Vertical Interior Paintings

My Roses with Peaches by Teresa Vito 20x16" oil Floral Still Life Bouquet of Roses surrounded by a table full of peaches Signed lower right ABOUT THE ARTIST: Teresa Vito's paintings reflect the beauty she sees all around her. She loves painting living energy, whether it is the outdoor landscape, berries and flowers picked for a still life, or the unending variety of the human face. Vito has been a full time oil painter since 1992. She currently lives in Pueblo, Colorado. Vito has won numerous national and regional awards including an Award of Excellence, Best Portrait and Best Still Life Awards from Oil Painters of America. She also received the Best of Show award from the Artists of Colorado Exhibition held at the Colorado History Museum. Teresa Vito grew up in a one store town in upstate New York. She had never met an artist or had gone to an art gallery until she went to college. She chose to major in art because she loved to draw. College offered no clue as to how to become an artist so she decided to try to figure it out on her own. With $250 and a train ticket to Denver (she had never been west of Ohio) carrying a suitcase, a purse and a portfolio of nude drawings, Vito began her artistic journey. During her twenties she did every job she could find that was art related. Vito worked in a frame shop and gallery, at art supply stores, made posters and newspaper advertisements and created display windows in downtown Denver. The year the Art Students League in Denver opened, she maneuvered a job there running a small art supply store. It was here she found out about the world of Artist's Workshops. Vito learned as much as she could looking through the door of the many classes taught by master artists, who were in fact making a living with their art. With this inspiration Vito saved up enough money in 1992 to live cheaply for a year and become a full time artist. She has never looked back and strives to continue to be the best possible painter she can be. She now teaches workshops with gratitude and generosity, to share in all that she has learned. Vito has a BA in Fine Art from the State University of New York at Geneseo and has taught and studied at the Art Students League at Denver and the Loveland Academy of Fine Arts. She has expanded her knowledge by taking numerous workshops over the years with artists Quang Ho, Ramon Kelley...

Large warm toned figurative painting by Lars Carsen depicting abstracted interior still life with a vase, slices of apples, pears, and oranges. Signed "Lar...

Dianne L. Massey Dunbar's (US based) "Ice Cold" is an original, handmade oil painting that depicts a Coors light beer bottle with a white background. Ab...

Amanda Watt Lemonade Acrylic on Canvas 20 1/8 x 15 3/4 in 51 x 40 cm "I consider myself a ‘Fusionist’, because I merge styles that inspire me, while playing with the fusion of East and West. I combine orientalism and primitivism with western cubist principles and the expressionists’ use of colour, to create bright and vibrant figurative images." - Amanda Watt Amanda Watt was born in Northern Ireland in 1960, and graduated from the Belfast College of Art and Design in 1982. Just three years out of University, while living in London, Amanda was discovered by top film director Barry Levinson, who invited her to Malibu to paint from his beach house for six months. From this moment, her art took off, and she spent the next twenty years building a successful career in California, making her way into collections of many key LA directors, producers, galleries, and film stars. With annual solo shows in LA, San Francisco and New York, Amanda's bright, vibrant landscapes, interior scenes, and her semi-abstract figurative paintings have became a staple of Californian society. Watt's key collectors include casino mogul Steve Wynn, cultural ambassador Vanessa Branson, former president of Ireland Mary Robinson, and fashion-designer Marla Ginsburg. Her work is held in key global collections including: Allied Irish Bank, Dublin; ARCO Corporation, California, and Nagi Corporation in Tokyo. In 2006, Amanda was burnt out by the sheer volume of work expected of her by these galleries, and took a step back, exhibiting just occasionally until her return to her native Ireland in 2015. Amanda now lives and works in Dromara, Northern Ireland. Artist Statement; "I am influenced by the pattern-making of Gustav Klimt and the highly stylised figures of Tom Wesselman and Alex Katz, as well as Rainer Fetting's use of bold colour and gestural brushstrokes. Japanese woodblock prints and Gauguin's Tahitian women have also inspired me, while the bright Californian colours of David Hockney and the decisive curves of Matisse are clearly recognisable in my work. I favour acrylic paint, which allows a fast pace of work with spontaneous gestures. Transparent washes precede bold primary colours to create depth and vibrancy. Multiple motifs, all from memory or imagination, are peppered throughout my work: highly stylised furniture; a picture within a picture; a torso - fragmented parts that on their own don't necessarily make sense, carefully placed to create a balanced whole." NOTABLE EXHIBITIONS Annual Solo Shows:  1995 - 2005 Timothy Yarger Fine Art, Beverly Hills, California  1993 - 2002 Bowles/Sorokko Galleries, New York & San Francisco  1989 - 1993 Tower Gallery, California Additional Solo Shows:  2004 Marla Ginsburg Productions, private show, Los Angeles  2003 Area Art Gallery, Santa Rosa, California  1999 Lee Hamilton Gallery, Santa Monica, Los Angeles  1998 John Dupree...

