Items Similar to Portrait of Miss Tonks, Signed and dated 19th Century Oil
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Frank Holl RAPortrait of Miss Tonks, Signed and dated 19th Century Oil1882
1882
About the Item
Oil on canvas, signed and dated lower right 1882
Image size: 36 x 29 inches (92 x 74 cm)
Gilt Watts frame
LITERATURE
The Life and Work of Frank Holl, Ada Holl Reynolds, 1912, Methuen & Co, pp. 191- 193.
'A Daughter's Story: Frank Holl and Women' in Frank Holl: Emerging from the Shadows, Mark Bills, 2013, Philip Wilson Publishers Ltd, p.85.
The sitter of this compelling portrait is Miss Tonks, the sister of W. H. Tonks and Edmund Tonks. The entire family was painted by the artist Frank Holl, one after another in the early 1880s. The portrait of Edmund Tonks is currently in the collection at The Birmingham Museums Trust. This portrait of Miss Tonks, along with a portrait of W. H. Tonk's wife, were the first women portraits attempted by Holl and were only carried out at the express wish and earnest persuasion of Mr Tonks himself, one of Holl's loyal patrons.
Frank Holl painted over 200 portraits, however only a handful of these were of women. Holl initially had an eversion for taking on a female subject and had noted 'Well, you know, if anything goes wrong I can't fling my brush at my sitter's head, nor indulge in any strong language to ease my mind a bit!'. Nevertheless, women came to play a significant part in the art of Frank Holl. They were central figures in his subject paintings, which dealt almost exclusively with aspects of women's suffering in Victorian society. Furthermore, it is a women writer (his own daughter Ada) that we turn to for the most important source of information about his life.
Ada discusses this portrait of Miss Tonks in her book 'The Life and Work of Frank Holl'. She notes that Miss Tonks was a 'striking-looking woman with a fine head, remarkably like her brother's'. Undeniably, Holl's most successful female portraits were in the instances when the sitter had pronounced and strongly marked features, such as is the case here.
Ada notes that the Tonks portraits 'possessed of almost Rembrandtesque physiognomy, grim and full of character, presenting to my father as none of his previous sitters had done, the true type of his ideal, and the very echo of the man who was, to him, the greatest painter the world has ever known.' Indeed, for the artist old Miss Tonks was the literal embodiment of a real Rembrandt, resembling in almost every particular the actual type of the Dutch gentlewoman of Rembrandt's day. Indeed, Holl's distaste for painting a woman's portrait was removed at the first sight of Miss Tonks and he realised the opportunity before him. Ada finally notes that 'the portrait still remains one of my father's masterpieces, and might almost have come from the brush of the great master himself'.
- Creator:Frank Holl RA (1845 - 1888)
- Creation Year:1882
- Dimensions:Height: 36 in (91.44 cm)Width: 29 in (73.66 cm)
- More Editions & Sizes:1 of 1Price: $9,876
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52410529542
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2007
1stDibs seller since 2014
80 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllPortrait of Herbert Fisher, Mid-19th Century Oil Painting, Original Watts Frame
By George Frederic Watts
Located in London, GB
Oil on canvas
c.1855 - 1860
Image size: 19 x 14 inches (48.25 x 37.25 cm)
Original Watts frame
The Sitter
Herbert William Fisher (1826 - 1903) was a British historian, best known for his 'Considerations on the Origin of the American War' (1865). Fisher was tutor to the future King Edward VII, and served as Private Secretary to the 5th Duke of Newcastle. in 1863 he became Private Secretary to the Prince of Wales, his former pupil, before being appointed to the position of Vice-Warden of the Stannaries in 1870. One of his daughters, Adeline, married Ralph Vaughan Williams.
George Frederick Watts
Watts (1817 - 1904) was a British painter and sculptor associated with the Symbolist movement. He is known to have said 'I paint ideas, not things'. Watts became famous in his lifetime for his allegorical works, such as 'Hope' and 'Love and Life' in which the emotions and aspiration life were intended to be represented in a universal symbolic language.
Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. He showed artistic promise very early, learning sculpture from the age of 10 with William Behnes, starting to study devotedly the Elgin Marbles (later writing "It was from them alone that I learned") and then enrolling as a student at the Royal Academy Schools at the age of 18.
