Medium Interior Paintings

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...

This floral artwork makes my of my new small collection called 🪻"Primavera"🪻 dedicated to a springtime. For me spring means rebirth, life, energy, new possibilities. Springtime ma...

Wine Bottles by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 25.5 x 19.5 inches provenance: artists estate, France condition: very good and sound condition

"Promenade" Landscape in Oil on Masonite Spring landscape by Richard M. Bacon (American, 20th Century). A woman with a parasol is walking her dog on the other side of a hedge with b...

La obra va firmada por el artista en la parte inferior Se presenta enmarcada la pintura El estado de la obra es bueno Medidas obra: 47 x 56 cm. Medidas del marco: 71 x 80 cm. Emilio Grau Sala Nace en Barcelona en 1911. Maestro catalán de la Escuela de París, recordado por sus magníficas escenas realistas. Se forma en la Escuela de Bellas Artes de Barcelona. Tras varias exposiciones en su ciudad natal y ya siendo un pintor de éxito, contrae matrimonio con la pintora Ángeles Santos Torroella. De ambos nacerá en 1937 el futuro pintor Julián Grau Santos. En 1936 expuso en el Museo de Arte Moderno de Madrid y, coincidiendo con el inicio de la Guerra Civil Española, se traslada a París. Conoció de cerca las vanguardias inclinándose por una figuración colorista, derivada del impresionismo y el fauvismo. Allí entrará rápidamente en contacto con el núcleo de artistas españoles. Realiza una pintura próxima al postimpresionismo francés, con un marcado acento lírico. En París alcanzó un gran éxito realizando multitud de exposiciones. En 1936 recibe el Premio Carnegie. Grau Sala destaca, además, como creador de escenarios teatrales y como excelente ilustrador. Fallece en Barcelona en 1975. Celebró diversas muestras individuales, sobre todo en Barcelona y París, pero también en ciudades como Nueva York, Toulouse, Londres o los Ángeles. En el 2015, su hijo Julián Grau Santos cede la obra familiar de su padre para la venta a Beatriz Bálgoma como marchante. A partir de este momento la galerista expondrá obras del artista en diversas ferias de prestigio nacionales e internacionales como Feriarte, Lisbon Art...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In "Take Care of You" by Nathan Neven, a heartwarming scene un...

Armand LELEUX Paris, 1818 – Dardagny (Switzerland), 1885 The Abbot's Servant Oil on canvas signed lower right "Armand Leleux" 73.5 x 61 cm (87 x 70.5 cm with the frame) Painting exhi...

An original oil on canvas painting by French artist Jean Daumier (b. 1948). This endlessly charming work depicts three young women inside a museum in the artist's signature style, ...

In my painting, I've captured the exhilarating moment of human spirit breaking through nature's tumultuous wave. The bold palette and dynamic brushstrokes showcase the raw power of e...

As an Antique sculpture, Dario Moschetta creates strength and movement in this artwork. Moreover, experimental technique brings an unique texture to the figure. Hair are waving alon...

In crafting this piece, I immersed myself in the vibrant interplay of music and emotion, using acrylic and oil to capture the pulsating heart of both expressionism and pop art. The g...

Artist: Jozza Title: "Siri - Among Legends" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbere...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...

In this vivid oil painting, I've poured my soul into capturing the raw intensity of human emotion through a close-up of the eye. The piece blends expressionism's vivid emotionality w...

In this piece, I immerse the viewer in the depths of a summer atmosphere, where the sea's dynamic caress and the vibrant warmth of sunlight meet. The textures and colors in oil empha...

This floral artwork makes my of my new small collection called 🪻"Primavera"🪻 dedicated to a springtime. For me spring means rebirth, life, energy, new possibilities. Springtime ma...

The painting "Ros" embodies the tranquility and immensity of Ukrainian water bodies. The painting depicts a wide river that gently reflects the shades of the sunset, creating a profo...

Forest is one of the most mysterious places in the world. Peoples always believed that horrible and frightening creatures lived there. That's why they made up a lot of fairy tales de...

Flowers in Vase by Paul-Louis Bolot (French 1918-2003) signed (dated 1976 verso) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges hav...

Technique: 3 stretched canvases, acrylic colors, acrylic Amsterdam sprays, varnish, glass color. Dimensions: total: 60X60X2 cm, 3 pieces of 60x20x2 cm It is signed and dated on the f...

Pablo Picasso The painting is a surreal portrait made in pop art style. The image of Picasso's face is made using bright, contrasting colors and unusual shapes. The background of the...

Yesterday Evening  " To me only our dishwasher seems to lend its self to painting. Its something to do with the angle of the light from the widow and it being tucked in a corner. Th...

In Parlor - Angelo Granati Italia 2013 - Oil on canvas cm.80 x 60. This is his reinterpretation of a greatest old master painting "Ladies of the First Empire 1875"by Giovanni Boldin...

