Romeo Villalva Tabuena

Woman with Fruit

1966

“Traveling Together” is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian painted in 2012. Artist’s Statement “𝘛𝘩�...

Signed lower right Framed: H 36 x W 31 x D 2.5 in. Provenance Lucy Krohg Crane Kalman Gallery, London Mr. Selig Burrows (Purchased from above, December 1984) Private collection, New...

Lovely painting - Unframed

Aaron Berkman (New York, 1900 - 1929) "Beach" Oil on canvas 20 x 24 inches Signed lower right: Aaron Berkman Unframed Provenance: Private collection, USA An abstract oil painting o...

Oil on cardboard Grigol Chirinashvili was a Georgian artist (1918-1999) who lived and worked in Tbilisi, Georgia. He graduated from the National Academy of Arts in Tbilisi and the A...

Oil on cardboard Grigol Chirinashvili was a Georgian artist (1918-1999) who lived and worked in Tbilisi, Georgia. He graduated from the National Academy of Arts in Tbilisi and the A...

Oil on cardboard Grigol Chirinashvili was a Georgian artist (1918-1999) who lived and worked in Tbilisi, Georgia. He graduated from the National Academy of Arts in Tbilisi and the A...

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...