Miniature Interior Paintings

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

This work of a young musician by Frederick E. Wright is set in an exceptional original Doll & Richards, Boston, frame. The framed dimensions are 16' x 13 1/3" x 1". A hand-written la...

Title: French Impressionist Oil Painting of a Lone Figure in a Rolling Landscape by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: ...

Title: Little God (La Petite Dieu). This painting was displayed March 27th - April 7th , 1928 artist exhibition at Grand Central Art Gallery, New York. Also published exhibition ca...

Title: French Impressionist Oil Painting of a Nighttime Crowd Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: 2.25 inches (...

The intense red surface, which challenges the viewer to deal with this intense black color, is captivating here. Due to the intense play of colors and the three-dimensionality, the v...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

Description: Antonio Maria Fabres (1854-1936) was a Spanish painter known for his exquisite artworks depicting historical and Orientalist themes. Born in Barcelona, Fabres displayed ...

A fine oil by Italian artist Ugo de Cesare (b.1950) depicting a lady and a young boy lighting a traditional Italian advent calendar table. Signed to the lower right. On canvas on str...

Marguerite by Betty Ball is part of her Flower series. It is Oil on Linen, 12x12. It is framed to 13.5 x 13.5 It is $875. It is a beautiful group of flowers in a vase with water....

"Triangle & Cross" (FRAMED) Lithograph 10" x 12" inch (1972) by Zaccaria Zeini Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was raised in the popu...

Violin Player in Tavern 18th century French School oil on canvas canvas: 8 x 11 inches provenance: private collection, France condition: good and sound condition

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

In the creation of this artwork, I poured my soul into capturing the essence of serenity and mystery. As an artist, I sought to blend the realms of figurative grace and impressionist...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Dani Humberstone's Lime radiates with vibrant intensity, its ri...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In Clementine, Dani Humberstone invites the viewer to linger in...

The artist has traveled around the world, painting on location. He is fascinated with subtle light effects and expressive painterly surfaces, focusing on interiors or cityscapes. His...

Title: French Impressionist Oil Painting of an Arched Interior with Figures by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: 4.5 i...

Autumn Dissolution by Rosie Phipps [2022] Autumn Dissolution is an original watercolour and gouache painting by artist Rosie Phipps, sold mounted. Featuring her gestural and expressi...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

In crafting this piece, I poured my soul into every brushstroke, aiming to evoke the delicate interplay of light and shadow. The gentle blossoms whisper of early morning tranquility,...

Spring Flowers is a vibrant celebration of color and life, painted from a fresh spring bouquet in the expressive alla prima technique. Bold red ranunculus bloom beside soft whites an...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 OFRECIENDO UNA COPA oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

"Venezia II" Lithograph 10" x 12" inch Edition 3/10 (1965) by Zaccaria Zeini Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was raised in the popula...

In this painting, I captured the serene beauty of water lilies bathed in the soft glow of dawn’s light. Using oil paints, I embraced a blend of impressionism and realism to reflect t...

Medium: Oil on Panel Signature: Signed "H. Pyle" Lower Right and Inscribed Indistinctly On the Reverse "At the same time he extended toward King Louis the ...

Still Life of Fruit French School, mid 20th century oil on canvas 10.5 x 16 inches provenance: private collection, France The painting is in sound condition but very much showing the...

Modern French Oil Painting Reclining Woman in a Blue Dress by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: 7 inches (height) x 10...

Addison Thomas Millar Lady in a Interior Oil on canvas board 14 x 10 inches Millar's father emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott...

"Winter Dream/6" captures the serene and fleeting moments just before the sun dips below the horizon. The painting's warm and cold color palette reflects the duality of winter days—c...

Perhaps a study or a preliminary work for for "L'ombre d'une jeune fille en fleur", Lot 46 - Christie's, New York (February 14, 2007) Private Collection, Miami Gouache and pencil...

The paintings are drawn with oil on the canvas. The simple attractiveness of run-down apartments. The scene in the winter is radiant with light. An ancient tree in front of the resid...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

The first work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were presen...

Watching, Original Contemporary Surrealist Painting, 2014 11.25" x 18" x 1.625" (HxWxD) Gouache on Wood Panel This surreal gouache painting features a woman laying on top of her bed...

Helen Mount's «Breathe Slowly/5» embodies the essence of tranquility and majesty of nature, encouraging us to deeply realize the moment. The painting depicts tranquil fields under a ...

Impressive contemporary still life oil painting by Stephen Heigh. Oil on canvas. Signed.

In this contemporary painting in acrylic on canvas, a refrigerator with assorted magnets stands next to a microwave, toaster oven and blender, surrounded by wooden cabinets in a kitc...

In this vibrant oil painting, I aimed to capture the serene vitality of a mountain landscape juxtaposed with the delicate beauty of blooming flowers at its base. Expressive brushstro...

Springtime Cherry Tree by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 13 x 18 inches condition: overall very good provenance: al...

Fruit Bowl Still Life by Akos Biro (Hungarian 1911-2002) pastel painting on artist gallery paper, unframed painting: 6.5 x 6.5 inches provenance: the artists estate, Fran...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This small scale still life study by John D Martin imparts a s...

In this painting, I captured the vibrant essence of the ocean's spirit. Using oil paints, I melded expressionism with realism to convey the raw, untamed beauty of the sea. The stroke...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

Title: Modern French Oil Painting Two Reclining Nudes in a Red and Blue Abstract Scene by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting ...