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Workshop of Juan de Flandes
The Last Supper, circa 1500, Important Early Old Master Oil Painting

c. 1500

$36,984.71List Price

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Fine 16th Century Flemish Old Master Oil on Panel The Holy Family Museum Quality
Located in Cirencester, Gloucestershire
The Holy Family attributed to Adrien Thomas Key (Flemish c.1544-1590) oil painting on wood panel (cradled): 24 x 26 inches frame: 34 x 35 inches condition: for its considerable age, ...
Category

16th Century Mannerist Figurative Paintings

Materials

Wood Panel, Oil

Portrait of a Tudor English Gentleman in Fine Ornate Gilt Swept Frame
Located in Cirencester, Gloucestershire
English School, 20th century painted in an earlier 'Tudor' style signed oil painting on paper stuck down on board, framed framed: 32 x 25 inches board: 25 x 18 inches provenance: fro...
Category

20th Century Baroque Portrait Paintings

Materials

Oil

Fine Quality 17th Century Dutch Old Master Oil on Wood Panel Trial of Christ
Located in Cirencester, Gloucestershire
The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...
Category

17th Century Baroque Portrait Paintings

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17th Century Flemish Baroque Old Master Oil on Panel Flagellation of Christ
Located in Cirencester, Gloucestershire
The Flagellation of Christ Flemish Baroque, 17th century oil on wood panel, framed framed: 31 x 42 inches wood panel: 19.5 x 26 inches Provenance: pri...
Category

17th Century Baroque Figurative Paintings

Materials

Oil, Wood Panel

17th Century Italian Old Master Fine Portrait of St. Nicholas
Located in Cirencester, Gloucestershire
St. Nicholas of Tolentino (1245-1305) Italian School, 17th century oil painting on canvas, canvas: 10 x 8 inches provenance: private collection, Germany Very fine and rare 17th century Italian Old...
Category

17th Century Baroque Figurative Paintings

Materials

Oil

Large 18th Century European Oil Painting Three Figures in Landscape
By (After) Bartolomé Esteban Murillo
Located in Cirencester, Gloucestershire
Three Figures in a Landscape Continental School, late 18th century after the earlier painting by Murillo oil on canvas, framed Framed: 31.5 x 35 inches Canvas: 26 x 36.5 inches Prove...
Category

Late 18th Century Baroque Portrait Paintings

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Mannerist Italian painter - 16th/17th figure painting - Madonna praying
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Umbrian-Roman Master (16th-17th century) - Praying Madonna. 84 x 58.5 cm without frame, 96 x 70.5 cm with frame. Antique oil painting on canvas, in wooden frame (not signed). Cond...
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A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...
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Three Angels
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Located in New York, NY
Provenance: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA One of the leading artists in Genoa during the second half of the seventeenth century, Domenico Piola came from a successful family of artists, renowned for their many illusionistic ceiling programs throughout Genoese churches and palaces. A prolific draughtsman and painter, Domenico oversaw an extremely productive studio. In addition to his collaborations with numerous other artists, Domenico also provided many designs for book illustrations and prints that circulated throughout Europe, earning him international exposure and high acclaim in his own day. As Dr. Anna Orlando has indicated (written communication), the present work is an early work by Piola, datable from the late 1640s. At this time the young artist came strongly under the influence of Castiglione and Valerio Castello, while admiring the works of Giulio Cesare Procaccini. Piola’s works from this period are exuberant and fluid, and the artist’s love of portraying children is evident from the angels and putti that populate both his altarpieces and more intimate paintings. The present work depicts three angels...
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