Items Similar to Venus Bacchus Ceres Paggi 17th Century Paint Oil on canvas Old master Mythologic
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 16
Venus Bacchus Ceres Paggi 17th Century Paint Oil on canvas Old master Mythologic1600-1627
1600-1627
About the Item
Giovanni Battista Paggi (Genoa 1554 – Genoa 1627)
Venus, Bacchus and Ceres (Parallel title: ‘Sine Cerere et Baccho, friget Venus’)
Oil on canvas
103 x 78 cm. - Framed 125 x 100 cm.
‘Sine Cerere et Baccho friget Venus’ is a Latin quotation from a comedy by Terence (2nd century BC), which became a popular Dutch proverb and which has given the title to our painting.
It literally translates as ‘Without Ceres and Bacchus, Love Fades’ and its simplest level of meaning, naturally ironic, is that carnal love needs food and wine to thrive.
In art it became a very popular theme especially between the 16th and 17th centuries in the Netherlands and in the circle of mannerist artists at the court of Emperor Rudolf II in Prague, as it offered the combination of a relatively intriguing classical reference and the opportunity to depict abundant nudity.
Apart from their decorative character, these paintings also had an erotic connotation, which was not unusual even in a culture dominated by the restrictions of the Counter-Reformation.
In our painting the seductive Venus, hungry and thirsty, is surrounded by the god Bacchus, wrapped in vine branches and passing her a bunch of grapes, and Ceres, with a crown of wheat and a cornucopia full of fruit; Love, at her side, is also hungry, as he tries to reach his mother's arm to greedily grab the grapes.
In particular, we are looking at a very famous iconographic invention by the painter Abraham Bloemart (c. 1600), which was already popular at the time thanks to an engraving by Jan Saenredam (1565-1607), then taken up by numerous artists such as J. Saenredam, Joachim von Sandrart, Bartholomäus Spranger
Also in Italy, especially in the northern part influenced by Flemish artists, the subject was particularly appreciated, as in our case by an artist of the Genoese school of the early 17th century. More specifically, the painting has been attributed to the Genoese artist Giovanni Battista Paggi (Genoa 1554 - Genoa 1627), who has reproduced it here in his typical refined style, well balanced with baroque exuberance.
In our case we find a pleasant combination of the typically Genoese style, the Flemish style, absorbed from the rich community of other northerners active in Genoa, and the Tuscan style, assimilated during his stay in Florence that lasted over a decade. We also find in it a Caravaggesque luminism that particularly highlights the theatricality of the scene.
The author of works with a mainly religious theme, his collection also includes splendid works of a mythological nature (see Venus in the Forge of Vulcan, private collection, or Venus and Cupid kissing, Banca Carige Art Collection).
ADDITIONAL INFORMATION:
The painting is sold complete with a tasteful frame, a certificate of authenticity and an iconographic description.
We organise and take care of the shipment of the purchased works, both in Italy and abroad, through professional and insured carriers.
If you wish to see this or other works in person, we will be happy to welcome you to our new gallery in Riva del Garda, at 18 Viale Giuseppe Canella. We look forward to seeing you!
Contact us for any information or to organise a visit, we will be happy to answer you.
- Attributed to:Giovanni Battista Paggi (Genoa 1554 – Genoa 1627)
- Creation Year:1600-1627
- Dimensions:Height: 49.22 in (125 cm)Width: 39.38 in (100 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Riva del Garda, IT
- Reference Number:1stDibs: LU988115895842
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2017
1stDibs seller since 2018
240 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Riva del Garda, Italy
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllSaint Jerome Oil on copper 16th Century Paint Old master Italy Emilian school
By Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589)
Located in Riva del Garda, IT
Ferrara school of the late sixteenth century - circle of Giuseppe Mazzuoli known as Bastarolo (Ferrara 1536 - 1589)
St. Jerome penitent in the cave
...
