Items Similar to King Solomon Worshipping The Idols, 17th Century FRANS FRANCKEN II (1581-1642)
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Frans Francken IIKing Solomon Worshipping The Idols, 17th Century FRANS FRANCKEN II (1581-1642)
About the Item
King Solomon Worshipping The Idols, 17th Century
FRANS FRANCKEN II (1581-1642) - signed sales to $6,000,000
Large 17th Century biblical account of King Solomon worshipping the Idols, oil on panel Frans Francken. Excellent quality and condition Old Testament biblical scene on a cradled panel depicting the Idolatry of Solomon, son and successor of King David. Exceptional detail and would be enhanced with a light clean. Presented in an antique period frame. Signed.
Measurements: 47" x 34" framed approx
Artist Biography
Frans Francken II or the Younger is the third in order of descent in the Francken family tree. Born in 1581, the son of Frans Francken I or the Elder, he was the brother of Thomas, born in 1574, of Hieronymous II, born in 1578 and died in 1623, and of Ambrosius II, the last in line, who died in 1632. Hieronymous II, who died at the age of 56, is only known for his painting Horatius Cocles at Sublicius Bridge. Frans the Younger was initially a pupil of his father, who was then at the height of his career. In his father's studio he imbibed all the teaching of the tradition of Frans Floris. He also spent long periods in Italy, where he familiarised himself in particular with the masters of the Venetian school. Such study in situ enabled him to break away from the well-worn methods of Flemish Italianism, as practised by his father and uncles. It is conceivable that the young artist met Rubens, who was in Italy at the time.
In 1605, at the age of 24, on his return to Antwerp, Frans the Younger became a master in the Antwerp Guild of St Luke. In 1607 he married Elisabeth Placquet in Antwerp. Three sons and eight daughters resulted from this marriage. His children made up the fourth generation in the dynasty. Better known are Frans III (1607-1667) and Hieronymus, born in 1611. The latter had a son, Constantinus (1661-1717), who marks the end of the line. The family of Francken painters runs from 1520 to 1717.
As one of the most active masters in Antwerp, Frans II was appointed dean of the guild in 1614. He was also a member of the Violette, a major literary association, for which he painted an award-winning symbolic coat of arms. He was intimate with the most celebrated artists, in particular van Dyck, who executed a very fine portrait of him, judging by the engraving by Willem Hondius and Pieter de Jode. It is also likely that he was on familiar terms with Rubens who was his near contemporary. He died in Antwerp on 6 May 1642 at the age of 61, outlived by both Rubens and van Dyck.
The first securely dated work of Frans the Younger is Christ on the Cross from the gallery in Vienna, painted in 1606. Witches' Sabbath (Vienna) and The Works of Mercy (Antwerp) are dated 1607 and 1608 respectively. In these two latter works the painter proves himself adept at painting figures and allegorical scenes. The Works of Mercy represents various groups of figures, symbolising the different activities inspired by Christian charity. Paupers and beggars occupy the foreground, the ensemble being dominated by the figure of the glorious Christ.
While Frans the Younger cannot be compared with the masters of this great first generation of Antwerp, which was illuminated and steered by the genius of Rubens, he does nevertheless merit attention. He succeeded in developing and bringing into fashion an anecdotal genre on a more modest scale, elements of which were to inform the last representatives of the Francken family for over a century. Frans the Younger was undoubtedly the most talented draughtsman in the family. While his art may be criticised for its lack of grandeur and solemnity, the execution shows great talent. His brush stroke was vigorous and his imagination, albeit restrained, was brilliant. His interest in tonal values was highlighted by his study and appreciation of his remarkable contemporaries. This enabled him to carry out landscapes and also fleshy figures, which made him altogether worthy of the brilliant period to which he belonged. While detail certainly preoccupied him, he treated it with intelligence and even esprit, as witnessed in The Parable of the Prodigal Son and A Prince's Visit to the Treasury of a Church(both in the Louvre). The scenes painted in grisaille, which surround the principal motif of the Prodigal Son, are characteristic of his style. He excelled in painting jewellery, ornaments, and textiles with shot silk effects. A large number of his figures inhabit the neutral backgrounds of the interiors of apartments and galleries. He carried out such work not only under his own auspices, but also for other artists, such as Peeter Neeffs, van Bassen, Josse de Momper, and Breughel.
