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Dasha PogodinaThe sprouts of my confidence2025
2025
$1,317.51
£976.35
€1,100
CA$1,798.66
A$2,000.93
CHF 1,048.91
MX$24,450.90
NOK 13,356.61
SEK 12,573.40
DKK 8,375.30
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About the Item
This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior.
ABOUT THE ARTWORK
The painting "The Sprouts of My Confidence" from the MADELEINE series explores the theme of growth—internal, emotional, and intellectual. It speaks about how confidence emerges from simple yet meaningful things: books, past experiences, and the care given to something that requires time and patience.
This work is about the process of self-formation through small but consistent actions. Just as sprouts need nurturing, confidence does not appear suddenly—it is nourished by memories, knowledge, and moments of reflection. The artist conveys that relying on the past, whether through books, lived emotions, or cherished rituals, creates a foundation for a sense of personal strength.
The painting also evokes warmth and security, emphasizing the importance of the space where one can grow. This space can be both physical—a home, a library, a garden—and internal—a world of thoughts, memories, and ideas. In this work, time seems to slow down, inviting the viewer to reflect: what gives them confidence, what roots sustain their growth?
"The Sprouts of My Confidence" serves as a reminder that self-belief, like any living thing, requires care, time, and attention. And that the simplest and most familiar things can become a source of profound strength.
MADELEINE Series
The series of works “Madeleine” are the artist’s reflections on the nature of time and memory, the ability of art to recreate the past and give it meaning.
The series is a deeply autobiographical study, where the artist asks questions about the nature of false memories, the ability of memory to correctly store stories, the ability of things and people to influence the perception of memory.
As in Proust’s novel “In Search of Lost Time,” where the taste of Madeleine becomes the key to the invisible rooms of the past, each painting by the artist is a gateway to personal memories that mix with fictitious images, evoking a feeling of either déjà vu or reality, a subtle but always vivid anticipation .
In the Madeleine series, the artist reveals an abundance of emotions and experiences, and, like Proust, uses art as a means to recreate the past, giving it new meaning and new value. Each work is a dialogue between the present and the past, between the external world and the internal space of memory.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2025
- Dimensions:Height: 37.01 in (94 cm)Width: 37.01 in (94 cm)Depth: 0.99 in (2.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203215990112
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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