Canvas Interior Paintings

The painting titled "Desires 3" is a beautiful work of art that depicts two men sitting across from each other, engaged in what seems to be a deep and meaningful conversation. The painting, created by Esinulo Chiamaka Praise, features an older man and a younger man, each holding a white flower, which adds a sense of purity and serenity to the scene. The older man, who appears to be in his 50s, and the younger man, who looks to be in his 20s, are both dressed in a more casual shirt and pants. Both men are seated on chairs, with their faces turned towards each other in a relaxed yet focused manner. The title of the painting, "Desires 3," adds an element of intrigue and mystery to the scene, as it hints at the possibility of underlying desires and motivations between the two men. However, the painting does not provide any clear answers or indications of what those desires might be, leaving the interpretation up to the viewer. Wisdom is gathered from lessons learned from experiences. Time and age guide a man through life as regards choices or wants... One possible interpretation of the painting is that it represents the passing of knowledge and wisdom from one generation to the next. The older man appears to be sharing something with the younger man, who listens intently and respectfully. The white flowers that both men are holding could be seen as symbols of purity and innocence, representing the purity of the knowledge and wisdom being shared. Another interpretation of the painting is that it represents a deep and meaningful conversation between two people who share a close and intimate relationship. The fact that both men are holding white flowers suggests a sense of purity and love between them, while their relaxed and focused expressions indicate a sense of comfort and ease in each other's presence. In terms of technique, the painting is expertly executed, with rich colors and intricate details that bring the scene to life. Keating's use of light and shadow creates a sense of depth and dimensionality, while the placement of the two men in the center of the painting draws the viewer's attention to their faces and the emotions that are portrayed in them. Overall, "Desires 3" is a beautiful and thought-provoking painting that captures the essence of a deep and meaningful conversation between two people. It is a testament to the power of art to evoke emotion and inspire reflection, leaving the viewer with a sense of curiosity and wonder about the motivations and desires of the two men in the painting. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Esinulo Chiamaka Praise is a comtemporary Nigerian painter...

Some of Kreminsky's works give the impression of a designer, while others seem to have been painted by a theater artist, and sometimes they are purely decorative compositions, delibe...

Signed upper right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Framed dimensions: 24 H x 1.5 D x 28.5 W inches. A vibrant Post-Impressionist still...

This beautifully compelling still life, oil on canvas board work was made by renown artist Margaret Thomas, a Modern British painter who trained in the...

Your Silence Makes So Much Noise Inside Of Me -Diptych This work consists of two canvases of Diptych: 103.93H x 78.74W x 01D in – 51.96W x 78.74H x 0.1D in DIPTYCH 264W x 200H x 1....

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed i...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

Very nicely painted early American realist fruit still life painting by Cyrenius Hall (1830 - 1896). Oil on board. Signed. Framed. Image size, 14"H x 22"L.

Wonderful English 1930's Still life of Tulips and other red flowers in a vase. The 1930s was a period of great artistic experimentation, and many artists were exploring new techniq...

Vibrant still-life with apples and various vessels on a bright turquoise table with a two-toned orange and brown background by an unknown California artist (American, 20th Century). ...

Contemporary pastel toned hyperrealist still life painting of an electric outlet plug by Texas-based artist Michael J. Abraham. Recently featured in "Michael J. Abraham: Quasi-Realis...

Glencoe by Eleanor Woolley [August 2021] original Oil Paint on Canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Glencoe is an Original Oil Painting by Eleanor Woolley. Painted Plein Air and finished in the studio this painting was inspired by a beautiful August sunset in Glencoe. Looking up the River Coe towards Loch Levan with Binnein Mor and the beginnings of Ben...

Impressive Paris school modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 36H by 29L and overall 36 by 43 inches.

