Keiko Ogawa

Cong Caphe - Interior Cafe scene, oil and acrylic on canvas

2018

This painting confronts the art world's prejudice towards age. The book on the table is a copy of James Joyce's Portrait of the Artist as a Young Man. The seated figure is meant to c...

Ben Duke Cake oil on canvas 36h x 38w in 91.44h x 96.52w cm BSD036 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City...

[From Ben Duke] The following is from Wikipedia, but I learned of this spot after getting into August Strindberg novels. "Zum Schwarzen Ferkel," translated as "The Black Piglet," was a historic tavern located at the corner of Unter den Linden and Neue Wilhelmstraße in Berlin. Notable for its cultural and historical significance, the tavern was a central meeting point for Nordic writers and artists in the 1890s. It was frequented by figures such as August Strindberg, Edvard Munch, and the Polish writer Stanisław Przybyszewski, among others. The tavern's original name was Gustav Türkes Weinhandlung und Probierstube, owned by Gustav Türke, and it was also known as "The Cloister." The name "Zum Schwarzen Ferkel" was coined by Strindberg, who thought an Armenian wine-sack hanging over the entrance resembled a black piglet. This quirky name was enthusiastically accepted by both the owner and the patrons. August Strindberg, a Swedish playwright and novelist, played a significant role in the tavern's history. After moving to Berlin in 1892, he became a regular at the tavern and a leading figure among the Nordic and German artistic community that gathered there. The tavern was not only a place for socializing but also a hub of intellectual and artistic exchange, with members engaging in vibrant discussions and forming significant relationships, both personal and professional. Edvard Munch, the Norwegian painter, also became a regular after his arrival in Berlin in 1892. The tavern saw its share of drama, including romantic entanglements and artistic disputes. One notable figure was Dagny Juel, a Norwegian music student who became involved with several members of the circle and was later tragically murdered in Tbilisi in 1901. The tavern's influence extended into the literary and artistic works of its patrons. For example, Adolf Paul wrote about his experiences and the people he met at the Ferkel in his book "Strindberg-Erinnerungen und -Briefe," published in 1914. Strindberg's novel "Klostret" ("The Cloister"), published posthumously in 1966, also drew from his experiences at the tavern. Unfortunately, the original building that housed Zum Schwarzen Ferkel was destroyed during the Second World War. Today, its legacy lives on through the stories and works of the artists and writers who once gathered there. Wikkipedia. Ben Duke Zum Schwarzen Ferkel oil on canvas 36h x 36w in 91.44h x 91.44w cm BSD039 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City...

Ben Duke The Miracles #3 (Hands), A Personal Delusional Solution oil on canvas 36h x 36w in 91.44h x 91.44w cm BSD038 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Mary...

"Damsel" is a work of art that immediately draws the viewer's attention to the glorious charm of the woman at its center. Adewale's portrayal of her low-cut hairstyle is a powerful statement that challenges conventional norms of beauty. With her hair styled so boldly, the subject exudes a sense of self-assuredness, breaking free from societal expectations and embracing her uniqueness. The woman's choice of a vibrant yellow dress further reinforces the celebration of feminine allure. Yellow, a color often associated with happiness and positivity, complements the woman's radiance, illuminating the canvas with her inner glow. This striking hue symbolizes her inner strength and vibrant spirit, echoing the confidence and dynamism that emanate from her presence. The blue background, in contrast, serves as a calming and harmonious setting, providing a perfect backdrop for the woman's portrayal. The serene blue not only accentuates her poise and elegance but also serves as a reflection of her depth and wisdom. It suggests that beneath her external charm lies a profound reservoir of inner grace and strength, making her all the more captivating and multidimensional as a subject. "Damsel" is more than just a beautiful portrait; it is a celebration of the richness and diversity of womanhood. Adewale's brushwork masterfully captures the subtle details of her facial features, highlighting the delicate contours of her lips and the gentle curves of her cheekbones. The artist's attention to detail emphasizes the individuality and uniqueness of the subject, celebrating the fact that each woman possesses her own distinct brand of charm and beauty. This artwork is not merely a passive representation but a self-conscious portraiture that actively engages the viewer. As we gaze upon the woman in "Damsel," we become participants in this celebration of femininity. Adewale invites us to appreciate and honor the beauty that exists within all women, encouraging us to recognize and celebrate the allure that each woman carries in her own unique way. In its essence, "Damsel" is a testament to the empowering nature of art. It breaks away from conventional stereotypes and standard definitions of beauty, presenting a woman who embraces her identity unapologetically. The artwork's appeal lies not only in its visual aesthetics but also in the powerful message it conveys to society, urging us to appreciate and cherish the diverse expressions of feminine charm. In conclusion, "Damsel" by Busari Adewale...

