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Pierre-Marie Beyle
A Relaxing Smoke

1874

$11,000List Price

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Mischief, 19th Century British School Signed Oil
Located in London, GB
British School 19th Century Mischief Oil on canvas Image size: 30 x 25 inches Signed and inscribed indistinctly
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

Sleeping Angel, English School 19th Century Reclining Figure Oil
Located in London, GB
English School 19th Century Sleeping Angel Oil on canvas Image size: 29 x 40 inches Contemporary gilt frame
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

Bathing Nudes, 20th Century Signed French Painting, Cubist Inspired
Located in London, GB
Oil on canvas, signed lower left Circa 1930 Image size: 41 x 34 inches (104 x 86 cm) Framed
Category

1930s Cubist Figurative Paintings

Materials

Canvas, Oil

The Rug Merchant, 19th Century Orientalist Oil Signed Oil Painting, 1879
By Carl Friedrich Heinrich Werner
Located in London, GB
Oil on canvas, signed and dated '1879' bottom right Image size: 38 x 59 1/2 inches (96.5 x 151 cm) Ornate Orientalist style gilt frame Carl Werner Carl Friedrich Heinrich Werner wa...
Category

1870s Figurative Paintings

Materials

Canvas, Oil

'I Sleep but my Heart Waketh', 18th Century Italian School
Located in London, GB
Oil on canvas Image size: 12 3/4 x 9 1/2 inches (32.5 x 24.25 cm) Here, we see a sleeping putti lying underneath a set of trees, holding a ribbon. The text that can be seen on the scroll is from the Song of Solomon, chapter five, verse two; ' I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night'. This work was created after a well-known painting by the Spanish artist Alonso Cano...
Category

18th Century Figurative Paintings

Materials

Canvas, Oil

Ophelia, Victorian 19th Century Royal Academy Oil Painting
Located in London, GB
Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...
Category

Late 19th Century Victorian Figurative Paintings

Materials

Canvas, Oil

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