Miniature Interior Paintings

Study of Flowers signed by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on board, unframed double sided board: 17.5 x 14 inches co...

#5-3034a Vintage figurative acrylic on masonite displayed in a white wood frame Signed lower left by E.Blick. Image size 13.5 H x 10.5 W

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

Portrait Of A German Pinscher, 19th Century EDWARD AISTROP (1880-1920) Circa 1900 portrait of the head of a German Pinscher, oil on board by Edward Airstrip. Important early depict...

3D GALLERY QUALITY - READY TO HANG The technique I used is: palette knife, professional varnished acrylic pigments, neon acrylics on stretched 3D canvas. At the end I covered with a ...

In creating this piece, I sought to capture the serene yet vibrant spirit of a blossoming pond. With thick, expressive oil strokes, I combined elements of realism and impressionism t...

In this piece, I poured my love for Venice into every brushstroke, blending expressionism and realism. The oil medium brings the shimmering water to life, while the gondolas gently f...

In this painting, I captured the serene beauty of gondolas resting on the shimmering Venetian waters. Through vibrant blues and gentle reflections, I expressed a peaceful yet lively ...

An accomplished 19th-century genre painting depicting a domestic interior with an elderly lady engaged in mending blankets, amid rustic furnishings and everyday objects. The composit...

"Drugs" by Danny Heller draws inspiration from a pharmaceutical store on a busy avenue corner in NYC. See second image for the real life referenced location. My latest series openi...

Elizabeth W. Leary is a classical realist painter whose love of architecture combined with her masterful drawing and glazing techniques create a quiet poetry of warmth, light, textur...

Lake Walensee is located in eastern Switzerland. In the northern part of the lake, near the water, is the Kurfirsten mountain range. On the other side of ...

In creating this piece, I endeavored to embody the tranquil beauty of nature, blending the serenity of the sea with the vibrant liveliness of blossoming flowers. Utilizing the expres...

Signed lower right, 'Elisabeth' for Elisabeth Gevaert (Belgian, 1934-2016) and dated 1970. A finely-painted, whimsical study of the interior of a milliner's shop with a woman seated...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Plums II by Laura Critchlow is a stunning example of hyperreal...

The Discussion is an original oil on canvas realized in the 19th Century by an italian artist. Original oil tempera on board. Gilded wood Frame is included. 30.5 x 34.5 x 34.5 cm ...

Title: Modern French Figurative Oil Painting Reclining Nude on a Sofa with Blue Blanket by Bernadette Kelly (French b. 1933) Unsigned Mediu...

The "Moments" series tells a visual story of life’s events—both big and small—that stay with us and warm the soul Each painting is available individually, yet all the works in this ...

Title: Audierne French Impressionist Painting of Boats and Harbour Reflections by Fanch Lel Signed: Yes Size: 10.25 inches (height) x 12 inches (width) Medium: Oil on board, unframed...

Patron of the arts and sciences Ann Getty (1941–2020) brought the same bounteousness to her interiors as she did to her philanthropy, most notably at the 191...

In creating this piece, I embraced the delicate dance between realism and expressionism, aiming to convey deep emotion. The soft interplay of light and shadow across the figure's for...

Ramón Pichot Soler (1924-1987) - Woman and flowers - Oil on panel Oil measures 33x41 cm. Frameless. Ramon Pichot i Soler (Figueres, 1924 - Barcelona, May 24, 1996) was a Catalan pai...

This is a small beautiful textured mixed-media painting. The painting is framed in a natural wooden frame (framed size is 34x34.3,5) Nature is my greatest source of inspiration. I a...

I love the arrival of summer when fields are filled with a riot of blooming flowers. Dandelions give way to poppies, and the entire meadow seems to be draped in them, as if they’re w...

This original impasto painting was created on a high-quality canvas (30/40 cm) with a palette knife, using environmentally friendly oil colors with natural pigment. Color on compu...

"Abstract Composition 1" Painting 10" x 14" inch by Ahmed Yousry Ahmed Yousry was born in Alexandria in 1993. In 2017, he graduated from the Faculty of Fine Arts at Alexandria Unive...

"Abstract Composition 5" Painting 10" x 14" inch by Ahmed Yousry Ahmed Yousry was born in Alexandria in 1993. In 2017, he graduated from the Faculty of Fine Arts at Alexandria Unive...

