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Paula Urzica
Chanel Box

2018

About the Item

Born in Transylvania, Romania and of Hungarian origin, Paula Urzica lives and works in London, England. She is known for her hyperrealist paintings depicting large-scale macaroons.
  • Creator:
  • Creation Year:
    2018
  • Dimensions:
    Height: 31.38 in (79.71 cm)Width: 39.25 in (99.7 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Montreal, CA
  • Reference Number:
    1stDibs: LU119415787492

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Born in Transylvania, Romania and of Hungarian origin, Paula Urzica lives and works in London, England. She is known for her hyperrealist paintings depicting large-scale macaroons.
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2010s Contemporary Figurative Paintings

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Zart and Vair
By Simon Casson
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Simon Casson’s paintings are singular statements of pure uniqueness. Their contemporary abstraction inflicts its imprint upon the often capriccio paintings, through predatory slabs o...
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Salix
By Robert Marchessault
Located in Montreal, Quebec
My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...
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2010s Contemporary Figurative Paintings

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Umi III
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Located in Montreal, Quebec
My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...
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