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Jane PetersonBEACH SCENE American Impressionist gouache 20th century 1030s bright colors1930s
1930s
$16,500
£12,403.64
€14,379.75
CA$23,036.57
A$25,802.17
CHF 13,425.73
MX$313,365.60
NOK 170,204.13
SEK 160,600.28
DKK 107,293.44
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About the Item
Jane Peterson was born in Elgin, Illinois in 1876. Peterson attended the Pratt Institute and later she studied at the Art Students League in New York with Frank Vincent Dumond. Following her studies, Jane Peterson was offered several teaching posts, none of which she would keep long. Instead of confining herself to the American art scene, she decided to continue her education in Paris, Venice, London and Madrid, where she studied with such notable artists as Jacques Emile Blanche, André Lhote, and Joaquin Sorolla. Through her instruction Peterson developed a unique vision in American art. She went on to influence later American Art in a teaching position at the Art Students League beginning in 1913. Her works are a blend of Impressionist and Expressionist styles, combining an interest in light and in depiction of the spontaneous moment with the use of broad swathes of vibrant color. She is well known for her vivid, richly painted still lifes, and beach scenes painted along the Massachusetts coast.
The present work is an excellent example of Peterson’s beach scenes. A group of three sunbathers dominate the foreground at right, bright pink after an afternoon spent in the brilliant sun. Their attenuated frames, painted in flat color, recall the joyful figures of Matisse from the first decade of the century, when Peterson was studying in Europe.
Two more figures stroll away behind them, walking along the soft yellow and cream field of sand that occupies almost two-thirds of the composition. In the distance, bands of aqua and blue sea are traversed by white piers and dotted with beach-going figures. A great ship floats at the line of the horizon, adding to the life and cheerfulness of the scene. The wonderful color and light mood of the work recalls the influence of her teacher Sorolla, but Peterson’s tendency to simplified, almost abstracted forms and flat planes of color gave her a unique interpretation of such scenes and put her in step with modern trends in America.
Peterson was recognized as one of the foremost women painters in the United States. Her works are housed in museums such as the Metropolitan Museum of Art, the Museum of the City of New York, the National Museum of Women in the Arts and Hirshhorn Museum in Washington DC.
- Creator:Jane Peterson (1876-1965, American)
- Creation Year:1930s
- Dimensions:Height: 14 in (35.56 cm)Width: 17 in (43.18 cm)Depth: 1.75 in (4.45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2733214545122
Jane Peterson
Jane Peterson's most innovative period was from 1910 to 1930. During this time she produced her most important work. Her trips to Venice resulted in exuberant paintings full of glowing color. This painting is from that period. The brushwork is bold and exciting. The bright round yellow carob flowers contrast with the vertical mauve carob pods. The trunks and branches of the trees form a series of triangles that reflect the lush Mediterranean landscape. Originally the painting was sold in Paris to an American collector. Jane Peterson was a leading woman post-impressionist painter of the early 20th century. Born in Elgin, Illinois, on November 28, 1876, she was interested in art throughout her childhood. In 1895, she went to New York City to study art at Pratt Institute. Before graduating in 1901, Peterson taught painting and became a popular teacher at Pratt. She then became the Drawing Supervisor of Brooklyn Public Schools. She studied oil painting with Frank Vincent DuMond who emphasized a prismatic palette. Subsequently, she studied painting with Frank Brangwyn in London, Jacques Emile Blanche and André Lhote in Paris, and Joaquín Sorolla y Bastida in Madrid. She was influenced by Impressionism and Fauvism during her studies in Paris. In 1924, Peterson's painting, Toilette, received critical acclaim at the New York Society of Painters. Her one-woman show on Fifth Avenue sold out. By this time, she had won numerous awards, was a Fellow at the National Academy of Design, and a member of many art clubs including the American Watercolor Society, Audubon Artists, Pen & Brush Club, and the National Association of Women Artists. In 1925, The New York Times characterized Peterson as "one of the foremost women painters in New York." Known for her colorful, post-impressionistic paintings of Gloucester streets and harbor on Cape Ann; palm trees along the Florida coast; street scenes in Paris, Istanbul, and New York City; and boating views in Venice. Peterson also flamboyantly executed floral subjects and dynamic genre-like portraits. Carob Tree (Ceratonia siliqua) is a small evergreen tree of the Mediterranean coasts. It has dark green, compound leaves with glossy, oval leaflets. In Italy, the carob tree blooms from September to November. Its seedpods, also known as Saint John's bread, are up to 45 centimeters long and are filled with round, hard seeds and a thick pulp. St. John's Bread was probably the husks in the Prodigal Son parable and the seed which is said to have been the original jewelers' carat weight. The Spaniards call it Algaroba, and the Arabs Kharoub, hence Carob or Caroub Pods, Beans, or Sugar-pods. It is also named Locust Pods. These pods are grown in southern Europe for feeding domestic animals as well as for human food. Carob is sold in health food stores and is often a substitute or alternate to chocolate.
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