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Miguel PaduraThe night watch2014
2014
$8,000
£6,053.94
€6,982.09
CA$11,171.45
A$12,515.63
CHF 6,514.37
MX$152,416.40
NOK 82,984.43
SEK 78,147.91
DKK 52,120.39
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About the Item
Miguel Padura artworks have always been committed to the realistic representation of the natural world, still lifes, the landscape, and human figure. However, his realism is not just straightforward imagery that replicates a particular object, place, or person. It is imbued with a mysterious content that comes from his fascination with things not completely explained, like deep shadows with no direct reference and isolated personalities. There are allusions to the metaphysical paintings of Giorgio de Chirico and to the Surrealists; both freed the eye to see the pure, inexplicable existence of things. There are also references to the American Realists of the twentieth century and to the Spanish still life masters of the seventeenth century. Among their ordinary surroundings and ordinary friends and family, and in the shapes and textures of the most banal of objects, these artists perceived an extraordinary aesthetic context. As a modern painter, he pays tribute to all of them as a part of his artistic heritage, while he continues to explore the art of painting and all it is capable of representing.
- Creator:Miguel Padura (1957, Cuban)
- Creation Year:2014
- Dimensions:Height: 52 in (132.08 cm)Width: 52 in (132.08 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU154128021722
Miguel Padura
Miguel Padura was born in Havana in 1957.
"I was four years old when my family moved to Rodas, in the province of Las Villas. My father was an engineer and I wanted to be one as well. He would do a lot of drawings related to his profession and I was always with him. That's how I started, although it was not until I was seventeen or eighteen that I seriously considered dedicating myself to painting. I took my first classes with Roberto Martínez. He taught me how to see, how to perceive through my own eyes, not through his, like so many teachers tend to do. He helped me develop what I had inside, my own way of looking at things.
Although I have integrated the abstract into my work, I consider myself a figurative painter. I have always been fascinated by still-life, and although I may modify it in some way or other, it will always have a place in my work. For me, art means being able to bring to the surface one's deepest feelings, one's way of knowing and seeing the world, the way one wants it to be seen. I am a bit selfish; I paint for myself, to please myself. Perhaps my Cubanness comes out subconsciously in my work. I remember Cuba as a tranquil place; at home there was solitude and silence. In this sense Cuba influences my painting, because tranquillity and solitude is what I want to paint."
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