Please see accompanying video. We are a 1stdibs Platinum Seller with 100% 5-star reviews. One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique policy. When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item. When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”. So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant. By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final. If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it. They are stuck with it. By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it. If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Mark Schiff — Animated by photographs that reflect his personal life, Mark Schiff’s paintings are fueled by what makes him happy. Through his open touch and signature blending method, he lends his artistic perception to the original photographic compositions captured on his Leica. Mark’s creative vision has been alive since he was a boy. As a child he spent his summers observing life as he rode the trolley back and forth to art classes at the Pratt Institute. During his future travels to Europe, Mark’s eye for light and photography merged with his passion for painting at the Jeu de Paume in Paris; which triggered his career in photorealism. Mark is well known for painting objects that people can identify and emotionally connect with. His work is distinctly marked by a rich palette and the luminous range of light he paints into his compositions. Each painting is a true extension of his vision and can take up to 200 hours to complete. Mark Schiff’s work has been commissioned by the well-known brands The Hershey Company and Tropicana. His private collectors include A-list celebrities and also corporate collectors in the US and abroad. Possessing a strong philanthropic nature, Mark donates both his time and works to charitable organizations such as Big Brothers Big Sisters, The Ronald McDonald House, Make-A-Wish Foundation, The Humane Society and the Special Olympics. Photorealism is widely viewed as one of this century’s most exciting genres of art. When a photorealistic painting is viewed from afar, it looks like a photograph. Only when getting very close to the art does the viewer realize that it is in fact not a photo, but rather an oil painting. Photorealism can also refer to sculptures. Duane Hanson is known as the greatest photorealistic sculptor of all time. Some of the greatest photorealistic painters include Mark Schiff, Richard Estes, Ralph Goings, Charles Bell and Audrey Flack. Photorealist Mark Schiff was born in Bedford Stuyvesant, Brooklyn, in a neighborhood known as a kuchalane, a Yiddish word which Schiff defines as a place where everyone (from the Old Country) ended up living on the same street, and most likely knowing each other’s business. His Russian grandfather came to the US before the revolution and both his parents were first generation American. Even at five years of age, Mark showed exceptional talent. In the summer, his mother permitted him to travel by himself on the trolley for art classes at the Pratt institute. He continued studying there until he was eleven and the family moved to Great Neck. Except for a few art classes in high school and playing baritone horn in the band, Mark focused on other things besides art, especially when his mother worried for his financial future, kept insisting “that Jewish boys don’t starve to death.” His father made a good living as a production man in textiles so Mark, who had spent years doing the rounds of knitting mills with his father, decided to major in textile chemistry at North Carolina State. ROTC was mandatory on his campus and he did two years in order to be eligible for officer status. He won the Armed Forces Chemical Association award and thought for sure that he would be assigned chemical work, but instead was made a tank commander and stationed at Fort Knox. Not exactly what his heart yearned for, but a good job awaited him at Sandoz, a Swiss company that made dyestuff. What perfect training for someone who would soon be working in wonderful rich colors on canvas. He went on to receive his MBA degree from Hofstra University, left Sandoz and was hired to sell at a spinning mill. He liked it. In 1976 he joined Bennett Berman Associates and had an opportunity to buy the spinning mill Spun Fibers. But what of art? In the early days, Elsie, his wife of fifty-two years, had a problem with the large amount of space his canvases occupied in their one bedroom apartment. Mark took up photography instead, which only required a small darkroom. Photography was a natural ally for his eventual return to painting in the photorealistic style. It was on his second trip to Europe that Mark fell in love with painting all over again. The impressionistic museum, Jeu de Paume in Paris, renewed his passion and it’s been non-stop since then. Out came the brushes, but this time, he used his love and skill of photography, and built a style based on the photographs he had taken, bringing them to life with paint. Mark was still not painting to sell until in 1990 when someone discovered and desperately wanted his candy bar (Sweet Series) painting. Mark didn’t want to let go of that particular piece, but was finally convinced to sell it and a second candy painting to this ardent art and candy lover. Two years later, Mark was commissioned to make three paintings of this man’s new Ferrari. Some of the artists who have inspired his work are Richard Estes, Sandy Scott, Chuck Close, and Charles Bell. He appreciates the work of Ken Keeley, but unlike Keeley’s hard-lined/tape and ruler style, Mark prefers an open touch, using the blending method. Mark’s subject matters range from candy bars to spice racks to soda cans and soda bottles. He photographs with a Leica M-7 and each painting can take up to 200 or more hours to complete. His palette is rich; his subjects, be it a fire engine or a pretzel cart, take on a luminous quality, always photoreal, but even more beautiful. Mark developed his own technique for working with bottles by painting a canvas all black, so that the transparency of the bottles allows a wonderful range of light to filter through. The same light and reflection can be seen in the black rotary phone...

Oil on canvas. Gold. "Female Aesthetics in Chrome and Gold" The figure of a woman in this oil painting is turned away from us, creating an aura of mystery and intrigue. The nude fo...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

A contemporary oil painting on canvas of a bright and inviting interior scene with a still life arrangement of cheerful yellow sunflowers in a planter on a stand sit beside a table w...

Mid-Century Modernist Multi-Color Bouquet, Yellow Vase of Flowers Still Life Vivid and fun mid century modern still-life of a yellow vase of...

"Untitled 4" Abstract Acrylic on linen Painting 32'x46' inch by Hossam Dirar Acrylic on linen canvas CHAOS This project is a representation of the life around me right now. All t...

