Dale Williams

"Solidarity", acrylic painting, portrait, politics, humanity, Americans, resist

2019

"Human Welfare" is an acrylic painting on paper measuring 36" high by 24" wide. It is one of 50 portraits that comprise Profiles in Democracy. Savage in their execution, they are nevertheless heartfelt expressions from the artist – politically, socially, culturally – in some cases featuring text and language in the portrait. In this case, the reference to Paris October 1979, Boulevard de Sebastopol, marks the afternoon Dale Williams was in Paris and sketched the woman in the portrait. From Dale Williams: "Profiles in Democracy is a group of 50 portraits completed in 2019. They are an expression of sorrow at the fracturing ideals that our country now teeters upon. The portraits are mostly – not exclusively – imaginary: a populace viewed from the inside out, people that someone like our current president might call losers. They perhaps “live in gaudy poverty, powerful destitution,” to quote Osip Mandelstam...

"Outskirts" is an acrylic painting with collage elements on canvas, measuring 38" high by 44" wide. There's nowhere to hide in any of William's paintings, that's part of the charge coming off his canvases. That's particularly true with this painting – we immediately see that everything is wrong, hands coming out of trees, a human head on a horse or dog. Yes it's Mythic but even there it's wrong, the legs are impossibly crossed. In fact little of this painting can be true and yet here it is. Out of control, left over and residual ways and means of living life. Who or what are we now? Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos...

"Idiot Wind, Sweet Reason" is an acrylic painting on canvas measuring 24" high by 36" wide. Again cutting to the quick, Dale Williams posits our best and worst instincts as a duality, and that duality as a confrontation. There's nowhere to hide in any of William's paintings, that's part of the charge coming off his canvases. That's particularly true with this painting – as hideous as these personnages may be in Idiot Wind and Sweet Reason, we recognize their struggle for grace. Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." – George Del Barrio, Vanderbilt Republic, Brooklyn NY Dale Williams has exhibited in the New York City area for the past 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His most recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...

"Running To Running From" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. Thi...

One of a kind acrylic canvas painting by Linda Coppola.

Original Oil Paint on Gallery Wrapped Stretched Canvas of 16 by 12 by 3/4 in. ::::: Title : UNTITLED m1131 :: Painting :: Expressionism :: This piece comes with an official certifica...

A flowing piece that exemplifies our abstractness of ourselves by way of combining colour and technique to cleverly dictate the movement of the hand and tilted head. :: Painting :: E...