He first exhibited at the Academy in 1837, with a picture of "The Wounded Heron" and two portraits, but his attendance at the Academy was short-lived, and his further art education was confined to personal experiment and endeavour, guided by a constant appeal to the standard of ancient Greek sculpture. He also began his portraiture career, receiving patronage from his close contemporary Alexander Constantine Ionides, who later came to be a close friend. In 1849 the first two of the allegorical compositions which form the most characteristic of the artist's productions were exhibited—"Life's Illusions," an elaborate presentment of the vanity of human desires, and "The people that sat in darkness," turning eagerly towards the growing dawn. In 1850 he first gave public expression to his intense longing to improve the condition of humanity in the picture of "The Good Samaritan" bending over the wounded traveller; this, as recorded in the catalogue of the Royal Academy, was "painted as an expression of the artist's admiration and respect for the noble philanthropy of Thomas Wright, of Manchester," and to that city he presented the work. From the late 1840s onward he painted many portraits in France and England, some of which are described below. Notable pictures of the same period are “Sir Galahad...
Category
1850s Victorian Portrait Paintings
Materials
Canvas, Oil
Una
Located in London, GB
Richard Waller
1811 - 1882
Una
Oil on canvas, signed lower right and dated 1879
Image size: 23 1/2 x 19 1/2 inches (59.5 x 49.5 cm)
Original frame
Una is one of the main characters in the first book of Edmund Spenser...
Category
19th Century Victorian Portrait Paintings
Materials
Canvas, Oil
$7,459
Portrait of a Girl with Book, 18th Century Regency Oil Painting
Located in London, GB
Oil on canvas
Image size: 28 3/4 x 24 inches (73 x 61 cm)
Contemporary style gilt frame
This portrait is an evocative example of Devis' Regency period portraiture, featuring a pleasant looking young girl holding a book in an outdoor setting.
Working with a darker palette, a strongly accented diagonal recession, and dramatic contrasts of light and shadow, Devis heightens the girl's three-dimensional physical presence in the foreground of the composition.
The Artist
Arthur William Devis (10 August 1762 – 11 February 1822) was an English painter of history paintings and portraits. He painted portraits and historical subjects, sixty-five of which he exhibited (1779–1821) at the Royal Academy. Among his more famous works are a depiction of the Death of Nelson and a posthumous portrait of Nelson.
Devis was born in London, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. Devis was the younger brother of the painter Thomas Anthony Devis (1757–1810) and of the schoolmistress and grammarian Ellin Devis (1746–1820), teacher, among others, of author of Maria Edgeworth and Frances Burney (later novelist Madame d'Arblay).
He followed his elder brother Thomas Anthony in becoming a pupil at the Royal Academy Schools in 1774 and like his brother exhibited at the Free Society of Artists, of which in 1768 their father had become president, and at the Royal Academy. Early on he came to the notice of Sir Joshua Reynolds.
He was appointed draughtsman on the British East India Company's packet Antelope in a voyage in 1783, under Captain Henry Wilson. In her he was injured in an encounter with Papuans near the Schouten Islands and was then wrecked on the Pelew Islands before proceeding to Canton and thence to Bengal. During his voyages, the artist received arrow wounds, one of which inflicted permanent injury on his lower jaw. During his time in Bengal, he painted a portrait of Sir William Jones, at the time a judge in Fort William. The painting now hangs at the British Library.
He was back in London by 1795 and is recorded on 21 July 1797 as living at 27 George Street, Hanover Square, where he was insured by the Sun Assurance Office.
He is noted for his involvement in the creation of the posthumous cult of Horatio Nelson. As she returned from Trafalgar, Devis went out to meet HMS Victory and was present on board the ship during the autopsy of Nelson's body conducted by Dr Beatty, the ship's surgeon. With the help of sketches he took at that time, he painted a heroic Death of Nelson, which proved a sensation.
Devis also painted Dr Beatty, and was commissioned by him to produce a half-length painting of Nelson as vice-admiral, which he lent to Emma Hamilton (who later lost it in an accident whilst travelling). Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it. Lord Howe owned one, and another ended up in the collection of the National Maritime Museum. It also appeared as an engraving in Beatty's published account of Nelson's death.
Other work includes a portrait of King George III on horseback, and a range of portraits of admirals and generals, along with historical subjects, such as the Babington Plot and the signing of the Magna Carta...
