
Pastel of Mid-Century Room with View of Pool. Title - Drawn Towards the Light
View Similar Items
1 of 8
R. Michael WommackPastel of Mid-Century Room with View of Pool. Title - Drawn Towards the Light2020
2020
$4,785List Price
About the Item
- Creator:R. Michael Wommack (1956)
- Creation Year:2020
- Dimensions:Height: 33 in (83.82 cm)Width: 21 in (53.34 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:East Hampton, NY
- Reference Number:1stDibs: LU145927401102
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.You May Also Like
Untitled, Pastel & Ink on Paper by Modern Indian Artist “In Stock”
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury : Untitled
Pastel & Ink on Paper ; 11 x 8 inches ; 2007
Signed by the Artist. ( Framed and delivered )
Style : He has immense contribution in inspiring young artists...
Category
2010s Modern Figurative Paintings
Materials
Paper, Pastel, Ink
Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas
By Irene Pattinson
Located in Soquel, CA
Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas
Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene.
Signed "Irene Pattinson" on verso.
No frame.
Canvas size: 32"H x 24"W
Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56.
Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art
Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works)
Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963;
Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection
Exhibitions:
1963 The Art Bank of the San Francisco Art Association, San Francisco, CA
1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA
1962 The Art Bank of the San Francisco Art Association, San Francisco, CA
1961 San Francisco Museum of Art, San Francisco, CA
1960 California...
Category
1950s American Modern Still-life Paintings
Materials
Canvas, Oil, Newsprint
Still Life of an Orange in Acrylic on Archival Paper
Located in Soquel, CA
Still Life of an Orange in Acrylic on Archival Paper
Vibrant still life by California artist Christine Cohen (American, b. 1943). This piece is a close-up, single subject still life...
Category
Early 2000s American Modern Still-life Paintings
Materials
Acrylic, Archival Paper
$520 Sale Price
20% Off
Still Life of Two Pears in Acrylic on Archival Paper
Located in Soquel, CA
Still Life of Two Pears in Acrylic on Archival Paper
Vibrant still life by California artist Christine Cohen (American, b. 1943). This piece is a close-up still life of two pears, a...
Category
Early 2000s American Modern Still-life Paintings
Materials
Acrylic, Archival Paper
$520 Sale Price
20% Off
Guy Pene du Bois WPA American Modernism Realism NYC Scene Oil Lawyers in Court
By Guy Pène Du Bois
Located in New York, NY
Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk.
Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized.
In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment.
During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...
Category
1930s American Modern Figurative Paintings
Materials
Paper, Oil, Board
Large American Modernist Watercolor Painting Irises Bernard Chaet Expressionist
By Bernard Chaet
Located in Surfside, FL
Hand signed Irises (purple and yellow flowers)
30 X 37 framed. 20.5 X 26.5 sheet without frame.
Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence.
Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas.
Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA.
Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine)
Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman...
Category
1970s American Modern Still-life Paintings
Materials
Watercolor, Gouache, Archival Paper
Recently Viewed
View AllMore Ways To Browse
Bay Window Used
Used Mid Century Modern Furniture Seattle
Robert Buck
Praying Mantis
Prototype Car
Used Furniture Kansas City Mo
Used Furniture Bethesda
20th Century Japanese Prints
Bird Photography
Fluid Sculpture
English Lithograph
Black And White Actor Prints
Japanese Stamps
Prints Set Four
British Lithographs
Corner Sculpture
Antique Landscape Engravings
Vintage Photography Light