Unknown

Group of Four Paintings with Scenes from Orlando Furioso, XVIIIth century

1700s

The painting depicts Jephthah and his daughter, two Old Testament biblical characters. The girl is depicted in profile,dressed in the clothing of a seventeenth-century Venetian lady: the low-cut dress, tightened at the waist by a golden belt...

The figure of the Magdalene emerges from the darkness, leaning to follow the curve of the stone support; it is depicted vaulted with an interrogative air towards the dark, as if in an attitude of listening, the left hand raised and the other leaning on the "memento mori" very shortened. In front of her a scourge and the jar of ointment. Painted en pendant, Saint John the Baptist is depicted as a young man, with a lamb at his feet, in his hand the processional cross with the banner "exception agnus dei", while with his right hand he draws from the source of water, recalling the episode that will see Jesus Christ baptized. In both paintings the figures stand out in a strong and incisive way thanks to the black that characterizes the slate plate on which they are depicted. Historical-critical analysis: We are faced with two examples of oil painting on stone. The beginnings of this particular technique are to be placed in the first half of the sixteenth century: after some fifteenth-century experiments it is with Sebastiano del Piombo that the genre takes hold in the sixteenth century. There were different types of support used, also linked to their availability: amethyst, marble in various colors, alabaster and blackboard. The reasons underlying this technical choice refer to Renaissance artistic theories: it is no coincidence that the painter who most often experimented with oil painting on marble...

Oil painting on canvas. Mid 19th century. The large scene tells an unidentified historical episode, set in the Renaissance period, in which an archbishop listens to the plea of a you...

Oil on panel. Northern European school of the 17th century. The scene depicts an episode in the life of Scipio narrated by Tito Livio and Valerio Massimo. Publius Cornelius Scipio, l...

"2X8" is 60” x 48”. The yellows, greens, aquas and blues are combined in the heavy hand, brush and knife strokes which characterize much of this artist’s work. Frank Arnold’s paintin...

"New Move 8" Oil on Canvas is a mix of blues and greens with chrome yellow accents. Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculpto...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

"Teller 3" Oil on Canvas presents a singular form and background in varying shades of green, blue, yellow and white and eart tones. Frank Arnold is viewed as one of the foremost abstract figurative painters and sculptors of our time. He is a living master guided by a personal mission to “turn on a light in the human soul,” through his passionate creation of “Messengers” from his deeper mind connection with Carl Jung's archetypal images, the collective unconscious, and Jungian Synchronicity. These unconscious forms from his deeper mind resonate as personal messages of universal acceptance, reaching out to the viewer. Arnold has been honored as IAD Artist of the year 2018 by International Artist Day, and 2013 FAC Horizon Artist Award. He has exhibited his artwork in numerous galleries and museums and is in collections worldwide. Arnold divides his working days between oil painting in San Jose del Cabo, Baja Sur...