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Dasha PogodinaFamily Tapestry: Grandma and Sister’s Picnic2023
2023
$1,437.77
$1,797.2220% Off
£1,070.33
£1,337.9120% Off
€1,200
€1,50020% Off
CA$1,969.39
CA$2,461.7420% Off
A$2,190.39
A$2,737.9920% Off
CHF 1,143.75
CHF 1,429.6920% Off
MX$26,654.72
MX$33,318.4020% Off
NOK 14,607.48
NOK 18,259.3520% Off
SEK 13,699.24
SEK 17,124.0520% Off
DKK 9,135.18
DKK 11,418.9820% Off
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About the Item
This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior.
ABOUT THE ARTWORK
"Family Tapestry: Grandma and Sister’s Picnic" serves as a poignant reclamation of lost time, weaving a scene of tranquil communion amidst the backdrop of historical upheaval. Here, the artist transcends the shadows of ancestral struggles, crafting an idyllic narrative where her forebears bask in the gentle reprieve of a shared picnic. This piece is not just a representation of leisure but a profound act of retrospective solace, infusing the canvas with the light of joyous moments that history did not record, offering a glimpse into a world where her lineage is cradled in peace and the splendor of togetherness.
Series Archive of happiness. Unlived Chronicles
This is a way for me to work through the trauma of generations who were deprived of the opportunity to have happy years of childhood youth and maturity throughout the 20th century. My family's photos and stories are full of sadness and pain, unfulfilled dreams and broken destinies. The Soviet government was engaged in the dispossession, and displacement of people, families were forced to abandon their homes. I want to create a false archive in which generations of my family were happy. My task as an artist is to rewrite the script, to give voice and image to what my ancestors dreamed of but could not get. I paint the carefree times that didn't exist, in which they were happy, living in their beautiful rich houses, studying, meeting their love, gathering as a big family for holidays, and whispering each other secrets about suitors. For me it is a way to come to terms with the trauma of generations condemned to survival instead of life, to create a personal image of a future of joy and prosperity, and to show society and others with similar backgrounds that liberation lies not in suffering but in rethinking and strength.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2023
- Dimensions:Height: 39.38 in (100 cm)Width: 35.44 in (90 cm)Depth: 0.99 in (2.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203213690042
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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