Hippolyte Camille Delpy

Ile de France, Barbizon River Scene

Undated

In Marguerite the white peonies are a symbol of riches and honor used in Chinese art that profoundly influenced Pushman. This painting is in an originally chosen "Pushman" frame acquired from Barcelona, Spain. There is incredible color in this work and exciting brushwork. It is a true example of Impressionist technique, perhaps some of the finest technically of all American painters at this time. At this time Pushman painted all ethnicities and here we see the unusual subject of a younger sitter. Thus Pushman has emphasized purity and innocence. Panel inside frame measures 32 x 23 and it is signed lower left. As well as it bears the Pushman cataloguing number #47 on verso which attests to its early date in his career. Against these stark white symbols, Pushman paints in sharp contrast a dark backdrop reminiscent of an Oriental tapestry...

This iconic Impressionist beach scene was celebrated by this artist who had many successful exhibitions during his life of his beach scenes. Done on masonite which is a panel and his preferred material, it is framed in a gold leaf hand carved frame...

Beautiful example of Cote's later work. Executed with heavy impasto. 28.5" X 32.5" framed.

Félix Planquette, a 19th-century French artist, is known for his pastoral and tranquil scenes, often portraying animals, especially cows, in idyllic landscapes. His work Sunny Landsc...