Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Jane Ross
Portrait of Thomas Cooper Gotch, 19th Century Oil Painting

About the Item

Oil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s Art School. They shared a passionate interest in literature, plays and books. Tom called Jane his ‘sister confessor’ and she called him her ‘penitent’. They were extremely close, going on to study at the Slade together, and then Paris. There are definitely indications of a romance between them, which, if true, came to naught as Thomas married Caroline Burland Yates in 1881.
  • Creator:
    Jane Ross (1850 - 1920, British)
  • Dimensions:
    Height: 7 in (17.78 cm)Width: 3 in (7.62 cm)
  • More Editions & Sizes:
    1 of 1Price: $621
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU52412640572

More From This Seller

View All
Portrait of a Gentleman Commoner at Oxford, 18th Century Oil on Canvas
By James Northcote b.1746
Located in London, GB
James Northcote Portrait of a Gentleman Commoner at Oxford Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Original gilt frame This painting is a comparatively rare example ...
Category

18th Century English School Portrait Paintings

Materials

Canvas, Oil

Portrait of a Young Boy Carrying a Fruit Basket, 18th Century Oil on Canvas
By Sir William Beechey
Located in London, GB
Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Hand carved gilt frame This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece with a fl...
Category

18th Century English School Portrait Paintings

Materials

Canvas, Oil

Portrait of a Young Boy Carrying a Fruit Basket, 18th Century Oil on Canvas
By Thomas Beach
Located in London, GB
Oil on canvas Image size: 30 x 25 inches (76 x 63.5 cm) Contemporary hand-carved frame This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece w...
Category

18th Century English School Portrait Paintings

Materials

Canvas, Oil

Portrait of a Peasant Girl, 19th Century English Oil Painting
Located in London, GB
Oil on canvas Image size: 15 1/2 x 11 1/4 inches (39.5 x 28.75 cm) Original gilt frame This is a touching head and shoulders portrait of a young peasant girl. Wearing a headscarf, a...
Category

19th Century English School Portrait Paintings

Materials

Canvas, Oil

Self Portrait, 20th Century Female Artist Oil Painting
By Joan Fairfax Whiteside ARRC FMAA
Located in London, GB
Oil on canvas Image size: 17 3/4 x 13 inches (45 x 33 cm) Contemporary hand made frame and oval mount The Artist Joan Fairfax Whiteside was a prodigious artist and illustrator. Bor...
Category

Mid-20th Century English School Portrait Paintings

Materials

Canvas, Oil

Portrait of Lady Mansfield of Ringwood
By Thomas Hudson
Located in London, GB
Portrait of Lady Mansfield of Ringwood Oil on Canvas Image size: 25 x 30 inches (63 x 76 cm) Original carved & gilded frame POA Provenance Descended through the Family Estate Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784. Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered. Thomas Hudson Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes. He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family. He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds. Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...
Category

18th Century English School Paintings

Materials

Canvas, Oil

You May Also Like

James P Barraclough, Portrait of a young woman, Royal Academy exhibit
By James P. Barraclough
Located in Harkstead, GB
A delicately painted portrait of a pretty young maid imbued with a beautiful light. James P Barraclough 1891 - 1942 The Kitchen maid Signed and dated 1923 Oil on canvas 30 x 25 inc...
Category

1920s English School Portrait Paintings

Materials

Oil, Canvas

Antique Late 19th Century English Oil on Canvas Painting Female Portrait 1900
Located in Portland, OR
Antique English oil on canvas portrait painting, circa 1900. A very handsome Impressionist portrait of a youthful lady in Edwardian dress. Oil on canvas, signed to the upper left "F ...
Category

Early 1900s English School Portrait Paintings

Materials

Canvas, Oil

"Anyone for Croquet" Herbert Gustave Schmalz, Portrait by Pre-Raphaelite Artist
Located in New York, NY
Herbert Gustave Schmalz Anyone for Croquet, circa 1898 Signed lower right Oil on canvas 47 5/8 x 31 3/4 inches Provenance Anthony Mitchell, Nottingham Burlington Gallery Ltd., Londo...
Category

1890s English School Figurative Paintings

Materials

Canvas, Oil

Sir Francis Dicksee Portrait, c. 1900
Located in New York, NY
Sir Francis Dicksee (English, 1853-1928) Untitled (Portrait of a Woman), c. 1900 Oil on canvas; period frame Sight: 13 1/4 in. Framed: 21 1/8 x 21 1/8 x 3 3/8 in. Frank Dicksee was a member of a noted artistic family, his father, brother, and sister Margaret were all well-known painters, and the family lived in the Bloomsbury area of London. He was initially trained by his father, before entering the Royal Academy schools in 1870. Amongst the visiting lecturers who trained him, were the famous senior academicians Leighton [1830-1896] and Millais [1829-1896]. Dicksee was a star student, earning many distinctions and medals. Like many other artists of the day his early career was largely spent in book illustration, as well as some stained glass window design. He started exhibiting at the RA in the mid 1870s, and also exhibited at the Grosvenor Gallery, though his real base was always the Academy. Dicksee made his reputation with Harmony, exhibited at the Academy in 1877, and bought by the Chantry Bequest. Frank Dicksee was elected ARA in 1881, and became a full RA ten years later. Many of his pictures were of dramatic historical and legendary scenes. He also was a noted painter of elegant, highly-finished portraits of fashionable women, which of course helped to bring him material success. Many of these portraits are so beautiful, it is really difficult to disapprove of them - happy was the fashionable lady whose portrait was painted by Dicksee! He also painted landscapes. Dicksee lived in St John's Wood, and remained a bachelor. He was, of course, one of the nineteenth century artists who outlived his time, and was, to his credit, very unhappy with developments in the early twentieth century. Rather surprisingly, Dicksee was elected President of the Royal Academy in 1924, fulfilling the role with panache and tact. Physically he was a tall, good-looking, patrician figure, with a charming easy-going manner. Like his predecessor but one Edward Poynter...
Category

Early 1900s English School Portrait Paintings

Materials

Oil, Canvas

Portrait After John Constable, Sotheby's Provenance
By John Constable
Located in New York, NY
After John Constable (British, 1776-1837) Portrait of A Man, c. 1800 Oil on canvas 23 3/4 x 19 3/4 in. Framed: 34 x 29 3/4 x 2 3/4 in. Sotheby'...
Category

19th Century English School Portrait Paintings

Materials

Canvas, Oil

Oil on Canvas Portrait of Mother and Child
Located in Fredericksburg, VA
This painting is unsigned but evidence shows that it is from a European school. It shows a mother with a child on her lap as well as a forest background. Likely wealthier patrons due...
Category

Mid-19th Century English School Portrait Paintings

Materials

Canvas, Oil

Recently Viewed

View All