Paul Guiragossian

Retrouvailles

1983

Milton Avery, in full Milton Clark Avery, (born March 7, 1893, Altmar, New York, U.S.—died January 3, 1965, New York City), painter noted in his lat...

Early Life and Education: Ghazi Baker, a proponent of Neo-expressionism, was born in 1967 in the vibrant city of Beirut, Lebanon. Raised amidst the rich cultural tapestry of Lebanon, Baker's early years were influenced by the eclectic blend of history, art, and tumultuous social dynamics of the region. In 1991, Baker graduated with distinction from the esteemed American University in Beirut, earning a degree in architecture (B. Arch). This academic pursuit not only honed his technical skills but also instilled in him a profound appreciation for spatial dynamics, form, and structure—a foundation that would later shape his distinctive artistic style. Artistic Journey: Despite his architectural training, Baker felt an irresistible pull towards the realm of visual arts. Fueled by an innate passion for creativity and expression, he embarked on a transformative journey into the world of painting. Drawing inspiration from his surroundings, Baker immersed himself in the vibrant palette of pop art and Neo-expressionism— movements characterized by i bold colors, emotive brushwork, and introspective themes.   Neo-expressionist Evolution: Baker's artistic evolution unfolded against the backdrop of a rapidly changing world. His works reflect a profound engagement with the human condition, exploring themes of identity, displacement, and the universal quest for meaning. Through his dynamic compositions and visceral imagery, Baker invites viewers to delve beneath the surface.   International Recognition: Over the years, Baker's distinctive style has garnered widespread acclaim, earning him recognition on the international stage. His works have been exhibited in galleries and museums around the world, captivating audiences with their raw energy and emotional resonance. From New York to Paris...

Oil on canvas, 1980's by William Skotte Olsen, Denmark. Monogrammed lower right: WSO. Framed Typical are the figures whose faces appear flat and mask-like. In the 1980's and 1990's O...

Ralph Rosenborg (American, 1913-1992) "American Landscape, Sky and Shore, 1973" Oil on canvas. Signed 'Rosenborg' (lower right). Titled (verso). 30 x 40 in Ralph Rosenborg (1913–1992) was an American artist whose paintings were described as both expressionist and abstract and who was a colleague of the New York Abstract Expressionists in the 1940s and 1950s. Unlike them, however, he preferred to make small works and tended to explicitly draw upon natural forms and figures for his abstract subjects. Called a "highly personal artist," he developed a unique style that was considered to be both mystical and magic. His career was exceptionally long, covering more than 50 years. Rosenborg was born in Brooklyn, New York, on June 9, 1913. In 1929, while he was a high school student, he began to work with the designer, artist, and instructor, Henriette Reiss. When Rosenborg encountered her, Reiss was serving as an instructor for the School Art League in the American Museum of Natural History. She was then engaged in instructing both students and their teachers in the city school system by a method she called Rhythmic Design. She believed inspiration for abstract designs could be found in rhythms—rhythms that could be perceived in ordinary perceptions much as they are when listening to music. In May 1930 Reiss selected a drawing by Rosenborg to be shown in an exhibition of creative design by City high school students. From 1930 to 1933, aged 17 to 20, Rosenborg studied with Reiss in what Vivien Raynor of the New York Times called a "pupil-apprentice" relationship. During this time she instructed him in music appreciation, literature, and art history as well as giving technical training in art. In April 1934 Rosenborg was one of 1,500 artists to participate in the annual Salons of America exhibition, which was held that year in Rockefeller Center RCA Building. Each paid two dollars for the privilege of hanging up to three works and none was given prominence over the others. The New York Times reported that by the time the show closed a month later, some 30,000 people had viewed it. The following year he was given a solo exhibition (his first) at the Lounge Gallery of the Eighth Street Playhouse. The year after that he participated in a group show held by the Municipal Art Committee and in 1937 was given a second solo exhibition, this time in the Artists Gallery. That year he also became a founding member of and participated in a group show held by American Abstract Artists, a loose assembly of artists that aimed to promote abstract art and artists in New York. Its founders included Josef Albers, Ilya Bolotowsky, Werner Drewes, Ibram Lassaw, Mercedes Matter, Louis Schanker, Vaclav Vytlacil and Rudolph Weisenborn. At roughly the same time Rosenborg associated himself with a group of abstractionists that called itself "The Ten" (It included Ben-Zion, Mark Rothko, Adolph Gottlieb and Joe Solman) and in May 1938 joined with its other members in what would be his first appearance in a commercial gallery: the Gallery Georgette Passedoit. In 1938 he his work appeared in a group show at the Lounge Gallery, in 1939 in group shows at the Artists Gallery and at the Bonestell Gallery with David Burliuk, Earl Kerkam, Karl Knaths and Jean Liberte...