Museum and Gallery Holdings
Aix: Arrival of the Hebrews in the Promised Land
Amiens: Adoration of the Magi (sketch)
Amsterdam: Abdication of Charles V of Spain; Adoration of the Magi; The Prodigal Son; Same Subject; Scenes from the Old Testament
Antwerp: A Collector's Cabinet; Miracles at the Tomb of St Bruno; The Works of Mercy; The Four Crowned Martyrs Condemned; Flagellation of the Four Crowned Martyrs; Stoning; The Four Crowned Martyrs at Work
Arras: The Passion
Augsburg: Moses Striking Water from the Rock
Bamberg: The Festival of Dancing
Besançon: The Crossing of the Red Sea; Crossing the Jordan; Christ Delivered to the Insults of the Jews; Christ Carrying the Cross
Bordeaux: Christ at Calvary; Same Subject
Brussels: Croesus Showing Solon his Treasures
Budapest: Esther and Ahasuerus
Caen: The Slaves of the Furies of Love
Chambéry (MBA): Adoration of the Magi
Cherbourg: The Woman Taken in Adultery
Cologne: Adoration of the Magi
Compiègne: Allegory
Dresden: The Calumny of Apelles; The Flight into Egypt; The Queen of the Heavens Crowned with Flowers; The Adultress before Christ; The Creation of Eve
Dunkirk: The Feast of Herod
Florence (Palazzo Pitti): Christ Led to Calvary
Florence (Uffizi): The Flight into Egypt
Hamburg: Drowning of Pharoah's Army
Hanover: The Prodigal Son
Kassel: The Kiss of Judas (copper)
Kassel (Gemäldegal. Alte Meister): Apelles and the Cobbler (copper)
Lille: Christ on the Way to Calvary
Mainz: David, Conqueror of Goliath
Munich: room decorated with pictures and objets d'art; The Seven Works of Mercy; A Tournament
Nancy: The Virgin and Child Served by Angels; Christ in the Desert Served by the Angels
Nantes (MBA): The Embarkation of Cleopatra; The Death of Adonis
Nice: Christ in the Garden of Gethsemane
Oberschleissheim: The Temptation of St Anthony
Oldenburg (Augusteum): Apollo and the Muses
Orléans: Christ before Caiaphus
Oslo: Gathering of Men and Women in front of an Inn
Paris (Louvre): The Parable of the Prodigal Son; The Passion; Ulysses Recognises Achilles amongst the Daughters of Lycomedes; Croesus and Solon
Paris (Mus. Marmottan-Monet): Christ Preaching on the Sea of Tiberias
Rennes: Christ in the House of Simon the Pharisee
Rohrau (Schlossmuseum, Graf Harrach'sche Familiensammlung): Studio (allegorical subject)
Rome (Mus. e Gal. Borghese): Picture Dealer
St Petersburg (Hermitage): Crossing the Red Sea; The Seven Acts of Christian Mercy; Entry of David into Jerusalem
Stockholm: six paintings
Stuttgart: Adoration of the Magi; Last Judgement; The Four Elements; Jupiter and Juno
The Hague: A Ball at the Court of Albert and Isabelle
Tours: The Abduction of Helen
Vienna: Witches' Sabbath; Croesus and Solon; The Dance; The Crucifixion; Christ and Nicodemus; A Cabinet of Art and Curiosities (1636); Gathering of Witches
Bibliography
Härting, Ursula Alice: Studien zur Kabinettbildmalerei des Frans Francken II, 1581-1642. Ein Repräsentativer Werkkatalog, G. Olms, Hildesheim, 1983.
Härting, Ursula Alice: Frans Francken der Jüngere (1581-1642): die Gemälde mit Kritischen Oeuvrekatalog, catalogue raisonné, Luca Verlag, Freren, 1989 (with a summary in English).
