth and invites the viewer to reflect on the complexities of love and relationships in today’s world.
The artwork is created with watercolor paints on heavyweight professional paper and has been varnished for protection against dust and fading.
It is sold unframed: you are welcome to frame it according to your taste and interior.
The photos of the artwork framed in the interior are for your inspiration.
The artwork was created by the artist in her studio in Lyon, France in 2024. It will be carefully packed and shipped from France to your place ( international delivery).
It is a unique original piece which will be delivered with the Certificate of Authenticity.
About the Artist:
Natalya Mougenot, born in Pavlodar, Kazakhstan, in 1981, is a contemporary French artist who has lived in Lyon, France, since 2003. Raised in a multicultural environment during the Soviet era, Mougenot’s diverse cultural influences have played a key role in shaping her artistic vision. What began as a therapeutic outlet for personal struggles evolved into an exploration of themes like women's empowerment, modern identity, and resilience. Known for her bold and emotional works, Mougenot blends abstraction, nature, and florals to express the complexities of contemporary life. Her unique style, often influenced by art brut and naive art, engages viewers both emotionally and visually.
- Creator:Natalya Mougenot (1981, French)
- Creation Year:2024
- Dimensions:Height: 11.7 in (29.7 cm)Width: 8.27 in (21 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:VÉNISSIEUX, FR
- Reference Number:1stDibs: LU2490215359062
Natalya is a contemporary artist from Lyon, France. She was born and grew up in Kazakhstan, the country known for its spacious steppes and low mountains. She arrived in France 2003. Since that moment she loves her adoptive country. She started painting in 2017 and used it as a therapeutic and emotional release during times of crisis when she was struggling with radical life changes. She incorporates this therapeutic approach in her artistic creative process till now. Several years ago painting became more than a hobby. It became a way of expressing her emotions and visions, a successive reaction to events of either personal or general concern. Her artist statement: “ I paint as it’s a necessity for my soul to express itself. Being creative for me is overcoming the restrictions. My art is a piece of my soul. I hope my art inspires reflection, provides a release and forms connection at other people’s souls”. She has developed her own vision of art through practicing a lot. She makes use of varying degrees of figuration, abstraction and impressionism by adding a contemporary twist. Abstract art for her is an interesting challenge for understanding inner feelings, a self-expression based on an intuitive approach. In figurative art her main subject remains women. Her artworks representing women contain the raw emotions of women. She also communicates the importance and the power of strong female relationships: “Women are enriched when they bond with each other”. She works in series: among them are "Heart-mind connection" of abstract artworks, "Women", "Bond", "Florals", "Springtime"... She uses various mediums ( acrylic, oil, watercolor, oil pastels) to create her unique artworks either on canvas or on paper. But she mainly uses acrylic as she works very quickly and expressively by finishing her artwork in one sitting. If Natalya had to pick one quote about her art, she would say : " Art is the reflection of the soul". Natalya goes with her gut and intuition to choose the colors, the lines, the shapes and the texture. She hopes her artworks will give a home a unique personality by filling it with life and color. Her sources of inspirations are Claude Monet, Paul Cezanne, Henri Matisse, George-Daniel de Monfreid, Paul Gauguin. She also admires the artworks of Joan Mitchell and Banksy.
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