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Harry Charles Tim
Harry Charles Tim - Contemporary Acrylic, A Happy Crowd

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$616List Price

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Mircea Marosin (1921-2007) - Mid 20th Century Acrylic, Head Study
Located in Corsham, GB
A bold portrait of a man with a bandaged head. The expressive brushstrokes and illustrative quality of the composition have produced a provoking piece. ; Unsigned. On card.
Category

20th Century Portrait Paintings

Materials

Acrylic

B. Strauss - Framed 20th Century Acrylic, Man in a Blue Feather Headdress
Located in Corsham, GB
Well presented in a gilt mount an modern frame. Signed to the lower right. On canvas board.
Category

21st Century and Contemporary Portrait Paintings

Materials

Acrylic

Contemporary Acrylic - Woman in Profile
Located in Corsham, GB
A fine portrait of a woman in profile. Presented glazed in a grey and white double mount and a black frame. Signed indistinctly to the lower-right edge. On wove.
Category

21st Century and Contemporary Portrait Paintings

Materials

Acrylic

Tony Jackson (b. 1945) - 1997 Acrylic, Waiting at the Clinic
Located in Corsham, GB
A fine artwork, well presented in a wood frame. Exhibited at The Royal Academy Summer Exhibition 1997, labelled verso. Monogrammed and ...
Category

20th Century Portrait Paintings

Materials

Acrylic

Contemporary Acrylic - Tranquility
Located in Corsham, GB
Unsigned. Well-presented in a double card mount and in a wooden frame with an inner gilt detail. On canvas paper.
Category

21st Century and Contemporary Portrait Paintings

Materials

Acrylic

Framed 20th Century Acrylic - Blonde Haired Woman
Located in Corsham, GB
A wonderful portrait of a young woman with blonde hair set against a dark background. The expressive and broken brushwork creates a striking composition which is complimented by the ...
Category

21st Century and Contemporary Portrait Paintings

Materials

Acrylic

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Aiyekooto (Insecure) - Contemporary African Portrait with Parrot Symbolism
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“Aiyekooto (Insecure)” is a psychologically resonant painting that invites the viewer to reflect on the instability of truth in contemporary society. The Yoruba title Aiyekooto translates as “the world rejects truth” a fitting metaphor for an era defined by misinformation, curated identities, and performative honesty. At the center of the composition is a mysterious figure, partially obscured behind a sculptural, collar-like form, as though armored against scrutiny. A parrot, traditionally a truth-teller in Yoruba symbolism, perches on a branch nearby. But here, the bird becomes a subtle antagonist representing the overwhelming flood of conflicting information in our modern lives. The figure’s intense gaze, matched by surreal accessories like a lemon slice hat and hyper-stylized garment, suggests both elegance and caution. The mood is contemplative and charged a quiet but forceful critique of societal insecurity toward what is real, what is fabricated, and what we choose to believe. Orioye’s painterly skill, combined with his unique narrative approach, creates a work that is visually rich and conceptually deep. The balance of cultural symbolism, fashion surrealism, and psychological commentary makes this piece a timeless addition to any serious collection of contemporary African art. Why It’s Worth the Price: This is more than a portrait it’s a visual philosophy rendered in color, texture, and metaphor. Bukola Orioye...
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