Category
16th Century Old Masters Paintings
Materials
Oil
$5,399 Sale Price
20% Off
Equestrian Portrait Florentine Painter 17/18th Century Paint Oil on canvas Italy
Located in Riva del Garda, IT
Florentine painter, 17th-18th century
Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558)
Oil on canvas
79 x 115 cm. - Framed cm. 92 x 127
A valiant knight, p...
Category
17th Century Old Masters Paintings
Materials
Oil
$8,279 Sale Price
20% Off
Ecce Homo Castello 17th Century Paint Oil on canvas Old master Genoese school
Located in Riva del Garda, IT
17th-century Genoese School
Workshop of Valerio Castello (Genoa, 1624 - Genoa, 1659)
Ecce homo
Oil on canvas
117 x 99 cm.
In frame 138 x 118 cm.
The Ecce Homo, the subject of our ...
Category
17th Century Old Masters Paintings
Materials
Oil
$14,399 Sale Price
20% Off
Charles Ii King Spain Child Del Mazo Paint 17th Century Oil on canvas Old master
Located in Riva del Garda, IT
Attributed to Juan Bautista Martínez del Mazo (Castile 1611 - Madrid 1667) pupil and collaborator of Diego Velázquez
Portrait of Charles II, King of Spain, as a child (1661 -1700)
Spain, c. 1670 Oil on canvas 68 x 49 cm. - In antique frame 96 x 75 cm.
The analysis of this portrait, and in particular the style with which its features have been outlined, brings us back to the great tradition of the 17th century Spanish school.
The portrait depicts the young King Charles II of Spain, dressed in typical Spanish fashion, the youngest and only son of Philip IV of Spain and his second wife Maria Anna of Austria, as well as the last of the Habsburg dynasty to rule Spain. which portrayed the young ruler in full length at the age of four (dated 1665), dressed in a black suit and cape, and a large feathered...
Category
17th Century Old Masters Paintings
Materials
Oil
$6,959 Sale Price
20% Off
Pietà Religious Jesus Lama 16/17th Century Paint Oil on table Old master Italy
Located in Riva del Garda, IT
Giovan Bernardo Lama (Naples, 1536-1600 ca.)
The Pietà oil on panel 51 x 41 cm. Antique frame (defects and faults) 66 x 56 cm.
Observing the exquisite quality and the elegance ...
Category
16th Century Old Masters Paintings
Materials
Oil
$5,890 Sale Price
20% Off
Holy Family St John Scarsella Paint 17th Century Oil on table Old master Italy
Located in Riva del Garda, IT
Ippolito Scarsella, known as Lo Scarsellino (Ferrara, c. 1550 - 1620) workshop
Holy Family with the Infant St John
oil on arched panel 46 x 29 cm.
in a small temple frame 75 x 55 cm
This interesting work shows us one of the most sought-after iconographic subjects in the Christian tradition, presented here according to an ancient and proven scheme. We see the Virgin, majestic, in the centre of the scene while holding a chubby child, who is offering a small bird to the young St John (tradition has it that it is a goldfinch, one of the symbols of the passion of Christ) to be caressed.
Completing the Holy Family, we can see Saint Joseph in the shadows, apart from the loving everyday scene depicted in the foreground, calmly leaning on his walking stick.
Regarding the stylistic characteristics of this small panel, it is easy to recognise the influence of 16th and 17th century Emilian painting, which leads us to confirm its traditional attribution to Ippolito Scarsella (circa 1550 - 1620) from Ferrara, undoubtedly one of the most important artists of this pictorial context. It could very well be a trial sketch...
Category
17th Century Old Masters Paintings
Materials
Oil
$5,879 Sale Price
20% Off
You May Also Like
Oil Portrait of a Victorian Lady, c. 1850
Located in Chicago, IL
Painted in the 19th century, this exquisite miniature portrait wonderfully exemplifies realism in traditional oil painting. The small artwork is painted in the conventional portraiture style of the Old Masters, and achieves soft realism with fine brushwork and a subdued, neutral palette. The half length portrait depicts a fine Victorian woman dressed in all black with a delicate lace collar and bonnet. She wears a ruby broach...