- Creator:Frans Francken II (1581 - 1642, Flemish)
- Dimensions:Height: 34 in (86.36 cm)Diameter: 47 in (119.38 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Blackwater, GB
- Reference Number:Seller: 7832951stDibs: LU1577214064342
Frans Francken II
Frans Francken the Younger is the best-known member of an extended artistic family that worked in Antwerp from the late sixteenth to the late seventeenth century. Born in 1581, he almost certainly studied with his father, Frans Francken the Elder (c. 1542-1616), before becoming a master in the Antwerp Saint Luke's Guild in 1605. In 1627 he became a member of the Antwerp archers' guild De Oude Handboog. Francken was an extremely productive and imaginative artist who specialized in expressively rendered small-scale religious and mythological scenes. He also painted larger altarpieces for Catholic churches. His depictions of collectors' cabinets introduced a genre of painting that influenced several artists, including Jan Brueghel the Elder and David Teniers the Younger. Francken ran a large and productive workshop, where he was assisted by a number of pupils, including his sons Frans III (1607-1667), Hieronymus III (1611-after 1661), and Ambrosius III (c. 1614-1662). Also active in his studio were his brothers Thomas (1574-c. 1626), Hieronymus the Younger (1578-1623), and Ambrosius the Younger (c. 1590-1632). Francken painted many works for the art dealer Christian van Immerzeel, who sold them to Spanish collectors. Francken frequently collaborated with other artists. For example, he painted figures in landscapes by Abraham Govaerts (1589-1626) and Joos de Momper II (1564-1635) and in architectural scenes by Bartholomeus van Bassen (c. 1560-1652) and Peeter Neeffs the Elder. He also collaborated with flower painters, among them Jan Brueghel the Elder, Jan Brueghel the Younger (1601-1678), and Andries Danielsz (active c. 1600-1625).
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2008
1stDibs seller since 2021
276 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Blackwater, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllCoronation Portrait Of King Edward VI (1537-1553) as King Of England & Ireland
Located in Blackwater, GB
Coronation Portrait Of King Edward VI (1537-1553) as King Of England & Ireland, 16th Century
English School - Oil on panel - circa 1547
Large 16th Century Coronation portrait of Edward VI as King Of England & Ireland, oil on panel. Early and important portrait...
Category
16th Century Portrait Paintings
Materials
Oil, Wood Panel
Portrait Of King Edward VI (1537-1553) as Prince Of Wales, 16th Century
Located in Blackwater, GB
Portrait Of King Edward VI (1537-1553) as Prince Of Wales, 16th Century
English School - Oil on panel - circa 1547
Large 16th Century portrait of Edward VI as Prince Of Wales, oil on panel. Early and important portrait...
Category
16th Century Portrait Paintings
Materials
Oil, Wood Panel
Portrait of Henry IV, King of England (1367-1413), 16th Century
Located in Blackwater, GB
Portrait of Henry IV, King of England (1367-1413), 16th Century
English School Portrait - Early Oil On Panel
Large 16th Century court portrait of Henry IV, King Of England (1367-14...
Category
16th Century Portrait Paintings
Materials
Oil, Wood Panel
Portrait Of Elizabeth Percy, Countess of Northumberland (1646-1690) 17th Century
By Daniel Mytens
Located in Blackwater, GB
Portrait Of Elizabeth Percy, Countess of Northumberland (1646-1690), 17th Century
Studio of Jan MYTENS (1640-1670)
Large 17th portrait of Elizabeth Percy Countess of Northumberland, oil on panel. Excellent quality and condition portrait of the daughter of the Earl of Southampton and granddaughter of the Earl of Chichester. Percy came to fame in the 1660's as one of the Windsor Beauties in the court of Charles II. Presented in its original antique hand carved frame...
Category
17th Century Portrait Paintings
Materials
Oil, Wood Panel
The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825)
By Jacques-Louis David
Located in Blackwater, GB
The Death Of Patroclus, 18th Century
School of Jacques-Louis David (1748-1825)
18th Century French Neo-Classical scene of the Death Of Patroclus, oil on panel. Excellent quality an...
Category
18th Century Portrait Paintings
Materials
Oil, Wood Panel
The Return Of King Agamemnon, 16th Century Frans I FLORIS (1516-1570) Trojan War
Located in Blackwater, GB
The Return Of King Agamemnon, 16th Century
circle of Frans I FLORIS (1516-1570)
Large 16th Century Flemish Old Master depicting the return of King Agamemnon from the Trojan War, o...
