Items Similar to "Femme et Homards" (Woman with Lobsters), 1948 -André Minaux (French, 1923-1986)
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Andre Minaux"Femme et Homards" (Woman with Lobsters), 1948 -André Minaux (French, 1923-1986)1948
1948
$5,135
£3,967.68
€4,587.01
CA$7,256.13
A$8,138.23
CHF 4,261.86
MX$98,887.41
NOK 54,118.54
SEK 51,308.18
DKK 34,239.63
About the Item
Behold a mid-century marvel by André Minaux, a titan of the French School whose stylized Social Realist visions continue to captivate the art world. Painted in 1948, “Femme et Homards” is an oil-on-canvas triumph, its commanding 57” x 38” canvas (framed to 62.25” x 43.5”) radiating presence and intrigue. A young woman cradles a lobster with quiet intensity, while two more perch on a counter before her—a scene alive with deep greens and blue-greens that shimmer across the lobsters and backdrop, offset by her earthy browns and olives. This is no ordinary portrait; it’s a bold dialogue between humanity and nature, rendered with Minaux’s masterful hand.
This monumental work hails from the esteemed John Herron Museum of Art, deaccessioned via the Colorado Springs Fine Arts Center, where it was acquired in 1962 and showcased in the landmark exhibition New Accessions, U.S.A. (June 27 - September 12, 1962). A label on the verso preserves its storied past, a testament to its museum-worthy stature. Trained under Maurice Bianchon at Paris’ L’École Nationale Supérieure des Arts Décoratifs and shaped by the revolutionary André Lhote, Minaux joined the ranks of mid-century luminaries like Genis, Bardone, and Cathelin. His legacy endures in collections worldwide, and this piece is a rare chance to own his genius.
Framed in a substantial 62.25” x 43.5” x 3” setting, it’s a showstopper—perfect for a grand stairwell, dining room, or collector’s gallery wall. The 70-year-old canvas remains in very good condition, its subtle scuffs and cracking (see vivid photos) a patina of authenticity that enhances its character. The frame, with minor nicks and repairs, presents beautifully, ready to hang and transform any space.
Priced at $5135 this is a collector’s prize—museum provenance, monumental scale, and Minaux’s signature style converge in a work that won’t linger. For the discerning 1stdibs buyer seeking a statement piece with soul and history, “Femme et Homards” beckons. Act swiftly to claim this treasure from a defining voice of 20th-century French art.
- Creator:Andre Minaux (1923 - 1986, French)
- Creation Year:1948
- Dimensions:Height: 62.25 in (158.12 cm)Width: 43.5 in (110.49 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good (canvas with minor scuffing/cracking; frame with nicks/repairs—see photos).
- Gallery Location:Berlin, MD
- Reference Number:1stDibs: LU1376213495362
Andre Minaux
Andre Minaux was a Contemporary French painter, draftsman, lithographer, engraver, illustrator and sculptor. He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. His search for perfection in his work was compared to that of Matisse by Jean Bouret. (Minaux, Sauret Editions, 1977). He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. André Minaux embraces several periods: naturalism, rural, baroque, figurative and non-figurative. It was through the power of his line that he imbuded his compositions with an inexhaustible energy. In the heart of the post-war period, his works captured a euphoric context in a French expressionist realism. “It's the rhythm that brings unity to a painting,” confides André Minaux. “You could call Minaux's approach in his search for perfection 'Matissian'. (Jean Bouret, Minaux painter, Sauret editions, 1977). In 1950 The Museum of Modern Art of the city of Paris acquired one of his paintings In turn, the Tate Gallery in London quickly followed suite. He took part in the 1948 Salon d'Automne with 'Le Raccommodeur de filets', a work hailed by a multitude of art critics. A year later, his work was crowned by the critics' prize and displayed his work at the Salon des Jeunes Peintres, at the Claude gallery on rue de Seine in Paris. He exhibited at the Venice Biennale in 1952 and continued to exhibit Internationally up until his passing in 1986.
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