Category
Mid-19th Century Old Masters More Art
Materials
Oil
Soldier in an Interior, Early 17th Century Dutch Oil
Located in London, GB
Pieter Symonsz Potter
Dutch 1600 - 1652
Soldier in an Interior
Oil on oak panel, red seal to reverse
Image size: 15 x 10 3/4 inches
Dutch Ebonised frame
Bathed in a well lit roo...
Category
Early 17th Century Old Masters Portrait Paintings
Materials
Oil, Board
French school late 18th Century, Portrait of a young man, oil on metal
Located in Paris, FR
French school late 18th Century
Portrait of a young man
oil on metal
10.2 x 7.7 cm
Framed under glass : 24.4 x 21.8 cm
This small portrait painting, quite original in its technique...
Category
Late 18th Century Old Masters Portrait Paintings
Materials
Oil
19th century landscape/portrait horse with army officer, William Edward Millner
By William Edward Millner
Located in York, GB
Portrait of a bay horse with army officer seated on a drinking trough, signed with monogram and and dated 81', inscribed verso 'by W E Milner, Gainsborough', oil on canvas.
The size overall being 44 x 57 cm (17.5 x 22.5 inches) whilst the image is 35 x 48 cm ( 19 14 inches )
In very good condition housed in a gilt frame.
William Edward Millner...
Category
19th Century Old Masters Portrait Paintings
Materials
Oil
19th century Portrait Spencer Perceval Attributed To George Francis joseph
By George Francis Joseph
Located in York, GB
A late 18th early 19th century oil on canvas Portrait of Prime Minister Spencer Perceval, bust-length, in an interior, holding papers.Attributed to George Francis Joseph...
Category
19th Century Old Masters Portrait Paintings
Materials
Oil
Mary Beale (circle) Portrait Painting of Sir John Pettus
By (Circle of) Mary Beale
Located in York, GB
A very fine oil on canvas of Sir John Pettus ,circle of Mary Beale 17th century
Wearing a red cloak and a black tunic with white collar. His coat of arms to the right.
Housed in a gilt frame, the size overall being 85 x 74 cm whilst the painting is 76 x 63.5cm
In overall excellent condition.
There is a wealth of history about the sitter online , below is a brief resume
John Pettus
Sir John Pettus (1613–1690) was an English royalist, politician and natural philosopher. Pettus was an expert on metallurgy and became a deputy governor of the royal mines in England and Wales under Charles I and II. He is known for the first English translation of the work of the German metallurgist Lazarus Ercker.
Pettus’s grandfather was a wealthy Norwich merchant ,he purchased the manor of Rackheath in 1590 and represented the city in 1601 and 1604-10. Although a younger son, Pettus inherited the manors of Chediston and Wenhaston, He married well; but even before the Civil War most of his estate was mortgaged, and his wife’s expectations were never realized, owing to her father’s misfortunes as leader of the City Royalists. Pettus became a servant to Charles I, and took part in the farcical royalist attempt on Lowestoft in March 1643, but was exchanged after nearly a year in prison. It is unlikely that he resumed command of his regiment, such as it was, since he ‘continued inoffensive till the taking of Bristol’ by the New Model Army...
Category
17th Century Old Masters Portrait Paintings
Materials
Oil
Recently Viewed
View AllMore Ways To Browse
Italian Food Art
Old Antique Religious Art
Dutch Paintings Old Master
17th Century Old Master Oil Painting
Painting Of Venus
Old Master Flemish
17th Century Dutch Oil
Dutch Oil Paintings 17th Century
Italian Old Masters 17th Century
18c Oil Painting
Old Master Painting Flemish
Old Master 16th Century
Antique Inventions
Oil Painting Mythological
Old Religious Painting
Giovanni Canvas Painting
Dutch Master Paintings 17th Century
Old Masters Attributed