"Sojourner" by Morakinyo Femi is a captivating artwork that presents a young man seated in a fashionable attire, adorned with striking jewelry and sport...

The central theme of "Journey of Love" revolves around the feeling of uncertainty that often accompanies the onset of a romantic relationship between two young people. As we gaze at the artwork, we witness the subtle apprehension in their eyes and body language, hinting at the initial hesitancy that comes with opening one's heart to another. Adewale beautifully captures the vulnerability of these young souls, making it evident that they are navigating uncharted waters, unsure of what the future may hold for their budding connection. The woman, almost positioned in front of the young man, symbolizes her subtle dominance in the relationship. This arrangement not only suggests her strength and independence but also highlights the significance of women in guiding the course of love. The painting subtly challenges traditional gender norms, emphasizing the equal partnership and influence both individuals have in shaping their shared journey. Moreover, "Journey of Love" doesn't shy away from portraying the doubts and fears that can plague the minds of those in the early stages of a relationship. The artist masterfully captures the subtle tension in their clasped hands, portraying the emotional tightrope that they walk together. This poignant aspect of the artwork resonates deeply with viewers who have experienced the vulnerability and anxiety that come hand in hand with falling in love. However, amidst the uncertainty and challenges depicted, Adewale's artwork also showcases the hope that drives these young hearts forward. In the gentle smiles and the glimmer of optimism in their eyes, we see the belief in the magic of love, the idea that their journey will be one of shared joy and personal growth. It is precisely this hope that allows them to face the challenges head-on and continue on their path despite the unknown future. The journey of love, as depicted in the artwork, is not without its trials and tribulations. Adewale subtly incorporates various elements in the background, such as swirling winds and turbulent skies, as metaphors for the external forces that may try to sway their commitment. The young couple's ability to withstand these challenges and remain standing together is a testament to the strength of their bond. As viewers immerse themselves in the layers of the "Journey of Love," they cannot help but reflect on their own experiences with love and relationships. The artwork becomes a mirror that allows them to ponder the uncertainties they have faced, the doubts they have battled, and the triumphant moments that have shaped their romantic endeavors. In conclusion, "Journey of Love" by Busari Adewale...

"Association Day" by Morakinyo Femi captures the essence of everyday life with remarkable finesse. In this captivating artwork, we see a woman with her hand on a sewing machine, poised in a moment of industrious determination. The title, "Association Day," hints at the power of community and the shared labour that often defines our existence. Through this piece, Morakinyo Femi not only celebrates the strength and resilience of women but also invites us to contemplate the intricate web of relationships and associations that shape our lives. The sewing machine, a symbol of creativity and hard work, serves as a powerful metaphor for how individuals contribute to the fabric of society. Femi's artistry transcends mere visual representation; it weaves stories and emotions into every stroke of the brush. "Association Day" is a testament to his ability to evoke profound contemplation through the seemingly ordinary moments of life, reminding us of the beauty that lies in the details. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Morakinyo Femi is a visual artist born in Akure, Ondo State Nigeria in 1984. At an early age, Femi was intrigued by the stamps collected by his banker father which have now become a significant source of inspiration for his art style. Femi lived briefly with his grandmother, a connoisseur of old textiles...