Francisco PARERA

PARERA Portrait Spanish elegant woman fan Belle Epoque 20th

1920

French school around 1850 Oil on oil 41 x 33 cm (54 x 47 cm with frame) Inscription on the back “Lefevre” Based on the model's hairstyle, the portrait can be dated around 1850. The ...

Alfred PLAUZEAU Avanton-Paché (Vienna), 1875 - Hendaye, 1918 Oil on oil 61 x 38 cm (75.5 x 52.5 cm with frame) Signed lower right "A. Plauzeau" Good condition (sevreal restoration, w...

Francisco INGLADA Barcelona, 1850 - 1903 Oil on canvas 56 x 43 cm (74 x 62 cm with frame) Signed top left "Inglada" Very good condition (only a small restoration not visible on the ...

Etienne-Prosper BERNE-BELLECOUR Boulogne-sur-mer, 1838 - Paris, 1910 Oil on canvas 46 x 33 cm (55 x 43 cm with the frame) Signed lower right "To his friend doctor Daymard / E. Berne-Bellecour / 1903" Painting exhibited at Salon des Artistes Français of 1904 (number 136. “Portrait of Mr. Major Daymard”) Very good condition ( only a few and small repaints) As an academic painter, Berne-Bellecour worked for illustrated newspapers after failing at the Prix de Rome in 1859. In 1870, he enlisted in the Frankish Corps of Tirailleurs de la Seine and is decorated with the Military Medal. This will decide his career. Companion of Édouard Detaille and Alphonse de Neuville, he painted battle pictures and portraits of soldiers that made him very well known as a specialist military painter. "The Tirailleurs of the Seine in the battle field...

Large scale French society portrait from the 1920s featuring a lady in a 'flapper' dress before a castle and it's garden by Georges Gaudy. Signed bottom left and dated, 1925. The painting is by repute of La Comtesse de Blacas, in front of her home Château d'Ussé. Ussé was the subject of a French railroad poster issued by the Chemin de Fer de Paris à Orléans in the 1920s which may have been designed by Gaudy and this may be where the commission for this painting came about. Presented in very fine custom carved wood, gilt Florentine frame. The early 1900s were the zenith of 20th century society portraiture by the likes of Philip de László...

Early 20th century oil on board society portrait by French artist Rose Teitgen-Obeurer. Signed top left. A charming and characterful portrait of a fine lady...

Oil on Canvas "The girl in the Red Dress" by W Frank Calderon, RA (no58) Exhibit 1911. Calderon was influenced by the "Art Nouveau"period, this painting shows his beautiful detailed...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...