Rajeswar Rao

Bond Brothers 1, Acrylic on Acrylic Sheet by Contemporary Artist "In Stock"

Rajeswar Rao James Bond With 3 Snails Acrylic on Acrylic Sheet, 48 x 36 inches Solo Shows 1996 Sakshi Gallery Bangalore 1997 Sakshi Gallery Mumbai 1998 Sakshi Gallery Mumbai 1998-9 Sakshi Gallery, Bangalore and Mumbai 2000 Gallery Espace New Delhi 2003. Alankritha art Gallery, Hyderaabad. 2003 Forum Art Gallery Chennai 2005 Sakshi Gallery Mumbai 2006 Sakshi Gallry, Mumbai 2007 Sakshi Gallery, Mumbai 2008 Kalakriti Gallery, Hyderabad 2008 Gallery Espace, New Delhi Group Shows 1191 Maxmuller Bhavan Hyderabad 1994 Gallery Espace New Delhi 1994 Gallery Espace New Delhi. 1995 Sakshi Gallry Bangalore 1995 Pundole art Gallry 1998 Gallery Espace New Delhi 1999 Contemporary Deccan CCMB Hyderabad 2000 ‘Embarkations-millenium show’ Sakshi Gallry Mumbai 2001 ‘Human form and art’ organized by Lalit kala Akademi Daira centre for art, Hyderbad 'Human factor’ the Guild art Gallery Mumbai Surya Art Gallery Hyderabad ‘In conversation’ Gallery Espace 2002 Regional art exhibition 2003 The Deccan Conenctions. Apparao Art Gallery Delhi. 2005 Contemporary Indian Artists. Shrishti art Gallery Hyderabad. Tsumani fund rising show at Grand Kakatiya, Hderabad. Back to the future’ 1989-2000Gallery Espace New DelhiNew colors of Sumukha’ Gallery Sumukha Bangalore. 2006 'Making of Divinity’ Sakshi gallery Mumbai‘Vivarta’ Gallery Sanskriti Kolkota. ‘Sands of Color’, Art and Soul New Delhi. Exhibition of Drawings Lakshana Art Gallery, HyderabadTelling it like it is – The Indian story : The Gallery at 28 Cork Street, London by gallery Espace and Ganges Art Gallery. 2008 Deeper than skin: Daira center for arts and culture Hyderabad. 2008 constructing the present Ganges art gallery. 2008 Bangladesh Biennale. 2009 ‘Hamuman’ Forum Art Gallery, Chennai. 2009 Birla Academyof art. 2009 12 Contemporary Artists of India. Daira, Hyd. 2009 Think small. Art alive, New Delhi. 2009 Art summit 2009. New Delhi. 2009 Art Expo. Mumbai. 2012 Art Fair New Delhi 2013 Art Fair New Delhi 2013 ‘High art Low Art’ Art Alive New Delhi 2014 Flowering Cultures, Gallery one, Gurgaon. 2014 ‘Tradition & Transition’ Indo China Water colour Show. KalakritiGallery, Hyderabad. 2014 ‘Ramaniyam’Three Generations of Hyderabad Art, Shrishti Gallery, Hyderabad. 2014 ‘Art Indeed’ Fund raising for ‘Hudud’ victims, gallery muse hyd. 2016 Group Show , Mon art gallery Kolkata. 2017 ‘Dimensions’ Group show, Shrishti gallery, Hyderabad. Art Camps 1981 All India graphic camp by Sate lalit kala academy, Hyderabad. All 1982 India artists...

Amitava Das - Untitled - 47 X 71 inches (Unframed Size) Acrylic on Canvas , 1992 ( ROLLED AND DOOR DELIVERED ) Amitava Das’s painting his canvas has a striking quality, the stress o...

Birendra Pani - Re Vision - 66 x 42 inches (unframed size) Acrylic on Canvas , 2010 ** Will be delivered in rolled form. Should you want the work in ready to hand condition please contact gallery for freight calculation. In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Prakash Karmakar – Untitled 60 x 48 inches (unframed size) Acrylic on Canvas 2012 ( Rolled & Delivered ) In this dynamic composition, Prokash blends acrylic on paper, crea...

120.Brindis acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Pelicula...

My painting is made with multi-layered color, texture to give volume to the figures and the fluidity of lines and stokes to depict sensuality of the forms. The cornerstone of my art ...

My painting is made with multi-layered color, texture to give volume to the figures and the fluidity of lines and stokes to depict sensuality of the forms. The cornerstone of my art ...

"Danza e Passione" - Exhibition that was displayed in Wilhelmshaven (Germany) , in 2011. Subsequently, the artwork was included in the exhibition "I Miti e la Danza" displayed in M...