Goyo Dominguez

Alba

2016

"Raquel" is an interior scene of a young woman, stretched out comfortably on a sofa, surrounded by flowers and fruit. She gazes placidly at the artist, who is portraying her dressed in a nightgown and a colorful dressing gown. Oil on canvas. 2003 Measurements: 90 x 200 cm / 35,43 x 78,74" The rich range of colors used and the relaxed gesture of the model envelop the atmosphere of comfort that prevails in the works of this author because, according to his words: “When I use a model I want her to be very comfortable, rested, calm and relaxed. I am not interested in movement in my work, as it always ends up too artificial for my taste and would interfere with the ambiance I am trying to create”. The flattened perspectives, the fractured surfaces, and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. In 2003 Ediciones Sammer publishes in a deluxe edition the book Alfredo Roldán written by the sculptor David Gamella where a large part of his work is reproduced. This painting, Raquel, is reproduced on the cover of the book and also inside on a double page (294-295). ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...

Musa II. Beautiful woman playing an instrument and still life was painted by Goyo in 1997. Date and signature appear in the lower left corner. It is done with acrylics in a 122 x 6...

The medium of choice for Do Byung-Kyu, born in Cheonan, Korea, is dolls: they are both his conceptions and his physical expression. At the same time dolls are also the perfect tool for communicating the artist’s inner self. Expressing himself by means of dolls liberates Do from the restrictions of the mundane world. By embodying in the form of dolls his actions and thoughts, dreams and desires, and even the instincts lying in the depths of the subconscious, he transcends the secular boundaries. Dolls are his alter ego, his other self that he can construct precisely the way he wants. Sublimating the experiences and memories from his youth into various subjects of desire, Do uses dolls to paint a descriptive picture of the ambiguous feelings of contradictions from his childhood when he would abuse and kill a plaything, for example a frog, then bury the body in solemn mourning over its death. These sexual or violent games from his childhood are not likely to be limited to Do’s experiences alone. Most of us can vaguely remember indulging in sadistic acts of sexual love against a doll. Rising above a child’s simple curiosity, it is an intuitive game of the senses we play by ourselves. In a number of Do’s paintings, sticky liquid can be observed dripping down a doll’s face. This brings back recollections of the life inside our mothers’ womb where we were also enveloped by mucous waters, like the amniotic fluid. It refuses contact with the anything, and nothing wants to touch it either. The shape of such a mucous liquid is a protective layer sheltering the intrinsic identity and desires of man. It is also a substitution that satisfies the ego’s instincts otherwise suppressed by social norms. The dolls’ eyes...

Original painting by Angela Smith showing back of girl's head. A portrayal of young girl with brown hair tied back by pink flowers.  Surrounded by a vibr...