Pamela Wilson

"Metempsychosis: Ginger Snapped, " Oil Painting

Kelly Birkenruth's (US based) "The Genesis of Femininity" is an original, handmade oil painting that depicts a still life of two green granny smith apples and a halved egg shell in situ with a smaller than life bronze statue of a feminine figure. Kelly Birkenruth’s captivating paintings are in the style of contemporary realism while staying firmly grounded in the tradition of the Old Masters. She is able to pull the viewer into her paintings by interweaving emotion with a humanistic quality through her supreme handling of light. Through her portraits and still lifes she is able to evoke sensitivity and empathy, which in turn allows her to create images which transcend mere representation to capture the true essence of her subject. Kelly’s arresting compositions, draftsmanship, use of color and observation of detail allow her to create paintings with a timeless quality. After earning her degree from Pennsylvania State University, Kelly moved to southern California where she began a career as a fashion model. Her agency soon sent her abroad to Paris and Tokyo, where she spent the next several years modeling. When she wasn’t walking the runway, she spent endless hours in the great museums of the world, closely observing and studying the works of the Old Masters. “My time abroad, particularly in Paris, opened my eyes to the vast beauty and power of a great painting. After that I knew I wanted to dedicate my life to the pursuit of Fine Art” said Birkenruth. After returning to the States, Kelly studied at Otis College of Art in Los Angeles, CA. She then continued her studies through workshops and private study with renowned artists such as Daniel Sprick, Steven Assael and Jesus Emmanuel Villarreal. In the spring of 2019...

Christopher Remmers' (US based) "Nomos" is an original, handmade oil painting that depicts a nude man hugging a glowing orb of light to himself as ...

Oracle 2016 Oil on Panel 9" x 12" unframed 16 1/2" x 19 1/4" framed Taxidermy monkey head sits atop a brick wrapped in plastic. Many of the artist's ...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...