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Théodore Jacques Ralli
Serenade in Cairo, 19th Century Orientalist Oil on Canvas

1881

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Reclining Nude, 20th Century Oil
By James Stroudley
Located in London, GB
James Stroudley 1906 -1985 Reclining Nude Oil on canvas, signed lower left Image size: 17 x 25 inches Original frame James Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker...
Category

20th Century Nude Paintings

Materials

Canvas, Oil

Sleeping Angel, English School 19th Century Reclining Figure Oil
Located in London, GB
English School 19th Century Sleeping Angel Oil on canvas Image size: 29 x 40 inches Contemporary gilt frame
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

London Costmongers, Urban 20th Century English Oil
Located in London, GB
Attributed to Mary Adshead 1904 - 1995 London Costmongers Oil on canvas Image size: 30 x 36 inches Framed Costermongers were London people that sold fruit and veg and other ‘perishables’ from barrows. Often wheeling and then stationing their barrow on the street, so their customers could easily come and buy from them. Costermongers were fiercely independent, rebellious in their dress and outlook, and had little time for ‘middle class moralising’ and attempts to suppress or restrict their way of life. (Much like modern teenagers) The men depicted stop work for a break with cups of tea and a few read the newspapers. Next to the man with the yellow apron can be seen some cakes on a plate. A work place , a factory can be seen in the distance on the right. It is possible that the painting depicts a cabmen's shelter, as some did serve outside and many still survive today in London. The style of the painting is very much that of a student of the Slade School in London and has similarities with other artists work such as James Batemen or Herbert Ashwin Budd. On the back of the painting it has in chalk the name 'Rhoades', which could refer to the artist Geoffrey Hamilton Rhoades...
Category

20th Century Figurative Paintings

Materials

Canvas, Oil

Summer Haze, Early 20th Century Original Oil
By David Forrester Wilson
Located in London, GB
David Forrester Wilson 1873 - 1950 "Summer Haze" Oil on canvas, signed lower left Image size: 18 x 24 inches Original gilt frame David Forrester Wilson's sensitive portrayal of ...
Category

Early 20th Century Figurative Paintings

Materials

Canvas, Oil

Mischief, 19th Century British School Signed Oil
Located in London, GB
British School 19th Century Mischief Oil on canvas Image size: 30 x 25 inches Signed and inscribed indistinctly
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

After the Carnival, Signed 19th Century Italian Oil
By Luigi Ferrazzi
Located in London, GB
Luigi Ferrazi Italian Fl: 1880 - 1888 After the Carnival Oil on canvas, signed, dated '1885' and inscribed 'Venezia' Image size: 24 ¾ x 33 ½ inches (63 x 85 cm) Contemporary gilt ...
Category

19th Century Figurative Paintings

Materials

Canvas, Oil

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Vizzotto Alberti (Venetian realist painter) - early 20th century figure painting
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Shepherd in the Pyrenees Spain oil on canvas painting spanish landscape Europe
By Enric Porta Mestre
Located in Barcelona, Barcelona
Title: Shepherd in the Pyrenees Artist: Enric Porta i Mestre (1898–1993) Technique: Oil on canvas Style: Post-Impressionism with Expressionist influences Dimensions: Unframed: 23.6 x 31.9 in Framed: 29.9 x 38.2 in Signature: Signed in the lower right corner as "E. Porta". Date: 1956 (according to the inscription on the back). DESCRIPTION OF THE WORK Shepherd in the Pyrenees by Enric Porta i Mestre depicts a rural scene with a striking sense of introspection and evocative charm. The painting portrays a shepherd tending to his flock amidst the mountainous landscape typical of the Catalan Pyrenees. The composition captures the serenity and beauty of nature through vibrant colors and dynamic brushstrokes. The work reflects a Post-Impressionist style with loose, bold strokes and vivid tones, combined with Expressionist influences in its ability to evoke emotions beyond the physical depiction. The energetic and textured brushwork infuses the painting with a lively rhythm, while the rich palette of greens and blues immerses the viewer in the landscape's tranquil atmosphere. In this piece, Porta i Mestre showcases a mastery of color and light, illustrating his deep connection to his homeland and its rural life, which served as a source of inspiration throughout his career. ARTIST BIOGRAPHY Enric Porta i Mestre (La Pobla de Segur, 1898–1993) was a Catalan painter known for his landscapes, still lifes, and costumbrist depictions. Trained in Lleida and Barcelona, Porta debuted in 1922 with an exhibition in the Catalan capital. He later moved to Paris to further his artistic studies, where he connected with avant-garde artists such as Miquel Villà...
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