Mid century portrait of two children, a young boy and girl in traditional dress, set in a rustic interior by M. Ray Stancliff (American, b. 1925). Si...

"Gambler's Fallacy" Painting 48 x 36 in by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art installations...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

Théodule Augustin Ribot St Nicolas d’Attez 1823 – 1891 Colombes French Painter 'La Leçon de Chant – The Singing Lesson' Signature: signed lower left 't.ribot' Medium: oil on canva...

ABOUT THE ARTIST KLAUDIA LATA (born in 1993) Graduate of painting at the Academy of Fine Arts in Katowice. Diploma in 2017 in the studio of prof. Ireneusz Walczak. Scholarship hold...

Daffodils by Melissa Franklin Sanchez is an Oil on Canvas Painting. Looking closely at Daffodils by Mellissa F. Sanchez you will notice the background with objects. There is pot...

Beautiful botanical still-life of a large purple pear and a glass full of cut flowers with a background of soft, warm neutrals by California artist Josephine Guerra...

Elin Siân Blake. Welsh ( b.1981). Ty Nain (Grandma’s House). Oil On Artist’s Canvas Board. Signed Lower Left. Image size 19.5 inches x 15.6 inches ( 49.5cm x 39.5cm ). Frame size 22.8 inches x 18.9 inches ( 58cm x 48cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The painting is presented and supplied in a sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The painting is signed lower left. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Movement –...

This contemporary still-life depicts a vibrant and juicy scallop on blue and white Mediterranean tiles. This box canvas is part of my MINI Tiles series, and is ready to be hung unfra...

Desdemona’ is an original abstract painting on canvas by contemporary artist Wendi Weller. Oil pastel mark making details are added to many layers of acry...

Antique American impressionist still life oil painting by Elizabeth L. Rothwell (c.1877 - 1946). Oil on canvas. Framed. Signed. Circa 1924.

Signed "C. VENARD" at lower right Overall dimensions, including the frame, are 33 3/4 x 18 1/4 inches

Frammento / Casa di Famiglia mixed media on cotton canvas 124x145 cm 2022 Original Art Ready to hang Fragments Family home this painting is part of a series of works of art, "Fragm...

Amit Kalla - Untitled - 24 x 24 inches (unframed size) Acrylic on Canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his commitment to experimenting with social engagement through the arts. It is here his strength lies. Through his deep connection to a cultural expression of a universal spirituality and passionate sense of humanity Kalla, continuously draws people from all communities into acts of creativity in the belief that through creativity people are empowered and communities move incrementally closer to truth. His poetry and paintings are spiritually intuited. While his poems create a secretive world of words, where silence speaks his paintings are calligraphic and draw on the same silent unknowing of invented texts. His paintings represent moments on the continuum; a slice snatched from his deeper hidden journey. The strength of Kalla’s work is that it represents an Indian artist’s quest for an indigenous tenor rather than a superficial inventory of native motifs, there is nothing about his work which relies on a static Indian Identity. About the Artist & his work : Born : 1980 in Jaipur, Rajasthan. Education : 2005 - Masters in Art and Aesthetics from Jawaharlal Nehru University, New Delhi 2003 - Graduation in Art History, National Museum Institute specializing in ancient Indian art...

Signs mixed technique on canvas 80x80cm 2017 Original Art the painting is sold stretched on a wooden frame ready to hang Buyer can request painting with decorative frame this will t...

Vibrant Colorful Abstract-0-25-1,' an exquisite piece of Mid Century Modern Art by the renowned artist Irena Orlov. This is no ordinary artwork; it's a limited edition Giclee meticu...

Signed still life oil on canvas circa 1910 by French post impressionist painter Jacques Martin-Ferrieres. The work depicts a black ceramic jar with w...

"Winter Table" is a Neo Impressionist rustic still life of fresh Tuscan ingredients. A Fiorentina Steak, Moka pot, red wine, sliced-into cheese, oranges, and artichokes really situat...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Courtyard with Fountain - Interior Landscape in Oil on Canvas Moody interior scene by Muriel Kittock (American, 1919-1996). Against a far wall, there is an ornate bench...

Antique American school modernist mixed media painting. Oil on board with gold leaf assemblage, circa 1930. Unsigned. Image size, 13L x 17H. Housed in a period wood frame most li...

Nicely painted American school modernist still life painting. Nice color and modernist composition. Excellent ready to hang condition. Oil on canvas. Image size, 18"H x 24"L.

Discover Art You Love. Start and build your art collection. Investment Opportunity - Unique - Original - Signed Astronomy & Space Collection Space, Gold Moon 4, Gold Black Silver M...