"Abstract Composition 4" Painting 10" x 14" inch by Ahmed Yousry Ahmed Yousry was born in Alexandria in 1993. In 2017, he graduated from the Faculty of Fine Arts at Alexandria Unive...

In Breathe Slowly/13, Helen Mount captures a moment of tranquility in a remote landscape where the sky and earth merge into a quiet harmony. The soft, warm tones of the earth contras...

The Kitchen Interior French, circa 1930's oil painting on board, unframed board: 9.5 x 13 inches condition: very good provenance: private collection, France

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Kathleen brings a fresh, clean perspective to Contempora...

In this piece, I captured the serene embrace of Venetian gondolas floating gently at dawn. The interplay of light and water reflects a peaceful yet vibrant energy, inviting you to fe...

The sunny summer painting with sunset is a beautiful wall decor, the painting is created en plein air, the artwork is full of different bright co...

"Abstract Composition 10" Painting 10" x 14" inch by Ahmed Yousry Ahmed Yousry was born in Alexandria in 1993. In 2017, he graduated from the Faculty of Fine Arts at Alexandria Univ...

In this painting, I sought to capture the ephemeral beauty of irises by the pond's edge, reflecting my deep admiration for nature's transient moments. The oils allowed me to blend vi...

A beautiful modern abstract, 100% handmade painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas. Ready to hang with the edges p...

Looking for a perfect gift for your loved ones or a small treat for yourself? Consider these beautifully crafted, one-of-a-kind acrylic paintings with a textured finish. Each canvas...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Pears" offers a luminous still life of considered restraint an...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

Medium: Oil on Panel Signature: Signed "H. Pyle" Lower Right and Inscribed Indistinctly On the Reverse "At the same time he extended toward King Louis the ...

Original oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand, I exp...

In this oil painting, I've immersed myself in the raw emotion of human connection against nature's canvas. I've melded expressionism with a touch of realism to capture an intimate mo...

This painting depicts a whimsical portrait of a young lady washing her laundry in front of a house. This piece was most likely executed in the 1930's, as the colors are darker than Z...

Sunflower field in Montisi Minty Ramsey Medium: Watercolor on Paper Size: 11 x 14.75 inches Condition: Excellent, with vibrant colors and minimal signs of wear Description: A vibr...

Still Life by Raymond Guidot The artist, Raymond Guidot (1935 - 2021) was a Parisian art historian, critique and teacher. oil painting on board, unframed board: 9 x 10.5 inches sta...

Interior Scene by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 14 high by 18 inches wide condition: overal...

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

This painting from the series “Autumn Talks/8” recreates the coziness of an autumn landscape through a rich spectrum of earthy hues and soft light breaking through the clouds. The la...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

In this piece, I've sought to capture the ethereal glow of twilight embracing the iconic architecture. The playful dance of light and shadow melds realism with a hint of impressionis...

Late 20th century oil on board of a colourful still-life, fruit and a coffee pot by Bill Brown. Signed and dated 1979 to the bottom left and signed, titled ...

signed Sinai French Post-Impressionist School, late 20th century signed oil painting on canvas, unframed canvas: 15 x 18 inches provenance: private collection condition: very good an...

This vibrant and expressive artwork is part of the abstract paintings series created by French artist Natalya Mougenot, dedicated to exploring emotions and feelings. It captures a sp...

I channeled my deepest emotions into this canvas, employing a symphony of acrylics, oils, and oil pastels. This work lives at the intersection of abstract and expressionism, where ea...

This is an abstract textured acrylic painting with painted edges. It will be sold framed and is ready to hang. Size framed: 44 x 44 x 3,5 cm Despite its small size, "Flowers for a L...

Title: Modern French Oil Painting Two Nude Women with Black Robes by Bernadette Kelly (French b. 1933) Signed Medium: oil painting on board, unframed Painting size: 8 inches (height)...

Jeff Legg's (US based) "Citrus and Brass" is an oil painting created in 2022 depicting a golden brass jar with purple leaves, grapes and orange citrus. About the artist: Jeff C. Leg...

Marc Mouclier (1866-1947) Le Drapeau à la fenêtre, 1942 (The Flag in the window) signed and dated lower right oil on cardboard panel 41 x 32,8 cm framed 62 x 54 cm This magnificent...