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Joseph Bail
French interior scene with women cooking and talking

$8,500List Price

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Italian 20th Century painting of a family time
Located in New York, NY
Giacomo Campi, excellent condition. Oil on canvas 26x42 inches.
Category

Early 20th Century Interior Paintings

Materials

Canvas, Oil

Interior scene with a young mother and child
Located in New York, NY
Excellent condition. Signed G. Laeverenz München.
Category

19th Century Interior Paintings

Materials

Oil, Wood Panel

Peasant Family, Cornelis Bega. Dutch Golden age painter and engraver.
By Cornelis Bega
Located in New York, NY
Documents indicate that Cornelis Pietersz Bega was born in either 1631 or 1632 in Haarlem. His grandfather was the renowned history painter Cornelis Cornelisz van Haarlem (Dutch, 1562 - 1638), and his extended family included many other more minor painters, sculptors, and craftsmen. In the spring of 1653 he traveled with the portraitist and still life painter Vincent Laurensz van der Vinne (1628–1702) through Germany, visiting Frankfurt am Main, Heidelberg, Strasbourg, and Basel. Although, like Van der Vinne, he may have intended to continue on to Rome, Bega instead returned to Haarlem in June of that year. He joined the Guild of Saint Luke in 1654. Bega died unmarried in 1664 at the young age of 32, likely a victim of the plague that claimed many lives in Haarlem that year. Dutch artist biographer Arnold Houbraken wrote that Bega was the “first and best pupil” of Adriaen van Ostade (Dutch, 1610 - 1685), a painter of low-life genre scenes. Bega similarly specialized in paintings of jovial taverngoers, smokers, quack doctors, alchemists, and musicians, but he also created tender and sympathetic images of peasant families and nursing mothers. Like Ostade, he also produced etchings, and he may have been one of the first Dutch artists to experiment with monotypes. Bega was also a confident draughtsman, and made numerous chalk drawings remarkable for their sculptural quality. Houbraken wrote that Bega and his close friend Leendert van der Cooghen (1632–1681) frequently drew from life together. Early in his career, Bega painted in a loose, rough style similar to Ostade, although his paintings differ from Ostade’s in that they exhibit a greater degree of monumentality and occasionally include classical elements and figures derived from live models. Bega may have been influenced by the classicizing tradition in Haarlem painting, which he would have known both from the extensive art collection he inherited from his grandfather, as well as from contemporary Haarlem painters who had trained there, such as Salomon (1597–1664) and Jan de Bray...
Category

17th Century Dutch School Interior Paintings

Materials

Pastel, Chalk, Satin Paper

Lamentation of Christ oil on paper laid on canvas
By Annibale Carracci
Located in New York, NY
The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Par...
Category

Early 17th Century Old Masters Figurative Paintings

Materials

Canvas, Paper, Oil

English painting of a woman with her lover returning from the war
Located in New York, NY
Signed bottom-left. All of our works are covered by our own guarantee of authenticity which covers the work for its lifetime of ownership with the purchaser. We carry out stringent ...
Category

Late 19th Century Figurative Paintings

Materials

Canvas, Oil

Primitive Spanish vase of flowers, after Pedro de Camprobín
Located in New York, NY
Early 18th Century still life, very close to Pedro de Camprobín.
Category

Early 18th Century Baroque Still-life Paintings

Materials

Oil, Canvas

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Mid Century Portrait Charlotte with Flowers
By Irina Belotelkin Roublon
Located in Soquel, CA
Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...
Category

1960s American Impressionist Figurative Paintings

Materials

Canvas, Oil

Mid Century Modern Portrait of Woman in Green Dress Original Oil Painting
By Genevieve Rogers
Located in Soquel, CA
Mid Century Modern Portrait of Woman in Green Dress Original Oil Painting Evocative mid century modern portrait of woman in green dress by California artist Genevieve Rogers (America...
Category

1960s American Impressionist Figurative Paintings

Materials

Canvas, Oil, Illustration Board

Giambattista Piazzetta workshop (Italian master) - 18th century figure painting
Located in Varmo, IT
Circle of Giambattista Piazzetta (Venice 1683 - Venice 1754) - San Tommaso. 62.5 x 52.5 cm without frame, 72.5 x 62.5 cm with frame. Antique oil painting on canvas, in a contempora...
Category

Mid-18th Century Rococo Figurative Paintings

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Canvas, Oil

Giambattista Piazzetta workshop (Italian master) - 18th century figure painting
Located in Varmo, IT
Circle of Giambattista Piazzetta (Venice 1683 - Venice 1754) - San Giacomo Maggiore. 62.5 x 52.5 cm without frame, 72.5 x 62.5 cm with frame. Antique oil painting on canvas, in a c...
Category

Mid-18th Century Rococo Figurative Paintings

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18th century oil sketches for a Baroque interior - a pair
Located in London, GB
A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...
Category

Early 18th Century Baroque Figurative Paintings

Materials

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The Poor Girl – An Early Genre Scene by Julius Kronberg, 1873
Located in Stockholm, SE
This small, tenderly rendered painting— titled The Poor Girl (Den fattiga flickan)—offers a rare glimpse into Julius Kronberg’s early period, when he w...
Category

1870s Realist Figurative Paintings

Materials

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