Red Grapes by Lu Haskew ​Oil Still Life of Grapes against a stucco wall 24x16" image size, 30x22" framed Shipping price includes the custom packing necessary for safe transport of f...

"I consider myself a ‘Fusionist’, because I merge styles that inspire me, while playing with the fusion of East and West. I combine orientalism and primitivism with western cubist principles and the expressionists’ use of colour, to create bright and vibrant figurative images." - Amanda Watt Amanda Watt was born in Northern Ireland in 1960, and graduated from the Belfast College of Art and Design in 1982. Just three years out of University, while living in London, Amanda was discovered by top film director Barry Levinson, who invited her to Malibu to paint from his beach house for six months. From this moment, her art took off, and she spent the next twenty years building a successful career in California, making her way into collections of many key LA directors, producers, galleries, and film stars. With annual solo shows in LA, San Francisco and New York, Amanda's bright, vibrant landscapes, interior scenes, and her semi-abstract figurative paintings have became a staple of Californian society. Watt's key collectors include casino mogul Steve Wynn...

Stillness. 2022. Oil on canvas, 55x38 cm Contemporary painting with gondolas by artist Clara M. Aguasca in pink colors

"Cairo 3" Abstract Painting 31.5" x 24" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing course completion ...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

"Fashion Girl" is an oil on board portrait painting by Philadelphia born Expressionist painter Bernard Harmon of a stylishly dressed woman sitting on a chair. This work features a se...

This is an oil painting done from life with the artist's young son''s large stuffed red Elmo in repose in front of the mirror. The painting is both tender and bold. It captures one...

French Quarter Courtyard

Here we have a signed French/American Oil Painting, of a beautifully rendered Japonaise Lady in Her Boudoir with a Shrine I Cannot figure out the artist! Very well done and detail...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features an opulent setting with an intricate mirror, a side table with a collection of white vases...

Robert O'Meara (American, 1957-2024), Still Life of Flower, Oil on Board, depicting yellow rose in glass jar, signed lower right, unframed. 11" H x 9.75" W. Provenance: From a 333 Ea...

Still life in earth colors, with dried flowers Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

Street Art, graffiti, bright colors, Gestural Abstraction

Doors knocker. Oil on canvas, 90x63 cm The artist Vadim Kovalev was born in 1968 in the capital of Latvia, Riga, where he is also presently living and creating his works. When Vadi...

"Cat Scratching Table" is an original oil painting on canvas by Nicolas Dreux. The artist signed the piece lower left. It depicts a cat and a bird in a pastel-colored interior. 18" x 14" art 27 1/4" x 23 1/4" frame Nicolas Dreux was born on March 10, 1956 in Port-au-Prince, Haiti. He began to paint as a student of painter Calixte Henri...

"Nile Delta I" Abstract Mixed Media Painting 96" x 48" inch by Ibrahim Khatab Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo University, he mixes between pain...

NIGHT TABLE OF THE ASSASSIN brings a view of what is seemingly a home office or studio work place and blends late-French symbolist still life painting with ...

AS ABOVE, SO BELOW is a still-life by Jason Stout which draws on flat, symbolic imagery to portray the current political landscape in America. Using both t...

Oil on board Board size: 8 x 6 inches Framed size: 15 x 13 inches Signed and dated '56 lower right

Back Cover illustration for the April 8, 1950 Easter edition of The War Cry, a magazine published by the Salvation Army This heartwarming image graced the back cover of the 1950 Eas...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

Gemstone, 2012, oil painting on canvas, artwork size 127 x 90 cm Geometric painting with many light reflections in gemstone Alyona Prokofyeva (1988) From 2016 surname Galaktionova....

Oil painting depicting a woman in a mirror with an animal backbone visible where her backbone would be, and a giant eye peering on. Expressionist and emotional, the space is engagin...

