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Allegory Of Time Stella Paint Oil on canvas Old master 16/17th Century Italian

1570-1630

$8,096.72
$10,120.9020% Off
£6,000.12
£7,500.1420% Off
€6,760
€8,45020% Off
CA$11,053.56
CA$13,816.9520% Off
A$12,296.64
A$15,370.7920% Off
CHF 6,446.05
CHF 8,057.5620% Off
MX$150,261.89
MX$187,827.3620% Off
NOK 82,082.41
NOK 102,603.0120% Off
SEK 77,269.24
SEK 96,586.5420% Off
DKK 51,470.05
DKK 64,337.5620% Off
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About the Item

Giacomo Stella (Brescia 1545 - Rome 1630) - Allegory of Time Indicating Truth, Oil painting on canvas, 192 x 74cm. - in golden frame 198 x 81 cm. The work is accompanied by a critical study written by prof. Emilio Negro (Bologna) The beautiful allegorical composition in question, which portrays a proud female figure, was originally conceived to be part of the representative furnishings of a large noble palace, and represents the personification of Time which indicates the Truth (a second interpretation, although less fitting, could be the cardinal virtue of Temperance). This allegorical typology, with a marked Renaissance flavor due to its implied meanings of great political as well as moral value, had great success throughout the 16th and 17th centuries, inducing the spectator to lead, on the basis of past events, a life dedicated to the discipline, to the truth indeed. The allegory is personified by a girl with an iridescent red dress, with her index finger raised as a warning sign; in her hands she holds the book of History, whose temporal consequentiality allows us to have the tools to attain wisdom, while at her feet we can see an hourglass, the quintessential symbol of the passing of time. The work, whose execution expresses elegance and power at the same time, can be traced back to Giacomo Stella (Brescia 1545 - Rome 1630), a significant Mannerist artist active between the sixteenth and seventeenth centuries, originally from Brescia but especially active in Rome, where moved at a young age, under the pontificates of Gregory XIII (1572-1585) and his successors Sixtus V (1585-1590) and Urban VIII. In the papal city he came into contact with Girolamo Muziano and Cesare Nebbia, active in many of the major projects of the late 16th century commissioned by the papacy. Among these the most important is the fresco of one of the major religious works of the time, the construction and decoration of the Sistine Chapel in the Basilica of Santa Maria Maggiore (not to be confused with that of the Vatican), destined to become a funeral chapel for Pope Sixtus V . Painter of great temperament and gifted with a beautiful naturalist shot, the great frescoes of the 'Resurrection 'and of the 'Creation of Eve', at the Scala Santa in Rome, are certainly due to his only hand. Conservation status: On the painting are visible old restorations related to the era of the canvas and color retouching. The painting is sold together with a pleasant gilded wooden frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and a descriptive iconographic sheet. We take care of and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda gallery, we will be happy to welcome you to show you our collection of works. Contact us, without obligation, for any additional information.
  • Attributed to:
    Giacomo Stella (Brescia 1545 - Rome 1630) (1545 - 1630)
  • Creation Year:
    1570-1630
  • Dimensions:
    Height: 77.96 in (198 cm)Width: 31.89 in (81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988111292322

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Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...
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