Karin Goeppert

Skindeep, Painting, Acrylic on Paper

2020

I call this work "Vintage" as in gathering wine. When I look at this painting I see vine and smell the deep ripe scent of autumn. The painting is protected by a glossy varnish (La...

"Pop" is the third artwork I did on the theme "Snap, Crackle and Pop", also known from the Kellog's Rice Crispies advertisement. These words seemed very suggestive to me, but I canno...

This piece is a memory of the botanical garden in Ferrara, Italy. It's a lovely sanctuary, a calming garden in the middle of town. I wanted to convey the calm but also the wildne...

Double Entendre is an elegant, tall black and white painting with accents of color in the background. The flowers are dynamic and loosely rendered...

In this new body of work, Kremer continues to explore and celebrate the physical experience of being, juggling eros, flora, fauna, and saga in abstract relationships that continue to surprise. Some of the tools are "new." Ruined old brushes and a variety of scrubbers from hardware stores provide novel ways of putting paint on canvas. Always pushing the boundary of "the tyranny of the mark, the handwriting" Kremer has accomplished this in the past with strategies such as masking and rubber stamping. Now, different tools bring their own idiosyncratic qualities of mark making, expanding the vocabulary with "different strokes." On these canvases, patterns emerge from the coalescence of chance events. Murmuration, the largest painting...

Unspecified Involvement #12, Acrylic on Paper Painting by Kara Maria, 2003 Additional information: Medium: Acrylic on paper Dimensions: 15 x 20 in Kara Maria produces paintings and...

Urszula Wilk – artist statment: I have always been interested in the idea of infiniteness of a painting and its opposite – that is the physical finitenes...

Sarah Irvin There we Go, 2020 ink on Yupo paper 26 x 40 in. (irv082) Sarah Irvin's work is concerned with explorations of autobiography, family history, genetic heritage, and memory...