After Francisco Goya "Osuna Family" Oil on Canvas

Unknown

After Caspar Netscher (Dutch, 1634-1689), Courting Scene, Oil on Wood Panel, 19th century, carved giltwood frame. Image: 13.75" H x 9.5" W; frame: 19.75" H x 15.5" W. The painting ...

European School, Man and Woman, Oil on Canvas, depicting a couple seated on a garden bench on abstract ground, signed "Kovkas Z (?)" lower right, orange painted wood frame. Image: 41...

After Carlo Dolci (Italian, 1616-1686), "La Madonna del Dito" [Madonna of the Finger], Oil on Canvas, 19th century, unsigned, framed oval in carved gilwood frame. Image: 22" H x 18" ...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

Scandinavian Family Portrait Artist 18th century 18th Century Scandinavian School Signature: Not signed Medium: Miniature Dimensions: Image size ...

A naive yet charming 19th-century study of a small family gathered around a baby. The mother cradles the infant in a chair while a small white cat watches quietly in the background, ...

This charming scene depicts a child at the feet of his seated mother reading out loud from a book. The sister looks up at them both, smiling as she holds out her apron full of flower...

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...