Nika Koplatadze

Georgian Contemporary Art by Nika Koplatadze - Nebula 1

2022

Mixed media on paper

Mixed media on paper

Mixed media on paper

Mixed media on paper

Mixed media on paper

Mixed media on paper

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special enthusiasm on astr...

Line 1213-13 is an abstract painting by contemporary Korean artist Ahn Hyun-Ju. Polyester, acrylic and epoxy on aluminum, 52 x 32 cm. Signed, sold unframed...

The artwork is signed by the Artist on verso of the canvas & stamped with logo of the crazynoodles studio on verso of the canvas The artwork come accompanied with an original Certificate of Authenticity issued by the Studio of the Artist and signed by the Artist This artwork come directly from the Artist's Studio , studio crazynoodles Mint condition Shipped from France Kaho Nakamura is a painter whose work in many ways mirrors the way young artists of our time think. These newcomers are often trying to break through barriers set by older, more experienced artists who believe they are fit to set rules for everyone that’s trying to express themselves through some form of art. Naturally, young people are not at peace with such concepts. This, of course, can also be attributed to the rebellious nature in all of us , our own personal James Deans that fuel our adolescent years. Kaho Nakamura is one of these artists that’s trying to turn the next page of art history. Her paintings represent themes from modern culture using a striking method in oil that has a strong visual and encompassing atmosphere. Growing Up In Kagoshima Kaho Nakamura is yet another recent artist that comes to us from Japan, a country that has produced an enormous number of potentially world-shaking painters in the last few years. Nakamura herself is from Kagoshima, the capital city of Kagoshima Prefecture at the southwestern tip of the Kyushu island, one the east side of Japan. She was brought up in a very liberal atmosphere, atypical for her country which has a reputation for being very strict and traditional. This can be attributed to the general social attitude of Kagoshima, which is much laxer when compared to the rest of The Land of the Rising Sun – probably due to its high rate of tourism. Since her early teens, Kaho was fascinated by the modern look of her hometown and loved every chance of exploring Kagoshima after dark. She would spend countless nights peaking from her bedroom window, secretly watching older boys and girls going to night clubs in their fanciest clothes. As a mean for dealing with her inability to join them, Nakamura started painting in oil, trying to channel what she saw around her on canvas. Ultimately, she grew old enough to enjoy her city at night as well – but her love for painting never left her. All that succeeded to change as she was growing up is that now she was able to find inspiration in observing things much closer and in much more detail. Nakamura’s Style Nakamura’s paintings are very sexual in nature but are far from tasteless – in fact, they are quite the opposite. Her erotic work focuses mostly on depicting Japanese woman in different poses while they’re bending, stretching or simply relaxing. All her pieces describe no more than one person at a time, which gives them an additional dose of intimacy. Over the course of the years, Kaho Nakamura has managed to develop an excellent style when working in oil. Being naturally talented helped a lot, but practice makes perfect and Kaho is a good proof of that statement. It should be noted that her subjects are not nudes in the traditional sense of the word – Nakamura likes to find a nice balance between naked and covered body parts of her subjects. Another feature obvious on all her paintings is the background, or rather what she chooses to put in the background. Nakamura places candy and sweets in the back of her painting’s frames, in most cases ice creams. The interesting part is that most of Kaho’s women are not really connected to the candy behind them in any way, so it almost seems as they don’t belong together. They are intentionally depicted like that with a goal of creating an illusion of dreams and desires – much like the works of Will Cotton...

Salvador Dali - Nude with Parrots - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 Embossed signature On Arches Vellum References : Field 67-10 (p. 34-35) Salvador Dali Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches...

Bolognese school of the seventeenth century Entourage of Giovanni Francesco Barbieri, il Guercino (Cento 1591-1666 Bologna) The Sorceress Circe oil painting on canvas Dimensions (c...

Keith Haring Painted Man: Original 1983 announcement card for Keith Haring’s well-documented exhibition, Keith Haring 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Off-set printed, 1983. Dimensions: 6 x 4 inches. Some minor fading to the reverse; otherwise very good overall condition with strong colors. Literature: Keith Haring: Posters (Prestel pub.) Further About In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Related Categories Keith Haring dancer. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

"Faster Than Thought", mixed media on panel — 82 x 96 x 2 inches (b. 1956) Mark Vinci is a recipient of the prestigious Pollock-Krasner Foundation Grant. Through his abstract work,...

Peter Doig The Zermatt Sewries (Set of 6), 2022 114 x 80 cm Edition Size 250 + 25 APs, each numbered and hand signed Giclée Print on Cotton Smooth Rag Oak frame with Optium Tru Vue ...

Ludo is a bronze and brass base sculpture by French contemporary artist Yann Guillon. Yann Guillon focuses his work on the human body, using an expressionist approach to convey alter...

Pencil drawing of view of nude male statue with bronze casting to leg by French artist M. Lambert, circa 1930. Signed upper left. Original artwor...

Mixed media on paper Signed Unique work

Yves Crenn was encouraged by his family from an early age to explore his passion for drawing. In 1990, at the age of 21, Crenn enrolled at Les Beaux Arts de Rouen, where he studied o...

Sword Fight, 2018, pen and crayon on paper

Paper paint graphite charcoal on panel referencing Creation of Adam by Michelangelo in Sistine Chapel Whether the subject matter is figuration or n...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...