Category
16th Century Portrait Paintings
Materials
Oil, Wood Panel
You May Also Like
Tri-Directional Portrait Commemorating the Russo-Turkish War
Located in New Orleans, LA
Austrian School
18th Century
Tri-Directional Portrait Commemorating the Russo-Turkish War
Oil on wooden strips
This extraordinary tri-directional portrait exemplifies the rare innovation known as a triscenorama, capturing a pivotal diplomatic moment through ingenious artistic technique. Employing triangularly cut wooden strips, this remarkable work simultaneously depicts three imperial figures central to the Russo-Turkish War of 1735-1739: Empress Anna Ivanovna Romanova of Russia when viewed directly, Holy Roman Emperor Charles VI from the left and Ottoman Sultan Mahmud I from the right, commemorating the Treaty of Nissa that concluded this significant European conflict.
The portrait utilizes an exceptionally rare optical technique that predates modern movable imaging technology. When observed from different angles, the painted triangular wooden strips create a transformative effect, revealing entirely different imperial portraits as the viewer shifts position. The precision required to execute such a work demonstrates remarkable technical mastery, as the artist had to conceptualize three distinct portraits as well as the meticulous arrangement of the panels. This sophisticated manipulation of perspective creates an interactive viewing experience considered revolutionary for its time.
Almost certainly created by an Austrian artist, this diplomatic artwork likely served as a commemorative piece marking the Treaty of Nissa, signed in September 1739. The treaty concluded Russia's ambitious campaign to secure access to the Black Sea while countering Ottoman raids in Ukraine and the Caucasus regions. Given its exceptional quality and historical significance, this portrait was possibly commissioned by Emperor Charles VI himself, potentially serving as a diplomatic gift to either Empress Anna or Sultan Mahmud I during the treaty negotiations.
Under Empress Anna's leadership, Russia sought to counter devastating raids from Ottoman allies, particularly the Crimean Tatars...
Category
18th Century Old Masters Portrait Paintings
Materials
Wood, Oil, Wood Panel
Portrait of a woman in a garden oil painting on panel by Jan Van Beers
By Jan Van Beers
Located in Gavere, BE
Info artist :
Van Beers studied at the Academy in Antwerp. In 1873, he undertook a trip to London with Alexandre Struys. In 1878, Van Beers went to Paris where he worked in the stud...
Category
Early 1900s Victorian Portrait Paintings
Materials
Oil, Wood Panel
Portrait Irish Setter dog, French oil painting on panel 19th
Located in Gavere, BE
Portrait Irish Setter dog, French oil painting on panel 19th
Eugène Ferdinand PARISY was born in France in 1849 and died in 1916.
His works have been sold at public auction 68 time...
Category
1890s French School Animal Paintings
Materials
Oil, Wood Panel
Oil painting on panel portrait of a lady by Harry Humphrey MOORE
Located in Gavere, BE
Oil painting on panel portrait of a lady by Harry Humphrey MOORE
Harry Humphrey Moore ( 1844, New York City - 1926, Paris) was an American painter; best known for his works depicti...
Category
Early 1900s Impressionist Portrait Paintings
Materials
Oil, Wood Panel
Oil painting on panel portrait of an American eskimo dog 20Th c.
Located in Gavere, BE
Oil painting on panel portrait of an American eskimo dog 20Th c.
The American Eskimo Dog is a breed of companion dog, originating in Germany. The American Eskimo Dog is a member of ...
Category
1920s Other Art Style Animal Paintings
Materials
Oil, Wood Panel
"Deep Breath" (2022) Oil Painting by Calvin Lai Featuring Two Acrobats
By Calvin Lai
Located in Denver, CO
Calvin Lai's (US based) "Deep Breath" is an original, handmade oil painting that depicts two acrobats, cast in red light, with the female figure balancing on the male figure.
Artis...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Wood Panel, Canvas
Recently Viewed
View AllMore Ways To Browse
Portrait Jewlery
17th Century Copper
Antique Portrait Jewelry
17th Century Wood Panels
17th Century Cross
Antique King Crown
17th Century Jewellery
The Antique Inn
Dior Christal
Silk Framed Pictures
Dior Coat Red
Spanish 17th Painting
Coat Of Arms Painting
Shot Silk
17th Century Venetian
Familiar Garden Flowers
Mercier In Paris
Antique Portrait Picture