Window. Oil on canvas, 80x120 cm Elga Grinvalde ”ellgrii” Born in Valka (Latvia) 1966 Education: 1982-1986 Riga Applied Art College,Latvia department of glasswork desig. 1994-1998...

Still life of an interior with lemons and draped cloth by James Pollock (American, 20th Century). Signed and dated "Jim Pollock 7/87" on verso. Unframed. Image size: 18"H x 24"W.

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Traditional Interior Still Life Oil Painting with Fruit & Candle by 20th Century British Artist, Howard Shingler. This original has a lovely w...

"Sheets" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on a bed with her clothing and the she...

Jonathan Pratt British, (1835-1911) Spinning Wool Oil on canvas, signed Image size: 12 inches x 17.75 inches Size including frame: 17.25 inches x 23 inches A pleasing genre paintin...

Peonies 1975. Oil on canvas, 100x92 cm The combination of the pink flowers and the blue vase creates a harmonious color scheme, evoking a sense of tranquility and elegance. The pa...

Beyond Words and Numbers The painting features a dynamic, textured background composed of letters and numbers in various sizes and typographic styles. These characters are scattered...

Charles Léon Cardon 1850 – Brussels – 1921 Belgian Painter 'A Gentleman and a Maid' Signature: signed top right and dated ‘Ch. Léon Cardon - 1880’ Medium: oil on canvas Dimensions...

"Garden Roses" in a Vase Still Life by Masayoshi Himeno Beautiful still life oil painting on canvas of a vase of multicolored Garden Roses sitting upon a table with a background in hues of green and red by Masayoshi (Masara) Himeno (Japanese/American, 19th-20th century). A green vase is the focal point as it sits upon a table with red, pink and yellow roses in full bloom. The artist uses a oil wet brush technique similar to a watercolor artist. Masayoshi a possible San Francisco Bay area artist who emigrated to America form Japan. Signed "M. Himeno" lower right. Presented in a giltwood frame. Image: 19" W x 23"H. Frame: 26"W x 30"H. Signed on verso, artists label, Japanese Kanji...

Shuvaprasanna Bhattacharya - The Bird Oil Acrylic & Charcoal on Canvas 45 x 45 inches (unframed size) 2004 One of the most popular series of the Master Artist, The Golden Flute is...

Vita Merca Latvian artist born 1951. Her father was a conductor, her mother was fascinated with violin and entered Vita in the music world and later in fine arts. Vita has been interested in painting since thirteen years of age. "in the fairy tales by Karl Skalbe, in the poems ofFricis Bard. I also try to approach this subtle soul vibration," says Merca. She emphasizes that she feels free of pompousness and more when she is painting, painting as a means of expression, managing techniques and paying attention to the nuances and motifs, without excessive volume. "Conceptualism does not exist for me, I want more so that a person, by contacting the painting, reveals what I want to say. It is looking for my contemporaries, the souls of the soul," she says. The artist is painting very specific things, but the reflection of water in her is not only general, it connects the earth and the sky. "It's like serving beauty," says Merca about her relationship with painting. Education: Jahn Rozenthal Riga Art Academy(1963-1970) and the Department of Painting of the Latvian Academy of Arts (1970-1977), graduated in 1977. at Eduard Kalniņš, in 1983 graduated from the postgraduate studio of the Art Academy of the USSR Riga with Professor Eduard Kalniņa. Graduated from the Art Academy at the master's studio in Riga. Participated in exhibitions since 1976. Member of the Artists' Union of Latvia since 1980 and member of the association "B - 13" (1993 - 1998) from 1993. Has had personal exhibition in Jelgava (1991) and Riga (1993). Regularly participated in group exhibitions in Riga, Vilnius, Moscow, Finland, Sweden, Germany, Poland, Italy, France, Japan and elsewhere. Works are in the State Art Museum, the Latvian Artists' Union, the collections of the Latvian National Museum of Art, Riga and Talsi museum Ģederta Eliasa Jelgava History and Art Museum, Works in private collections in Latvia, Estonia, Denmark, Sweden, Germany, France, Russia, Canada, USA, Australia, Israel, Italy Popular painter...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Signed, titled and dated 1921 figures in interior oil on canvas by Modernist painter Marcel Francois Leprin. This wonderful piece depicts a ball at the Moulin Rouge, a cabaret in Par...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

Venetian painter (18th century) - Madonna with Child. 37.5 x 45.5 cm without frame, 55 x 63 cm with frame. Antique oil painting on canvas, in a carved wooden frame (not signed). C...