Stefano Pozzi

Stefano Pozzi (Rome, 1699 - 1768), attr., Rest from the Flight into Egypt

18th 18th Century

XVII secolo, Scuola romana Bottega di Giovanni Francesco Romanelli, detto il Viterbese (Viterbo, 1610 c.a. –1662) L’idolatria di Salomone Olio su tela, cm 73,5 x 59,5 Il dipinto ...

Pietro Dandini (Florence, April 12, 1646 - November 26, 1712), attr. The Finding of Moses Oil on canvas, 105 x 206 cm Framed, 116 x 219 cm Born, as the erudite Baldinucci reports...

Giovanni Coli (San Quirico, 1636 - Lucca, 1681), Filippo Gherardi (Lucca, 1643- 1704) Assunzione della Vergine Olio su tela, cm 95 x 70 Con cornice cm 111 x 85 La tela in esame è...

XVII secolo, scuola dei Carracci San Giovanni Battista che annuncia la venuta di Cristo Olio su rame, cm 24 x 19 Con cornice, cm 33 x 26 Il dipinto presenta in primo piano la mag...

La scena raffigurata è presa dal capitolo 20 del vangelo apocrifo dello Pseudo Matteo e raffigura un evento avvenuto durante la fuga in Egitto. Maria, stanca, chiede a Giuseppe di ra...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork of great pictorial quality depicting a mythological subject, infant Zeus and the goat Amalthe...

Painted with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist and landscape painter, and...

Matteo Bonechi (Florence, Italy, 1669 - Florence, Italy, 1756) Title: Presentation of Jesus Medium: Oil on canvas Dimensions: without frame 75 x 49 cm – with frame 89.5 x 65 cm Shaped, carved and gilded wooden box frame Expertise by Sandro Bellesi, Professor and art historian Fairs: The International Biennial of Antiques in Florence 2022 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 20, 21. The present painting is a very interesting testimony of the creative process of Matteo Bonechi, one of the leading artists on the Tuscan art scene in the early 18th century. The canvas in question is in fact the last preparatory model made by Bonechi before he executed an altarpiece for the church of San Filippo Neri in Cortona in 1716. The scene presented here is that of the Presentation of Jesus, when, forty days after his birth, the child is ransomed through an offering in the temple and placed in the hands of Simeon, who prophesies his future: the coming of the Messiah...