"Eel Spear" is a trompe l'oeil still life of an antique object with black and grey tones. John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing ...

Christmas (La Navidad) acrylic paint on canvas by Elena Narkevich. Dimension not framed: 195 H x 162 W cm x 2 cm D In inches: 76.77 H, 63.78 W, x 1.18 D Elena Narkevich work is well...

Oil on panel Panel size: 18 x 15 inches Framed size: 22 x 19 inches Signed lower right

Oil on canvas

Jason Stout was born in 1977. He received his BFA in studio art from the University of Tennessee at Martin in 2001 and a MFA in Painting from the University of Texas at San Antonio i...

"Hide & Seek" Painting 53" x 39" inch by Tasneem El-Meshad Medium: acrylic on wood Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of the ...

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

The basis of Beatriz's painted scenes is an exploration of the construction of reality. She represents this by analyzing all the things that are contained in a given space — and what...

This is an oil on linen painting signed and dated on reverse.

Signed lower right: "Polonsky". With label verso inscribed: "Arthur Polonsky/ 'Window Light'/ oil".

The basis of Beatriz's painted scenes is an exploration of the construction of reality. She represents this by analyzing all the things that are contained in a given space — and what...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

Oil on canvas

"AD 4.23" Abstract Painting 39" x 28" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of drawing course completion fr...

"Story Time" Painting 47" x 39" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of the...

This is a stunning elegant, colourful and textured oil painting. Ekaterina Popova's intimate rooms series capture the light subtleties and feelings of romantic contentment. Artist ...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Vector Group (2015) oil enamel on canvas 24 x 20 inches

"Home from Work" by Wisconsin artist Robert Richter is an oil painting on wood, signed on the verso. The frame was created and hand-carved by the artist, making it an integral part o...

Thompson's oil paintings of neon signage explore his appreciation for how these hand-made signs are built. This may be a result of the many years he spent as an equipment engineer in...

"Hemispheres" is a 20" x 13.5" oil on paper abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. The painting is sign...

My new work from the series "Infinite Flight" are paintings in which the color combinations of deep blue, navy, white, yellow, red and black affect the viewer emotionally, cause spec...

A trompe l'oeil painting of a toy gun hung upside down by a nail through the trigger.

Oil on canvas STATEMENT by AUDREY ANASTASI: Considering myself primarily a feminist artist, painting other women, most of my work focuses on the human face, figures, animals and natu...

"Gilded Place" by Christopher Owen Nelson Carved/Painted Acrylic 36x30x2", One-of-a-Kind, no frame needed - comes with custom metal bracket mount that is virtually unseen making the image appear to be floating. "The environment puts me in a state of meditation, which for me is normal, but now suddenly I am beginning to notice life. I am awake. I am listening. Absorbing information from the water and the trees in such a way that it makes me feel connected and attached." ABOUT THE ARTIST: Christopher Owen Nelson thrives in the landscape of the American West. As a Colorado native, he studied fine arts at Rocky Mountain College of Art and Design where he learned classical methods in drawing and painting. While developing a deep appreciation for composition and form, Nelson focused on alternative materials; sculpting with used carpet...

L. Franssen Mother and child with a rose Oil on wood, 44,5 x 33,5 cm signed The artist of this outstanding painting is completely unknown so far. There is no entry under "L. Franssen" in any encyclopaedia or reference work. There was a Dutch artist, Jan Fransen (1604/5 - ca. 1646), who was mainly based in Amsterdam. According to Thieme/Becker, he created numerous paintings with biblical depictions, study heads and still lifes. However, it could also have been Jan Franssen or Frantzen, who was not born until 1644 but was also active in Amsterdam. However, no confirmed works by either artist are known. Just as interesting as the attribution is the depiction: a young woman holds her child on her lap while she prepares a meal on a hob. At the same time she holds a rose in her hand. Most likely, Mary is depicted here with the young Jesus...

Hand signed by artist "Bucket". Figurative, Realism, still life, oil on canvas

I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day to day. Translating that experience into two dimensi...

Oil on canvas Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of Ar...

This painting is one of various works by the artist depicting narratives in a narrow vertical format primarily influenced by the works of the German artist Max Beckmann . It is a lar...

oil on linen canvas heavy duty stretcher reference to Hatian vessels named govi containing souls of the departed

"Debris III" Abstract Oil Painting 28" x 22" in (1983) by Zaccaria Zeini Medium: oil on canvas Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was ra...