Walter Beach Humphrey

Flowers for Her Grandmother

1924

Medium: Oil on Canvas Dimensions: 24.00" x 31.00" Signature: Signed Lower Right This painting of a baby taking it's first steps was done as a calendar for the Osbourne Calendar Company and has the Osbourne tag affixed to the back. Harold Matthews Brett grew up in Brookline, MA and studied at the School of the Museum of Fine Arts in Boston under Philip Hall and Frank Benson. Later he moved to New York to study at the Arts Students League with Walter Appleton Clark...

Cover of The Saturday Evening Post, February 5, 1949 Label on back is Falter’s handwriting, his daughter said Curtis Publishing probably titled it “meeting the Date”. The Episcopal ...

Medium: Oil on Canvas, Mounted Dimensions: 22.70" x 17.70" Signature: Signed Lower Right Advertisement, image of girl baking biscuits as boy and mother look on. An early 20th-cent...

An elegantly dressed woman sits gazing out of a window with a book on her lap. A fine example of the type of contemplative genre scenes for which Birney was well-known. William Verp...

A FEAST OF THE GODS WITH VENUS AND BACCHUS Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; John and Eileen Harris, acquired from the above, to 2015. Literature: Jacob Simon and Ellis Hillman, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, cat. no.12 (as by Louis Laguerre); Elizabeth Einberg (ed.), Manners and Morals: Hogarth and British Painting, 1700-1760, exh. cat., London (Tate Gallery), 1987, cat. no.10 (as by Louis Laguerre); Tabitha Barber and Tim Bachelor, British Baroque: Power and Illusion, exh. cat., London (Tate Britain), 2020. Exhibited: Twickenham, Marble Hill House, English Baroque Sketches: The Painted Interior in the Age of Thornhill, 1974, no.12 (as by Louis Laguerre); London, Tate Gallery, Manners and Morals: Hogarth and British Painting, 1700-1760, 1987, no.10 (as by Louis Laguerre); London, Tate Britain, British Baroque: Power and Illusion, cat. no 92, 2020. CUPID AND PSYCHE BEFORE JUPITER Collections: With Appleby Brothers, London, June 1957; Hazlitt, Gooden & Fox, London, 1961; Anthony Hobson, acquired from the above, to 2015. These recently re-united paintings are the most ambitious surviving baroque ceiling sketches made in Britain in the early eighteenth century. From the Restoration until the rise of Palladianism in the 1720s decorative history painting formed the preeminent artistic discipline in Britain. It was a field dominated by Continental artists including the Italian Antonio Verrio and the Frenchmen Louis Laguerre and Louis Chéron...

Bouquet de Fleurs Pieter Wagemans Oil on Canvas Signed 'P Wagemans' (lower right) 74 x 60 cms / 29¼ x 23½ inches In Bouquet de Fleurs, Pieter Wagemans masterfully revives the Dutch ...

Margaret Dovaston (1884–1955) After Dinner, Rest Awhile Oil on Canvas Signed M Dovaston (lower right) 46 x 61 cms / 18 x 24 inches This finely detailed scene by British artist Marga...

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.