The blue trees. Riga. 1974 . Oil on cardboard, 49.7 x 69.7 сm Artwork published in Japanese catalog This depiction of trees shows artist Laimdots Murnieks as a master of nature repr...

Table Ornements by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 19.5 x 25.5 inches stamped verso provenance: artists estate, France condition: very good a...

"In creating this piece, I poured my heart into capturing the sublime dance between light and shadow, using oil to meld expressionism with a touch of impressionistic flair. The soft ...

In this piece, I immerse the viewer in the depths of a summer atmosphere, where the sea's dynamic caress and the vibrant warmth of sunlight meet. The textures and colors in oil empha...

PS203 Mondrian Stockings During the WW2, women used to paint on the legs - mark of stockings. Extrapolation made by painting Mondrian pattern. Technique: oil, acrylic, and ink on ol...

Artist/ School: British School, late 20th century, signed Title: Extravagant Still Life of Fruit Medium: oil painting on canvas, framed. Size: painting is 18 x 24 inches, frame: 2...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

An interior scene depicting a bottle of wine and cheese plate atop a long dining room table in Paris. The breeze is being felt through the window, as t...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

The painting, executed in a mixed technique, depicts a beautiful young woman. Her closed eyes emphasize the overall atmosphere of relaxation. Natural beauty, graceful figure, and the...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...

Monochrome Portrait of a Woman in Ink and Gouache on Paper High contrast portrait by acclaimed bluegrass musician Katherine "Kathy" Kallick (American, b. 1952). A woman in a long sl...

This painting is for sale for the first time in a single place! I painted this artwork "Galapagos" for Opencall "Earth. Artificial Intelligence - Why?" It participated in the proje...

In my creation, I've poured my passion into every brushstroke, capturing the essence of gerbera blooms that stand tall, symbolizing resilience and beauty. Rendered in oils, these flo...

Artist/ School: Robert Sales, French School second half 20th century, signed Title: Still life with lemons. Medium: oil painting on canvas, unframed Size: painting: 23.75 x 28.75...

Marie-Thérèse BOURRAT (born in 1938) Brasserie Georges, Lyon, 1994 Oil on canvas Signed "mtbourrat" and dated "94" lower right 80 x 65 cm frame included Self-taught, Marie-Thérèse B...

Profusion of Flowers by Thomas Webster, British contemporary artist, late 20th century signed oil on board, unframed board: 30 x 18 inches provenance: private collection, UK conditi...

This artwork participated in the exhibition KUNSTGEGENPOLITIK 2022 This painting is a part of my series on the human mind - "The Dreams." The artwork is on canvas on a stretcher 70x...

This is a colourful abstract triptych. Each painting is framed in a black wooden frame, ready to hang. (Size framed: large painting 53,5x53.5x3,5 cm and two small paintings each 23,5...

Aesthetes vintage pattern of climbing plants and vegetables creating a on a grey background, inspired by William Morris. - Original oil painting - 50х70 cm - no framing necessar...

The size without macrame 50х50 cm. Macrame is made by hand. The back part of the painting is reinforced with a felt layer. The "Sweet Home" series is dedicated to the feelings of p...

Imbued with the warmth of a sun-kissed day, my brushstrokes danced across the canvas to capture the essence of vibrancy and life. It's a symphony of fiery golds and ambers—a passiona...

This painting is part of a series that reflects the beauty of the plant world from an unusual perspective - through an intense macro view. These are semi-abstract canvases where the...

Louis Toffoli (1907-1999) Small Orange Room in Italy Original oil painting on panel Signed bottom right On canvas 41 x 31 cm (c. 16 x 12 inch) Presented in a golden wood frame 62 x ...

Sennen is an original minimalist painting by Julia Craig. The bright colours and strong lines give the piece a memorable and iconic composition. Discover new works by Julia Craig ava...

In this piece, I embraced the solitude and serenity of a winter's walk. With oil, I captured the dance of light through bare branches, transmuting the chill into a warm glow. It's an...

Underwater Painting by Olga Nikitina The Thistlegorm, wreck of The Second World War in The Red Sea. Underwater painting is a new very unique fast growing direction in contemporary ar...

This contemporary abstract expressionist interior painting with vivid colors was created by the French artist Natalya Mougenot. Story 0.1 belongs to her most recent series, Heart-Min...

"Blue Dream" is an artistic expression that embodies a longing for the boundless expanse of endless possibilities. In this work, I endeavored to capture the lightness of being, to re...

In creating this piece, I delved deep into the soulful presence of the equine form, decorating it with elements of nature to symbolize purity and renewal. The oil mediums allowed me ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Table, Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condit...

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Craquelure commensurate with age. Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz group. The key, the tempo, the dynamics, all come together, and there is a point when everything clicks and propels the music into a life of its own greater than the sum of its individual parts". —Willard Dixon 'Still Life with Chinese Ball...

Abstract textured acrylic painting on canvas 80x80x2 cm (31,4 x 31,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides o...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...