Category
18th Century Victorian Portrait Paintings
Materials
Canvas, Oil
Portrait of a Mary Hardy (nee Sulman), Late 19th Century Victorian Oil
Located in London, GB
Slade School
Late 19th Century
Portrait of a Mary Hardy (nee Sulman)
Oil on panel
Image size: 8 x 7 inches
Contemporary frame
Provenance
Lady Town (Grandda...
Category
Late 19th Century Victorian Portrait Paintings
Materials
Oil, Panel
Portrait of a Gentleman, 17th Century English Oil on Canvas
By (Circle of) Mary Beale
Located in London, GB
Circle of Mary Beale
1633 - 1699
Portrait of a Gentleman
Oil on canvas
Image size: 30 x 25 inches
Contemporary gilt frame
Mary Beale was the daughter of a Suffolk clergyman.She married Charles Beale...
Category
17th Century Portrait Paintings
Materials
Canvas, Oil
Portrait of a Young Girl, Polish Late 19th Century Oil
Located in London, GB
Szymon Buchbinder
1853 - 1908
Portrait of a Young Girl
Oil on canvas
Image size: 19 x 13 inches
Original frameSimon Buchbinder (1853-1908) was a Polish painter. Most of his works we...
Category
Late 19th Century Portrait Paintings
Materials
Canvas, Oil
You May Also Like
Large 19th Century French Portrait of Lady with Roses & Smart Dress oil painting
Located in Cirencester, Gloucestershire
Portrait of a Lady
French School, 19th century
oil on canvas, framed
framed: 34 x 29 inches
canvas: 30 x 25 inches
provenance: private collection, France
condition: very good and sou...
Category
19th Century Victorian Portrait Paintings
Materials
Oil, Canvas
$1,975 Sale Price
20% Off
Very Large 1820's English Portrait Dapper Young Gentleman Period Drama Oil
Located in Cirencester, Gloucestershire
The Dapper Young Gentleman
English School, circa 1820's period
oil on canvas, framed
framed: 40 x 34 inches
canvas: 32 x 27 inches
provenance: private collection, England
condition: ...
Category
1820s Victorian Portrait Paintings
Materials
Oil, Canvas
$1,755 Sale Price
20% Off
Mid Victorian Portrait of a Lady Seated in a Chair Original 19th Century Oil
Located in Cirencester, Gloucestershire
Portrait of a Seated Lady
English School, mid 19th century
oil on canvas, unframed
canvas: 16 x 13 inches
provenance: private collection, England
condition: good and sound condition
Category
Mid-19th Century Victorian Portrait Paintings
Materials
Oil, Canvas
Portrait of Young Child Antique European Oil Painting Fine Gilt Frame
Located in Cirencester, Gloucestershire
Portrait of a Child
European School, early 20th century
oil on canvas, framed
frame: 21 x 18 inches
canvas: 15 x 12 inches
provenance: private collection, England
condition: extensiv...
Category
Early 20th Century Victorian Portrait Paintings
Materials
Oil, Canvas
$1,105 Sale Price
20% Off
Huge Victorian Original Oil Painting Portrait of Little Red Riding Hood
Located in Cirencester, Gloucestershire
Little Red Riding Hood
by John Talbot Adams (1827-1909)
oil on canvas, unframed
canvas: 50 x 40 inches
provenance: private collection, UK
condition: very good and sound condition hav...
Category
Late 19th Century Victorian Figurative Paintings
Materials
Oil, Canvas
$2,597 Sale Price
20% Off
Portrait of Gentleman with Cigar Large 19th Century British Oil Painting
Located in Cirencester, Gloucestershire
Portrait of a Gentleman with a Cigar
English artist, mid 19th century
oil on canvas, unframed
canvas: 30 x 25 inches
provenance: private collection, England
condition: overall good a...
Category
Mid-19th Century Victorian Figurative Paintings
Materials
Oil, Canvas
$1,933 Sale Price
20% Off
Recently Viewed
View AllMore Ways To Browse
P Frank
Victorian Painted Book
Rembrandts Father
Victorian Brush
Portraits Of Old Man And Women
Portrait Of Old Man And An Old Woman
Oil Paintings Signed Reynolds
Womens 85
Philip Watts
Frank Holl
King James I
Titan Fine Art
Florentine Portrait
French Portraits Of Older Lady
Lady White Dress Portrait
17th Century English Portraits
Florentine School
18th Century Portrait American